writer

The Book Bag: Mædwe by Corinna Board

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a fairly busy one. I celebrated my birthday on Wednesday and despite the dreary weather had an amazing time. Did I buy a few books? Yes. Did I enjoy a delicious dinner at Lollo Rosso? Yes. Because of the rain, we postponed visiting Howick Hall Snowdrop walk until yesterday where for the first time in what seems like forever we had sunshine! A great Valentine’s Day gift!

I was also able to chill, listen to some  Coltrane and Davis, and play some sax. I also dabbled with my watercolours, finished some books and returned to the Wasteland in Fallout 4.

Also, it was the return of Write Here, Right Now on Thursday evening. Another insightful and informative session. Having time dedicated to writing and being able to gain insightful peer feedback is tremendously valuable. I’m really proud to be part of it.

On top of that, I’ve been reading;

Mædwe

  • Poet: Corinna Board
  • Press: Salò Press


I’ve followed and enjoyed Corinna’s poetry for some time now and always find her work engaging, fascinating and full of beautiful language.

Mædwe is a pamphlet that drops the reader into the countryside, with nature and humanity intersecting in various ways. This begins with the titular poem ‘Mædwe’ that gives a vibrant introduction to the book.

Corinna is able to use imagery with ease. Poems engage the reader fully in scenery that is vivid and dynamic. The piece ‘You Find A Fox Skull’ (one of my favourites) reminded me of growing up in Northumberland and building forts in the willow, birch and hawthorn treeline close to the recreation field. The poem ‘Do You Speak Field?’ is another terrific example where the reader is given space to allow the poem to breathe.

The poems in this pamphlet are filled with heart and admiration for nature and its positive qualities in dealing with complex emotions. ‘Something Like Hope’ is a prosaic piece that takes the reader along on a searching walk with the narrator. ‘Meadow Semantics’ has a sense of survival, resilience and renewal.

Form is fluid throughout the book with multiple styles to excellent effectiveness. One of my favourites uses form terrifically. ‘A Short Guide to Noticing’ is a list poem that transfers to short stanzas full of wonderful language. Another piece (and another of my favourites) ‘Attempting to Translate The Curlew by Listening to Sound Samples on My Phone’ is extraordinary in its use of language, format, spacing and ambition. ‘Emergency For Bees’ is a tremendous use of erasure poetry and has real impact both in terms of message and visually.

This is a book that will appeal to lovers of poetry, lovers of nature poetry, lovers of poetry with heart. Fans of creative use of form will love this. It is an exquisite collection and a book everyone should be reading in 2026. I can’t praise this enough as it is another book that has expanded my perspectives on poetry like Leia Butler’s visual approach in Make Up My Mind.

Favourite Poem:

There are so many special poems in this book. I could name every single one and that wouldn’t be a stretch. So to go along with ‘A Short Guide to Noticing’, ‘Attempting to Translate The Curlew by Listening to Sound Samples on My Phone’ and ‘You Find A Fox Skull’, I’ll go with ‘Human Interviews Local Brook’, ‘A Dunnock’s Prayer’, ‘Meet Me In The Field’, ‘Tournesols’, ‘Field Notes’, ‘Owl In A Box’ and ‘& Then A Lark’.

To learn more about Corinna, click here to read an interview in The Wombwell Rainbow..

To buy Mædwe, click here

As always here’s a playlist that I think accompanies the book well. It’s a quirky mix of modern and vintage this week:

Oasis – Songbird
Fleetwood Mac – Landslide
Joni Mitchell – Little Green
Bill Withers – Ain’t No Sunshine
Passenger featuring Birdy – Beautiful Birds
Miles Davis – Stella by Starlight
George Ezra – Green Green Grass
The Corrs – Summer Sunshine
Sigrid – Home To You
Sting – Deep In The Meadow
Eurythmics – Here Comes The Rain Again
Gregory Porter – Skylark

Before I Go…
Have you been keeping up with The Book Bag: Poetic Voices feature for February? A new piece was added on Tuesday and shows a grittier side to Paul’s work. Read the full feature here.

One More Thing…
I highly recommend Black Bough Poetry’s Crafting Your Year in Poetry session. It’s a great, collaborative session to identify gals that you can realistically aim for and achieve over the year. There’s one happening on Sunday 1st March. Details here.

And Another…
Poetry Wales have a submission call for poetry on the theme of teaching. Find the details here.

And Finally…
The Alchemy Spoon are also looking for poetry. This time on the theme of ‘bugs’. More information here.

Next Week’s Read

  • Title: Along The Home Roads
  • Poet: Andy Perrin

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Through Salt-Heavy Seas by Andrew Williamson

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a fairly quiet one with the bleary, grey weather. I did manage to get across to our allotment and look at the current progress of garlic and shallots, parsley and onions. They seem to be doing well despite the constant rain. At home we sowed some sweetpeas to start them off for spring. Also we harvested the last of the sprouts and used them to make a delicious slaw.

I’ve been able to write, do some editing, I launched this month’s Poetic Voice, the excellent Paul Connolly. Read part one here and bookmark for further work being added.

On top of that, I’ve been reading;

Through Salt-Heavy Seas

  • Poet: Andrew Williamson

I first encountered Andrew Williamson’s poetry as part of the weekly PoemsAbout prompts on BlueSky ran by Alan Parry & Broken Spine. His work caught my eye for several reasons – the minimalist word count, the power he packs in and the relatability of his poems. Andrew is also a member of Write Here, Right Now and always provides clever and creative insight.

