poetryblog

The Book Bag: Neon Manila by Troy Cabida

Welcome back to The Book Bag. I hope you’ve had a poetic week.

It’s scary how fast the weeks are going by.

On Friday I attended an open mic and discussion held at Jesmond Library hosted by Len Pennie. I find my reading is becoming much better with each performance. I read Gravity Is A Force You Took For Granted and The Importance of Buoyancy. I also bought Len’s new book and got it signed.

Over at  the allotment, things are starting to flourish with greenery and the bulbs are blooming. I fitted a brassica cage ready for planting out in a few week’s time. It was still standing the following day despite the wind. 

I spent some time relaxing with my vinyls throughout the week. I keep returning to Coltrane by Coltrane. An exceptional album. The jazz of that period is quite simply magnificient.

Christine and I watched a terrific one woman show on YouTube. It was by Eden Sher who played the character Sue Heck in The Middle. The show was really moving, happy and sad. 

On top of that, I’ve been reading;

Neon Manila

  • Poet: Troy Cabida
  • Press: Nine Arches Press

The major strength in this book is the observation of different relationships. ‘My Daddy Baby’ examines dynamics and expectations in a relationship. In ‘Body Poem’, power dynamics are explored again but with a different perspective. One of my favourites is ‘Brighton Beach’ which combines excellent imagery and realistic, youthful personality. Another piece that caught my attention is ‘No One Wants What I Want’ which discusses an affair and the aftermath in a matter-of-fact way. ‘Symmetric’ was another of my favourite relationship pieces in the collection, exploring how an object can represent so much.

Excerpt from Body Poem

Several of the pieces use objects, often clothing, as metaphor which is something everybody does albeit mainly subconciously. The piece ‘Yellow Jacket I’ deals with desire and sensitivity all at once. The opening poem, ‘Order No: #UK65388’ is a smart piece on aspiration, it made me think of a friend I have who has an affinity for luxury watches and how they make him feel.

Discrimination is dealt with throughout in several ways. The poem ‘Race Riots Are Currently On The Way’ has humour but with an underlying unease. ‘You Walked Into School Wearing Your Mother’s Heels’ is a poem that shows resilience in the face of adversity. Resilience is a thread throughout the book and is done well and without cliche.

Excerpt from race riots are currently on the way.

There is a vulnerability and intimacy amongst the poems. ‘A Good Boy’, ‘Afterglow’ and ‘You (derogatory)’ are just a few examples of this. Throughout, it is heart on the sleeve poetry. I will say the piece ‘Thalassophobia’ shook me and I had to take a break from reading. Extremely powerful writing.

City life plays a key role in the book. The final piece ‘I Invoke The Spirit of Sarah Harris While Shopping For My Next Pair of Jeans’ is a piece that takes us on a tour of a London High Street and identity and the way the scene is set through vivid, relatable imagery you do become immersed in London life. Title poem ‘Neon Manila’ is a sprawling piece that covers multiple cities and countries looking at intimacy, vulnerability and culture with razor sharp insight.

Fans of form will savour this collection with a variety of different styles on display. ‘Black Turtleneck Sonnet’ (one of my favourites) is a multilayered piece that explores security, desire and control. The use lyrical language combined with couplets in ‘I Say I Am Myself’ gives the poem the right amount of space to breathe and move. There are excellent uses of space in ‘Slowed + Reverb’ and ‘Desiring’ plus many other pieces again giving the words room to make their mark.

This is an excellent collection of poetry that deals with many important themes in an inventive and clever way. Neon Manila will appeal to fans of punchy poetry with light and shade and a sense of vulnerability. If you read poetry for form, this collection will appeal. In my opinion Neon Manila is a tremendous book navigating modern life, keeping your head held high and finding out how to be yourself. Add it to your poetry library.

Favourite Poem:

I’ve already mentioned ‘Symmetric’ , ‘Black Turtleneck Sonnet’ and ‘Brighton Beach’. I could add so many but as of writing, I’ll stick to the handful that are in my mind right now. ‘Friends With Freudian Theory of Inversion’, ‘On Normativity’, ‘Both Wrists Silvered, Watch Me Deflect’, ‘Pearls In A Thumbprint Bowl’ and ‘Bone Cuff’.

You can read more about Troy Cabida here. 

Visit the Nine Arches Press Store and buy Neon Manila here. 

You’ve come this far, you may as well check out the playlist and what else is going on. This week’s mix is a quirky blend of old and new.