Through Salt-Heavy Seas is a collection that focuses on place and how it impacts our very core. The piece ‘Tūrangawaewae’ (one of my favourites) and ‘When You Are Ready To Get On The Plane’ both lean into Andrew’s antipodean heritage. ‘The Kitchen’ draws readers into the intimacy and legacy of domestic spaces.

Imagery is vibrant and vivid throughout the collection. A prime example (and one of my favourites) is ‘Coire Uisg’ which uses a broad palette to paint the horizon. ‘Lambing Snow’ will feel ultra-familiar to anyone who has lived in rural areas or worked in agriculture. The piece ‘Forest’ is a clever poem that inverts the natural imagery of a forest poem.

Across the book, poems will cocoon you in various emotional states. ‘Hiraeth’ sparks pride, ‘Lullaby’ is a heart-wrenching piece that drew pause. The piece ‘Catching The Train From Dundee on New Year’s Eve Without You’ is an authentic and relatable love poem especially for those who’ve ever had to leave the comfort of family for a place that now feels unfamiliar despite its familiarity.

There is varied use of form and style in the collection with ‘Seven Questions To A Mountain’, a question poem, ‘Spring’ gives us a haiku which is always a treat. I enjoyed the looseness of punctuation that allows readers to dictate pace and let the poem continue in the mind to shape an outcome especially in ‘Coming Out Of Hibernation’ and ‘I Am Waiting For A Summer That Never Comes’. Andrew has also added a small glossary of translations to the book which was welcome as I was able to add to my vocabulary. In fact, Andrews use of traditional languages is an excellent inclusion in the book. Keeping these words in the public’s mind is tremendously important.

This collection will appeal to readers who love poems that speak of place and how we carry it. Poetics who want emotive pieces that speak on relationships and longing with honesty and authenticity will appreciate the poetry contained within. A gem of a book packed with relatable, accessible poetry that can be returned to time and again.

Favourite Poem:

I’ve already mentioned ‘Coire Uisg’ and ‘Tūrangawaewae’. Here’s another handful that spring to mind as I write this. ‘Unrequited’, ‘An Dùblachd’, ‘Variants’, ‘Kintsugi’ and ‘Letting In The Wolf’. I’ll also say ‘Compass Point’.

To learn more about Andrew, click here.

To buy Through Salt-Heavy Seas click here.

And if you’re looking for this week’s playlist, here it is. Something a bit eclectic again but what else would it be?!

Deacon Blue – Dignity
Nick Cave & The Bad Seeds – Into My Arms
Runrig – Skye
Mànran – Lahinch
Ellie Beaton – The Island
INXS – Never Tear Us Apart
The Dave Brubeck Quartet – Take Five
Manic Street Preachers – A Design For Life
Crowded House – Weather With You
Art Pepper – Patricia
Norma Winstone – Distance
Natalie Imbruglia – Torn
Ralph Vaughan Williams – The Lark Ascending

Before I Go…
The Book Bag Open Mic Session 3 is shaping up nicely with exactly a month to go. Reader and Audience tickets are available here. Always a supportive and inclusive space for poets to share polished gems or roughcut coals.

One More Thing…
The Broken Spine have a submission call for Punk poetry. An opportunity to let loose and potentially be published in print. Full details can be found here.

And Another…
Black Bough Poetry has a new project called Fragment Friday. Details are on social media. Give them a follow and get involved (Meta: @blackboughpoetry / X: @blackboughpoems / Bluesky: @blackboughpoetry.bsky.social).

And Finally…
The North currently have an open submission call for their ‘Libraries’ issue. Libraries mean so many things to so many people. Full details available here. 

Next Week’s Read

  • Title: Mædwe
  • Poet: Corinna Board

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – February 2026

Welcome to the first poetic voice of 2026. February is a special month as I celebrate my birthday AND i get to share work from an incredible poet and man.

I first encountered this Poetic Voice sharing his work on the weekly PoemsAbout prompts supplied Broken Spine on Bluesky, finding his poetry smart and accessible and full of wonderful phrasing and incredible language. Then I heard him read at an Open Mic and I was blown away with his performance, he performs with an vigour and gravitas and if you get the chance to hear him read his work, do take it – he often shares his recordings on social media. I’ve been fortunate enough to strike up a real connection with him.

So with further ado, allow me to introduce the excellent Paul Connolly. Find him on Bluesky at @thepaulconnolly.bsky.social.

Paul Connolly has written verse all his life but turned more serious attention to it about fifteen years ago, having set aside his Orwell Prize-longlisted satirical blog. Since then he has had well over 100 poems published in poetry magazines and online periodicals across the globe. He was third in the Magna Carta Poetry Competition, highly commended in the Sentinel Prize, and has a Charles Causley Prize shortlisting and two for the Bridport Prize (as well as a Bridport longlisting in the novel category). Last year, he was among the finalists for the Walking at Night writing prize and received a Best of the Net nomination. He is now seeking a publisher for his first poetry collection and his two novels.

Across the month I will be showcasing a bumper four poems from Paul, starting with two today that showcase Paul’s range.

This is ‘Late Summer Walk’.

Poem 2 is titled ‘Graduation’.

I am always grateful to showcase writers with range. Here we see a piece steeped in urban reality.

Paul’s final poem is called ‘Now’ and is a terrific example of combining the poetic with the real. An excellent piece to bookend the work shared this month.