Sabrina Carpenter – Cappuccino 
ABBA- Angeleyes
Marilyn Monroe – Diamonds Are A Girl’s Best Friend 
Pharell Williams – Marilyn Monroe
Dua Lipa – Levitating
Troye Sivan – Bloom 
Deep Blue Something – Breakfast at Tiffany’s 
Audrey Hepburn – Moon River
Thelonious Monk – ‘Round Midnight
The Weeknd – Blinding Lights
Bruno Mars – Treasure 
Hilary Duff – All About You

Before I Go…

Tickets for the online celebration and launch of Unwhispered Legacy are free here. Join me and a host of incredible poets on Friday May 1st. The lineup is released this week. Keep an eye on social media.

One More Thing…

Black Bough Poetry’s eagerly anticipated Shored Fragments anthology is coming out very soon. Edited by Matthew MC Smith and Kitty Donnelly, the pieces have been written in response to The Wasteland by TS Eliot. Keep an eye on Black Bough social media for details.

And Another…

Dust Poetry are open for submissions until 17 May. There is no theme and submission guidelines can be found on their website. They are an incredible magazine and I would encourage you to send your best work.

And Finally…

I’m delighted to be able to share the exciting news about my inclusion on Wave 3 of The Whiskey Tree. I’m in such great company and really value the opportunity. I’ve already started working on my pieces and can’t wait to share them.

Next Week’s Read

  • Title: Cherry Blossom At Nightbreak
  • Poet: Rishi Dastidar

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Joy Is My Middle Name by Sasha Debevec-McKenney

Welcome back to The Book Bag. I hope you’ve had a poetic week.

The weather took a turn for the better this week. It was great to feel the warm spring sunshine and be out in the garden and allotment. Thankfully, Storm Dave caused minimal harm to the allotment structures with only a cover being askew and one pane dislodged in the greenhouse. More vegetables have been planted, and the bulbs are in bloom. At home we planted some bat mix in a hope to attract some bats to the garden.

My regular barber fixed my hair which was great. In February, I went to a different barbershop and long story short my hair was shaved off using grade 2 clippers rather than my asked for trim.

I’m almost finished finalising the running order of the Unwhispered Legacy launch night. It’s a fantastic lineup of readers and you can get your audience tickets here.

Did you catch Eleanor Holmes second piece being added to her Poetic Voice feature? Read it here. Eleanor is launching #Moth on 19th April with a wonderful ensemble of readers. You can grab tickets here.

On top of that I’ve been reading…

Joy Is My Middle Name

  • Poet: Sasha Debevec-McKenney
  • Press: Fitzcarraldo Editions (UK) / W.W. Norton & Company (US)

Throughout the book, readers are treated to wit and humour grounded in real-world situations mixed with some excellent pop culture references. This includes the poems ‘Stand-Up Routine’ and the darker ‘I’m Starting To Like This Version Of Myself, Actually’ One of my favourite pieces ‘For The Record I Literally Wish I Talked Less But I Literally Cannot Help It’ had me chuckling away at the delivery.

Excerpt from Stand-Up Routine

Vivid language brings poems from page to the mind’s eye in a series of authentic pieces. ‘Dog-sitting Poem, Chicago, January 2023’ gives a multi-sensory glimpse of city life and after reading it, I immediately picked up Brody’s lead and took him for a walk. ‘Poem After Moving Away’ is a melancholic piece outlining the effect a place can have.

As this is book is brimming with realism, the themes mirror this. Politics and history are a recurring trend throughout out the book. ‘Kaepernick’ and the powerful,  sequenced ‘On Days I Believe In The Death Penalty’ and ‘On Days I Don’t Believe In The Death Penalty’  are some of the pieces that showcase this. In ‘Poem For The Racist Tour Guide At The Franklin Pierce Manse’, American history and the truth collide in a sharp incisive poem on the 14th President.

Candid poems on relationships appear throughout the book. ‘Watching National Treasure For The First Time’ is a no-nonsense piece about an ex that is compelling. I have friends who’ve done similar things. One of my favourites, ‘Jordan Says He Loves Me So Much He’ll Delete His Instagram For Me’ is a sharp, surreal piece.

Form and style enthusiasts are well catered for throughout the collection. ‘Sestina Where Every End Word is Lyndon Johnson’ is remarkable and clever piece, and  ‘I Always Make It Nice (Real Housewives of New York Taglines) Pantoum’ is superbly inventive. The piece ‘No Fap Found Poem’ is startling and unsettling. There are multiple other styles too, including prose, micro poetry, free verse – something for everyone.

Excerpt from Sestina Where Every End Word is Lyndon Johnson

This is a collection with a wide appeal. It will strike a chord with readers who want candour and humour in their poetry and frequent displays of resilience. Poetics who value realism in their poetry will love this book. If you like experiments in form you will appreciate this book. It is fantastic.