I’d like to say a big thank you to Paul for sharing these excellent pieces over February and feel honoured to showcase some unpublished pieces.

Stay Poetic,
Paul

The Book Bag: The How In The World by Louise Longson

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week I’ve been able to celebrate Mrs S’ birthday with an afternoon tea, a day out and a movie night despite being lemsip cold.

The submission window for Black Bough’s Christmas/ Winter anthology opened and lots of poems are pouring in. Of my own writing, I’ve written a couple of pieces and edited them down. I was also in the audience for Iamb’s sixth birthday celebrations. A tremendously stellar lineup.

Aside from that, some unexpected news at work means I’ll be joining a new team in the next couple of weeks. I did receive a wonderful letter that raised my spirits.

On top of that, I’ve been reading;

The beautiful cover was designed and created by the multi-talented Oormila Vijayakrishnan Prahlad

The How In The World

  • Poet: Louise Longson
  • Press: Hedgehog Poetry Press

Louise Longson is an incredibly talented poet having won the inaugural Kari Ann Flickinger Memorial Literary Prize in 2023 and has released several books over the past few years. She is also a massive supporter of the poetry community hosting a monthly showcase on the Last Saturday poets (you may have caught the Iamb special yesterday evening, mentioned above). I’m a big a fan of Louise’s work.

The How In the World is an ecopoetry collection that examines the impact of humanity on nature and vice versa. It’s a book I’ve been looking forward to reading for a while.

Louise’s poetry teems with indictment and one of her strengths is getting the reader to invest immediately. The pieces ‘Hunger Stones’, ‘Prayer For The Bodies Of Those Who Died Violently’ and ‘The World Is A Mirror Of Myself Dying’ all capture environmental suffering and decline through human, industrial and agricultural expansion. ‘Dark Harvest (26 March 2022)’ is another poem that really hit me hard. These are not your typical eco poems. They have bite, purpose and importance.

Readers are immersed in vivid scenery in poems such as ‘Graveyard by the Sea’ which uses multi-sensory language to immerse the reader. The piece ‘Spirit Bear’ (one of my favourites) puts us firmly in nature with a sense of motion.

Louise plays with form in various ways throughout the collection. The use of white space in ‘The Impact of Atmospheric Change on Bird Flight’ is put to great use supported by beautiful language. The shaping of ‘How We Are Like The Moon’ is terrific and seems to shift depending on how you hold the book in your hand. The piece ‘Memories Left By Water’ (one of my favourites) is a skilled crafting of a piece that can be read as three different poems.

This book will appeal to fans of ecopoetry who like their poems to have purpose and truth. If you love a broad scope of language and imagery, this collection would be an ideal fit in your poetry library. If you want to feel, buy this book. A phenomenal read.

Favourite Poem:

I’ve already mentioned ‘Spirit Bear’ and ‘Memories Left By Water’. Another handful as I write today are ‘How We Are The Willows that Weep By The Banks of The River’, ‘Somewhere In The Shadows’, ‘How We Are Something Sharp Smoothed By The Sea’, ‘Depth of Field’ and ‘Finding A Piece of Humanity’.

To find more about Louise, click here.

To buy The How In The World, click here. You can also contact Louise directly for a signed copy.

Wondering what my playlist to enjoy with The How In The World is? Look no further…

A Winged Victory for the Sullen – Steep Hills of Vicodin Tears
Laura Marling – For You
Sigur Rós – Samskeyti
Fleetwood Mac – Songbird
Paul Desmond – Take Ten
Amy Macdonald – Caledonia
Ella Fitzgerald & Nelson Skylark
John Coltrane – After the Rain
Brian Eno – An Ending (Ascent)
Phoebe Bridgers – Scott Street
Duran Duran – Planet Earth
Phil Collins – In The Air Tonight

Before I Go…
The Book Bag: Poetic Voice for February 2026 goes live at Noon today. Links will be dropping on social media, keep your eyes peeled.

One More Thing…
Black Bough Poetry has an open mic on Wednesday 11th February. They are always supportive and welcoming evenings, and Matthew Smith is a great host. Tickets available here.

And Another…
Matthew is also holding another Crafting Your Year in Poetry workshop which I highly recommend. It kept me on track and accountable for my goals in 2025 and continues to do so. Tickets here.

And Finally…
I mentioned the submission window for Black Bough’s Christmas & Winter Anthology opening for entries this week. Remember, the window closes today (1st February 2026). Get your poems in.

Next Week’s Read

  • Title: Through Salt-Heavy Seas
  • Poet: Andy Williamson

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Circulaire by Bex Hainsworth

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What a week. Bristol for a conference and back again. A lot of train travel (where I got to talk to some great people and listen to their stories). It did mean I got to meet up with the man, the myth, Matthew MC Smith for a catchup. Did I get lost walking to the restaurant I had picked? Yes! Was it a good choice though? Yes!

Aside from my whistle stop 23 hours in Bristol, I spent a little time editing some of my own work and emailing all the wonderful poets who submitted to the Unwhispered Legacy Anthology. The decisions were immensely tough to make.

At the end of the week, I had a nice chilled out time reading, writing, puzzling, painting and listening to Coltrane.

On top of that, I’ve been reading;

Circulaire

  • Poet: Bex Hainsworth
  • Press: Written Off Publishing

Circulaire is Bex Hainsworth’s second book, following on from her success with Walrussey. I’ve been reading Bex’s work for a while and have heard her read several times at online open mics. If you get the chance to hear her, take it. Her poetry is authentic, relatable and accessible.

One of the primary themes throughout the book is womanhood. ‘Calf’ is an excellent poem that starts with a frozen water bottle which made me very emotional. ‘Daphne’ is another piece that looks at the power dynamics between women and men.

Grief is a thread throughout the collection and is dealt with in several ways. The poems ‘Lemon Tree in The Algarve’ and ‘Pourrir’ are captivating works that make you pause. ‘Learning Curve’ is poetry that bears a soul on the page and it made me well up on the train.

Another piece in this collection that carries weight is ‘The House of Peace’, a poem centred around a visit to the National Holocaust Museum. You can feel every word.

Bex paints vivid scenery and immerses readers in her poetry. A striking sensory palette in the piece ‘Santarcangelo di Romagna’ is transportative and had me eyeing up flights. In ‘Pebbles’ readers are treated to a warm and loving beach walk that you can visualise spectacularly. The title poem ‘Circulaire’ (one of my favourites) is another cinematic vision that combines place, time and relationships.

Relationships are explored throughout the book. The poem ‘Breaking Up’ looks at the reality of losing a friend through a breakup. ‘Cysterhood’ is a gentle poem of sisterly understanding. In the piece ‘Camping’ (one of my favourites) readers are treated to a glimpse into the burgeoning of love. It’s an poem that is brimming with relatability and authenticity.

Styles and form vary. The piece ‘Shortbread’ (one of my favourites) uses couplets to move the poem along while allowing reflection. In ‘Ode to Plantar Fasciitis’ Bex uses couplets again but breaks lines unexpectedly so you build anticipation to read the next line because you want need to know what’s coming.

This collection will appeal to readers who love authenticity in their poetry. The pieces feel familiar and relatable. If you want emotion that makes you feel it in your heart, this is a book for you. Fans of poetry on womanhood will love this collection. This book is an excellent addition to anyone who likes contemporary writing and in my opinion is a masterclass on poetry about life.

Favourite Poem:

I’ve already mentioned ‘Camping’, ‘Circulaire’ and ‘Shortbread’ so I’ll add another handful based on my thoughts as I write this (I could add so many more). ‘Séance’, ‘We Leave Each Other Moons’, ‘Life, Death and the Struggle For Stellar Survival’, ‘Yorkshire Puddings’ and ‘Marriage Preparation Class When Loving For A Second Time’. And I have to include ‘Learning Curve’ for the physical, emotional response it triggered.

To learn more about Bex, click here.

To buy Circulare, click here.

Looking for a playlist to listen to in the background when reading Circulaire? Look no further…

Johnny Cash – I Walk The Line
Alexander Courage & Gene Roddenberry – Star Trek Theme
P!nk – Just Give Me A Reason
Ash – Shining Light
Kaiser Chiefs – Ruby
Delirium featuring Sarah McLachlan – Silence (Tiesto’s In Search of Sunrise Remix)
Kate Bush – Running Up That Hill
Pulp – Common People
David Bowie – Space Oddity
Kasabian – Fire
Amy Macdonald – The Hope
Coldplay – The Scientist
David Gray – Babylon

Before I Go…

If you’re looking for an evening of poetry on Saturday 31st January, Louise Longson is hosting a special online birthday celebration of Iamb, the incredibly curated platform run by Mark Anthony Owen. The line up is fantastic. Full details here.

Or if you’re in or close to Merseyside on Saturday, Alan Parry and the Broken Spine are hosting Poetry & Pints at The Grasshopper in Southport between 7 & 9pm featuring Martin Kennedy Yates and Jay Rafferty with open mic slots available. Check out details here.

One More Thing…

A quick reminder that submissions for the Black Bough Christmas / Winter anthology open on Wednesday. I’m excited to read excellent work. Read the guidelines carefully here.

And Another…

Reader and Audience tickets are still available for The Book Bag Open Mic Sessions: Session 3. Details here.

And Another…

Chris Campbell, writer of All Island, No Sea and Why I Wear My Past To Work is currently offering mentoring. This is a great opportunity to develop your craft with an incredible poet. Details here.

And Finally…

Next Sunday is a double whammy as the read will be released at 8am and the first Poetic Voice of the year will be released at noon.

Next Week’s Read

  • Title: The How In The World
  • Poet: Louise Longson

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Songs from Last Imaginations by Dorian Nightingale

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Well it’s good to be back after a good Christmas break where I’ve slowed down a little. Over the past couple of weeks I’ve hosted Write Here, Right Now, hosted another instalment of The Book Bag Open Mic Sessions, attended a Black Bough poetry bootcamp for planning how I’ll make the most of the year to come.

I’ve also been lucky enough to be welcomed by Matthew MC Smith to be a guest sub-editor for Black Bough’s Christmas / Winter Anthology . Last weekend I attended a workshop facilitated by the excellent Vanessa Napolitano, then on Sunday (pre open mic) I read at a Winged Moon launch event.

Due to the weather, the allotment progress has been a little slow, but the ground is thawing and the plot is just about ready for spring planting. We did get the start of a climbing bean arch in last week.

On top of that, I’ve been reading;

Songs From Last Imaginations

  • Poet: Dorian Nightingale
  • Press: Flight of the Dragonfly Press

I’ve been following Dorian’s work for a while now and was over the moon when he announced his book was coming out with Flight of the Dragonfly. Songs from Last Imaginations is a pamphlet of poetry and terrifically curated photography.

Dorian’s major strength is his sound patterning built on a base of incredibly lyrical and melodic language. Poems including ‘One’, ‘Narcissus’ and ‘Sparks’ (one of my favourites) are all prime examples of this using sibilance, alliteration, variations on rhyme. Also, I’ll drop a special mention for ‘Clair de Lune’ as being a gem of a poem (this is the first piece of music I learnt on the saxophone).

There is a vibrancy in the imagery of this collection. ‘A Day At The Beach’ is energetic with quick rhyme in the opening, pulling to a slower pace by the closing line. ‘Deep Blue Day’ is a slower paced piece from the start but maintains attention due to rich, vivid language.

The pamphlet does not shy away from complex emotions. ‘Round and Around’ is an accomplished piece using the spin of a vinyl record as metaphor for waiting and longing incredibly well. ‘In Bloom’ is a great poem on resilience and creates a distinct engaging tone.

Form and style are played with throughout. White space is used to its maximum in the poem ‘Nobody Home’ and in ‘Airlock’ the slash method of line breaks is used to break up the text. The language contained within the pamphlet is incredibly considered and rich. ‘Reverie’ and ‘Reckoner’ are both exemplary in demonstrating this.

The photography included in the book has been carefully considered, adding visual beauty through simple, unfussy images. I’ll also mention the musical scales included in the pamphlet that tie into the theme and ambition of this book.

This book will be a hit with readers of lyrical poetry who appreciate immersive scenery and emotive pieces. These are poems to read aloud and have fun with, test your cadence and style reading speed and style for each one several times and see how they can alter. A wonderful pamphlet to kick off 2026.

Favourite Poem:

There’s a few pieces in this pamphlet. I’ve mentioned ‘Sparks’ already so I’ll add ‘Swan Song’, ‘You’, ‘Spellbound’, ‘The Final Cut’ and ‘Little Wing’.

You can find more on Dorian, here.

Dorian’s pamphlet can be bought here.

And for the first playlist of the year, here’s an eclectic mix to go with Dorian’s exceptional book based on my interpretation and some of Dorian’s musical inspiration (listed in the acknowledgements).

Bob Dylan – Visions of Johanna
Bruce Springsteen – The River
Röyksopp – Eple
David Bowie – Wild is the Wind
Portishead – Roads
U2 – The Sweetest Thing
Phoebe Bridgers – I Know the End
Elton John – Goodbye Yellow Brick Road
Duke Ellington – Sophisticated Lady
Led Zeppelin – Good Times Bad Times
Claude Debussy – Clair de Lune

Before I Go…

It seems The Book Bag Open Mic Sessions are proving popular. Tickets for session 3, taking place on Sunday 8th March 2026 at 7pm, are now on sale and can be bought here. Spaces are limited. Don’t want to read? You can enjoy as an audience member for free.

One More Thing…

You may remember I signed on to assist the team at Frazzled Lit for the fourth issue. Well it’s out in the world and can be read here. It was an honour to be asked and read some excellent writing.

And Another…

The submission window for Black Bough’s Christmas / Winter Anthology 7 opens on 28th January and runs until 1st February. Full details can be found here. Read the guidelines and send your very best work to appear in an always excellent anthology.

And Finally…

I’d love to know what poetry books you got for Christmas. Did you get any from The Christmas Gift List? Is there a title I should be featuring on The Book Bag? Drop me a message in the comments.

Next Week’s Read

  • Title: Circulaire
  • Poet: Bex Hainsworth

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag Christmas Party

Well as it’s the last weekly entry in The Book Bag of the year, I thought I’d indulge us in a Christmas Party to round off an exceptional year of poetry.

So, we’ve got cocktails, a quiz, a playlist that will suit everyone plus some prompts to get stuck into. Oh and I’ve got a poem to share and other bits and pieces.

Tear the clingfilm from the vol au vents, and let’s dive in.

First, here’s a cocktail from the bar. A Yule Mule.

In a tumbler add:
A good scoop of crushed ice
50ml Vodka
100ml Cranberry Juice
100ml Ginger Beer
50ml Orange Juice

Garnish with:
A Sprig of Rosemary
A few cranberries
A slice of orange

Get comfortable and stay away from Google. Before the music starts and everyone dances like they’ve just discovered movement let’s have a little poetic quiz. Only 15 questions on the topic of poetry:

Who released their debut collection ‘Sculling’ in 2025?

How many lines are in a sonnet?

Complete the title of this collection from Gill Barr,

‘A Wide River_____ __’

Which famous Irish Poet wrote “Digging”?

“Rage, rage against the dying of the light” was written by

A. Dylan Thomas
B. WH Auden
C. TS Eliot

How many words are required for a quadrille?

Who wrote the winter poem Harbinger found in this year’s Christmas / Winter anthology from Black Bough Poetry?

Who won the Pulitzer Prize for Poetry in 2025?

In which TS Eliot poem does the line “Winter kept us warm” appear?

How many syllables in total are in a standard haiku?

Who was the first Poetic Voice to appear in The Book Bag?

What is the name of my poem in the anthology Rites & Trials, recently published by Broken Spine?

Name the current British Poet Laureate.

What is a quatrain?

How many presents in total would you receive from your true love in the 12 Days of Christmas?

How did you find that? Has it made you hungry?

Why not treat yourself to a snack from the buffet.

There’s a lovely Baileys Christiramisu at the end there. Just make sure Marjorie doesn’t hide it to take later…

Here’s a winter poem for your enjoyment (hopefully).

I’ve given the DJ the nod to start the disco.

Here’s the playlist he will be using. Feel free to offer any more suggestions…

The Pogues Featuring Kirsty McColl — Fairytale of New York
Mariah Carey — All I Want for Christmas Is You
Ariana Grande — Santa Tell Me
Wham! — Last Christmas
Leona Lewis — One More Sleep
Kool & The Gang — Celebration
Chic — Good Times
Dua Lipa — Don’t Start Now
Kylie Minogue — Spinning Around
Lady Gaga & Beyoncé — Telephone
Bruce Springsteen — Dancing In The Dark
Daft Punk — Get Lucky (feat. Pharrell Williams)
Boney M. — Mary’s Boy Child
Slade — Merry Xmas Everybody
Wizzard — I Wish It Could Be Christmas Everyday
Shakin’ Stevens — Merry Christmas Everyone
Sia — Candy Cane Lane
Taylor Swift – Ophelia
Cher — DJ Play A Christmas Song
Backstreet Boys — Backstreet’s Back
Chappell Roan — Pink Pony Club
P!nk — Raise A Glass
Whitney Houston — I Wanna Dance with Somebody
Bryan Adams — Summer of ‘69
Queen — Don’t Stop Me Now
Elton John — Step Into Christmas

Who’s worn out? Me too. Time to settle in for a Christmas Film or 2.

The popcorn and spiced almonds are coming around with some Black Forest Hot Chocolates.

We’re starting with The Snowman. And once we’ve shed some winter tears we’ll get joyous with Elf.

What are your favourite lines from Elf? Or are you not even a fan?

Here’s a gift for you all. Three festive poetry prompts to keep you busy.

Snow Globe Nights – write a nighttime piece as if you are stuck inside a snow globe, What’s the scene you’re surrounded by? What’s happening outside the curve? Stick to less than 100 words.

The Joy of Smiles – create a 30-word poem on a smile or smiles of loved ones. Avoid cliche and make it dynamic.

North Star – Inspired by the night sky, craft a free verse poem with the North Star as the central focus point. Make it cosmic and epic in scale with a generous 150 words split into 5 stanzas.

It’s time to zip up The Book Bag for the final time of the year. There is one last gift though. For anyone who missed the submission window for the Unwhispered Legacy anthology. You have until 9pm on Wednesday 17th December 2025 to submit up to 2 pieces. Details on subs here.

I hope to catch some of you at the launch of the Black Bough Christmas Anthology that is happening later today (5pm GMT) – tickets are free and available here.

Merry Christmas & Happy New Year To You All

The Book Bag: Make Up My Mind by Leia Butler

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Well, what an exciting week. The Christmas Gift List went live last Sunday. If you haven’t read it yet, you can here. Feedback has been highly positive, and it could return in 2026. Let me know what you think.

I was so happy to welcome December’s Poetic Voice, Sophie Dumont, who is kindly sharing work from her profound collection Sculling. Read the first part of the feature here. Also, Sculling is one of my picks in the Christmas Gift List. An outstanding debut.

The submission window opened and closed for the Unwhispered Legacy anthology. I’m looking forward to reading and curating pieces and launching in Spring 2026.

I had some acceptances, my piece ‘Midnight Swingball’ made it out into the world with Ink, Sweat and Tears, I also had some excellent news about a Pushcart nomination for my poem ‘Of A Darkening’ which was unexpected and delightful.

We got over to the allotment despite the weather and were able to harvest the last of the radishes and plant our rhubarb crowns. We also picked and decorated our Christmas tree which was proper festive fun. I’ve already started watching vintage Christmas tv and movies.

How good was the full moon this week? Apparently, it was an extreme supermoon and the next time that occurs is 2042.

To top off a great week, I’ve been reading;

Make Up My Mind

  • Poet: Leia Butler
  • Press: Steel Incisors


Leia Butler is a super talented poet and editor. You may know her from her role as head editor at the excellent Full House Literary magazine or from previous collections including ‘Thoughts I Lost in The Laundry’ (Stanchion, 2024) and ‘Tear and Share’ (Broken Sleep Books, 2021). If you get the chance to hear her read at an open mic or online, her conversational style really shines through. Also, Leia has been highly supportive of my poetry journey and The Book Bag.

Make Up My Mind is a visual poetry collection that sparks a vibrant kaleidoscope of makeup across the pages giving a fresh and inventive feel.

Within the book Leia examines perception and critique and how this informs life. The pieces ‘Frequently ignored questions’ and ‘Take these as compliments’ are a commentary on social and societal attitudes to women and are stark.

Self is explored in pieces including ‘Unfortunately I don’t have it’ in the form of a letter to their childhood self and deals with loss of identity. Also, in ‘If I’m being honest. I’m not good at anything’ looks at insecurity and the worry that those insecurities will be identified by another.

‘How do I type into google’ is an effective piece demonstrating anxiety and drawing empathy from the reader. The poem ‘I don’t get embarrassed’ is a terrific commentary on how micro events can result in a physical state of unease. The repetition of ‘I’m blushing’ creates that sense of unease that embarrassment brings.

The poetry across these pages contains lots of wit and humour. I chuckled reading the piece ‘Yes, I chose this mug especially for the call’ (one of my favourites) because it’s authentic and relatable. This is also the case in ‘What do you do of a Saturday evening’, a poem that so many will appreciate and identify with.

‘Inheritance that lasts’ is a poignant piece examining grief and how it can materialise in memory tied to objects. ‘You’ve not lost yet, but you will’ is another powerful piece about how grief can overcome you during unexpected moments.

Fans of form are treated to a hybrid visual / poetic style that plays with shape. ‘When I turn 23 I’ll be so fucking cool’ is one of the examples where a makeup palette is combined with a list poem to great effect. The visual shadowing of words emphasis through echo in pieces such as ‘Apply, carefully, it stains.’ and ‘We will never argue when we get married’. The combination of evocative language and bursts of colour heightens urgency and mood. The piece ‘Keep it all inside’ about bottling emotions, showcases this expertly.

This is a book that will appeal to fans of relatable poetry with a deep emotional underpinning, lovers of visual poetry hybrid form, readers with a sense of humour. It will also resonate with poetic who appreciate work that explores self and society. This is a marvel of a book that would make an excellent Christmas present. Buy it.

Favourite Poem: I’ll include a handful of poems this week from myself and a bonus favourite from Mrs S who also loved this collection. So, to go with ‘Yes, I chose this mug especially for the call’, I’ll add‘I’m telling you the truth!’, ‘Warning!’, ‘I met all the best people accidentally’ , ‘You’ve got the job’ and ‘No I’m actually never angry’.

Mrs S’ Bonus Favourite: ‘What do you do of a Saturday evening’.

To buy Make Up My Mind, on eBook click here or in paperback, click here.

You can learn more about Leia by visiting her website here. And don’t forget to check out Full House Literary if you haven’t already done so.

And, of course, it wouldn’t be a regular entry in The Book Bag without a playlist. So here is my recommended listening:

Chappell Roan – Good Luck, Babe
Lily Allen – Smile
Taylor Swift – Anti-Hero
Blink 182 – All The Small Things
Charlie Puth – Lipstick
Destiny’s Child – Mascara
Nina Simone – Feeling Good
Amy Winehouse – Valerie
Disclosure featuring Gregory Porter – Holding On
Wolf Alice – Don’t Delete The Kisses
Miley Cyrus – Flowers
Fleetwood Mac – The Chain

Before I Go…
In my Christmas Gift List I mentioned the Christmas Winter Anthology from Black Bough Poetry. Well it has been released and is available in hardback and paperback. Full details and links to buy, can be found here. It’s a special collection.

One More Thing…
Black Bough is launching the collection on Sunday 14th December 2025 from 5pm (GMT). Tickets are free. Sign up here.

And Finally…
Tickets are still available for The Book Bag Open Mic Session 2. Share roughcut coals or polished gems in a supportive environment. Details can be found here.

Next Week: Something a little bit different…

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – December 2025

And here we are. The final month of a year, that has gone by far too fast. It feels like only yesterday, I was taking decorations down in January, however only yesterday I was putting the decorations back up for the festive season.

As we’re in a new month, a new Poetic Voice has arrived. And I am ecstatic that this month in The Book Bag, I am featuring the work of a poetry superstar… Sophie Dumont. I first found Sophie’s poetry through the excellent Chris Campbell and became a fan instantly. Then I read the background to her debut book Sculling, and I reached out pretty much immediately for Sophie to be a Poetic Voice. Sculling is a profound debut collection. It has challenged my way of thinking and is quite brilliant.

Sophie Dumont is a writer based in Bristol. Her debut collection Sculling was published on National Poetry Day October 2025 and has since featured in the Guardian, Sunday Times Style and Financial Times. Her poetry won the Brian Dempsey Memorial Prize and has been published in The Rialto, Magma, The Moth, Ink Sweat and Tears and Mslexia among others.

She has an MA in Creative Writing from Bath Spa University and has held writing residencies along Bristol Harbourside with Boat Poets and Exeter Quay through Literature Works. Find out more at  www.sophiedumont.co.uk

Follow Sophie on Instagram, Bluesky or TikTok.

Credit: Jae Frederick
Credit: Jae Frederick

Sculling is published by Corsair (who kindly provided the rights to use poems from the collection) and can be purchased here.

The first poem, is ‘Ghazal for when I think of you, I think of me’.

One of the main themes in Sculling is how one can live on through a selfless act of organ donation by saving others. Because of this, I wanted to raise some awareness for Organ Donation, which is a vital service that can help save lives. In the UK, information can be accessed here: https://www.organdonation.nhs.uk/.

Where are these December days going? It feels like only yesterday I was sharing the first part of Sophie’s feature.

Today, I am sharing another stunning piece from Sculling, titled ‘Celandine’. I am so grateful that Sophie is sharing work from her excellent debut collection.

Today I am sharing the piece ‘instinct of a glass eel’. This poem really struck me when I read it in Sculling and is definitely one of my favourites in the collection.

Sculling is one of my personal picks in The Book Bag Christmas Gift List which can be found here. Sculling is available to buy here.

Stay Poetic & Enjoy The Festive Break,

Paul

The Book Bag: With Love, Grief and Fury by Salena Godden

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve had quite the week.

On Sunday, I popped into Barter Books in Alnwick to drop in some books, (I ended up buying more than I left) then we went for a walk along Alnmouth Beach where I tripped over some jetty railings and landed knee and face first. My shin currently has a bruise the shape of Italy. The walk was worth it though because I got this photo of the North Sea with Coquet Island lit up by a soft November sun in the distance.

Oh, I also got a wonderful message from Leia at Full House Literary informing me that ‘Updraft’ had been nominated for the Pushcart. Thank you to everyone who congratulated me also, it means a lot.

Thursday’s Write Here, Right Now was terrific. I gave five obscure prompts to work on, we worked in WiP then had the feedback session. I love the perspectives and insight that members provide that make you look at a piece in a completely different way. It was also fantastic to welcome two new members.

On Friday, the Christmas List window closed. I’ll be sharing the list next week and this will be in place of the regular book bag. The list has terrific variety and something for everyone.

On top of that, I’ve been reading;


With Love, Grief and Fury
• Poet: Salena Godden
• Press: Canongate

Salena Godden is a force of nature. An incredible poet, novelist, activist and many other things. Last weekend, I picked up a copy of With Love, Grief and Fury after listening to Mrs Death Misses Death on audiobook and loving it. Let’s jump in…

As the title suggests readers are submerged in a pool of evolving emotions throughout the book. The link between the main themes of love, fury & grief is evident and used to excellent effect with authenticity. A standout piece that delivers a maelstrom of emotional turmoil is ‘Five Words’. I had to stop reading for the night after reading this.

Salena Godden’s storytelling is a major superpower. Her prose pieces including ‘Camden’, ‘October Tape Experiment’ and ‘You Made A Fuss’ are transportative and immersive. The poem ‘Sun Cream In February’ is a cutting observation starting with baked beans and ending with elephants and existentialism.

Vivid imagery is on display throughout the collection. The pieces that form the ‘With Love, Grief and Fury’ sequence and ‘Autumn’s Secretary’ demonstrate this as does ‘And The Moon Don’t Talk To Me’ Anymore. One of my favourites is ‘Dog Days Done’, it has an authentic hope.

Societal expectations and social issues are questioned and answered throughout the book. The poems ‘Book Mother’ and ‘Egg and Spoon Race’ tackle expectations on women. The piece ‘Wish You Were Here’ is a stark piece that takes in the pandemic and the decline in social etiquette / behaviour that came with it. ‘Dirty Old Men’ is a gritty and grimy indictment on objectification and justice.

Form and style is varied throughout. I’ve already mentioned prose pieces. Readers are also treated to breathless streams of consciousness poems, list poems and pieces that use the page differently such as ‘One Hundred and Nine’ or the screenplay ‘2084’.

The use of language and vocabulary is expert, I’ve jotted down a couple of new words to use in future poems. I may write a couple of ‘After’ poems in response to some of the pieces in this book.

There are so many topics and themes I could go into but that would take me a year. What I will say is, this is top class writing. In the top 5 books I’ve read this year.

This book will appeal to readers who enjoy relatable, honest poetry that approaches real issues with excellent effect. It is a collection rich with emotion and immersive storytelling. There are tender moments, fierce moments, defiant moments. A title that whispers and shouts. Once read, you will want to keep returning, time and again.

Favourite Poem:

I’ve already mentioned ‘Dog Days Done’. I could choose many more but based on today’s feeling, I’ll go with another seven. ‘Camden’, ‘The Girl In The Green Cardigan’ ,‘Bit On The Side’, ‘Evergreen Tea’, ‘Burned’, ‘1999’ and the ‘With Love, Grief and Fury’ sequence. But really I can’t stop there so another few that just popped into my head are; ‘City of Water’, ‘Cake’, ‘Sakura’, ‘A Small Kindness’, ‘Kimono’ and ‘2084’.

To read more about Salena, click here.

To buy With Love, Grief and Fury, click here.

Are you looking for this week’s playlist? Well this is a bumper eclectic mix to enjoy whilst reading:

The Jam – That’s Entertainment
Buzzcocks – Ever Fallen In Love
The Ramones – Sheena is a Punk
Madness – It Must Be Love
Annie Lennox – Why
John Coltrane – My Favourite Things
Bruno Mars – Marry You
Joni Mitchell – Got Til It’s Gone
Marianne Faithfull – Why D’Ya Do It
Florence and the Machine – Dog Days Are Over
Elton John – Your Song
The Commitments – Mustang Sally
Prince & The Revolution – Purple Rain
Chaka Khan – I’m Every Woman
Fatboy Slim – Praise You
Sade – Kiss of Life
David Bowie – Rebel, Rebel
Bryan Ferry – Love Is The Drug
Beyonce & Andre 3000 – Back to Black
Little Roy – Come As You Are

Before I Go…
If you want to be part of the next Book Bag open mic, I’m pleased to announce that tickets for The Book Bag: Open Mic Sessions – Session 2 are now on sale and can be bought here.

One More Thing…
If you missed it, the bonus poem from Rebecca Goss has been added to her Poetic Voices feature. I’m priveliged to showcase exquisite work on The Book Bag. Read here.

And Another…
On Saturday 29th November, I’ll be reading alongside some outstanding poets who are launching their books at Louise Longson’s Last Saturday Poets. Tickets are available here.

And Finally…
Have you got poems ready for the Unwhispered Anthology 48-hour submission window which opens next weekend? Guidelines and details here.

Next Week:

  • The Book Bag Christmas List

Take it easy and stay poetic, I’ll catch you next week.

Paul