Favourite Poem:

I’ve already mentioned ‘Jordan Says He Loves Me So Much He’ll Delete His Instagram For Me’ and ‘For The Record I Literally Wish I Talked Less But I Literally Cannot Help and I could name another dozen as I sit here writing but I’ll stick to a handful. ‘Alonederland’, ‘If You Just Wanna Say Fuck It’, ‘It’s So Idyllic Here’, ‘Sample Of Myself’ and ‘Joy Is My Middle Name’.

To read more about Sasha click here.

To buy Joy Is My Middle Name, click here.

Looking for this week’s playlist? Look no further! This week is a quirky blend:

Nina Simone – Feeling Good
The Righteous Brothers – You’ve Lost That Loving Feeling
Ludacris – Act A Fool
John Coltrane – Giant Steps
Guns N’ Roses – Civil War
Stevie Nicks – Edge of Seventeen
Johnny Cash – Hurt
Jay-Z – Dead Presidents
Mel B – Word Up
Édith Piaf – Non, Je Ne Regrette Rien
P!nk – So What
Salt-n-Pepa – Push It
U2 – I Still Haven’t Found What I’m Looking For

Before I Go…

My poem ‘This Space Is for You’ was accepted by Full House Literary and is now on their website under the Featured Creators section and I am so happy about it.. You can listen or read here. I’m among some incredible company.


One More Thing…

The Broken Spine has an open submission window for one of their slimline anthologies. The theme is on Poetry At The Edge of Knowing and more details can be found here.


And Another…

Rachel Turney is launching her latest book Retired Wannabe Club Kid (published by Parlyaree Press) on Zoom on Friday 17th April at 6pm MST / 8pm EST. Details here.


And Finally…

You can still download a copy of Unwhispered Legacy and if you wish to, you can donate to Médecins Sans Frontières. Click here for full details.

Next Week’s Read

  • Title: Neon Manila
  • Poet: Troy Cabida

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Strike by Sarah Wimbush

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What an eventful week!

On Wednesday, Eleanor Holmes became the newest featured poet in The Book Bag: Poetic Voices series. Read part one here. It is jam-packed with greatness.

Before that, on Tuesday, Unwhispered Legacy was launched into the world. Raising money for Médecins Sans Frontières, the anthology can be downloaded from its dedicated webpage here. If you feel you are able to donate, all proceeds go to MSF and would be greatly appreciated. If you’re a UK taxpayer, you can also add gift aid which means they will receive further funds. I’m super proud of this anthology.

Also, this week I visited my parents and took another trip to Barter Books — one of the best second-hand bookshops you’re likely to ever see.

I have also been able to get over to the allotment and plant our potatoes. It was good to see some of our flowers beginning to bloom and the fruit trees flowering. I’m looking forward to harvesting some produce.

On top of that I’ve been reading;

Strike

  • Poet: Sarah Wimbush
  • Press: Stairwell Books

A few weeks ago, I visited Woodhorn Museum, a mining museum built on the site of a former working colliery in Northumberland. Aside from the tremendous immersive and interactive exhibit, they also house a poignant and moving collection of photography titled Coal Town by the social documentarian Mik Critchlow. I must also thank Jenny from the museum for her insight.

It was that visit that prompted me to seek out a Strike, a book I’d seen in poetry press (shortlisted for the Forward prize in 2024) but hadn’t read. Lucky for me I found a copy of Strike online.

This book is a mixture of poetry based on the mining strikes that took place across the UK in the 1984 with photography from the time. The spectre of the pit closures still haunts communities across the UK. 

Sarah Wimbush does not hold back against the power players in either side of the strike. The pieces ‘Thatcher’, ‘Kinnock’ and ‘Scargill’ are portraits that sum up their sensibilities, aptitude and attitudes without caricaturing. ‘This Is The BBC’ highlights the poor reporting (putting it mildly) from the BBC and their commitment to representing the government narrative. 

The landscape of 80’s Britain is brought to life through vivid language that adds colour to the pieces. Poems such as ‘Stop’, (one of my favourites), and ‘Picketing at Penrhiwceiber, are both terrific examples of this. 

‘Strikebreaker’, ‘Berry Hill’ and ‘BASTARD NACOD SCABS’ give the readers glimpses into the attitudes to those who didn’t strike or crossed the picket line. ‘Silver Birch’ cleverly portrays Chris Butcher, a man backed by the Mail and businesses to try and break strikes.

Excerpt from Berry Hill

Pieces including ‘Coal Boy’ and ‘The Police, The Miners’ Wives, Their Children’ capture the reality of how families were affected by the strike and the aftermath. ‘Miners Leaning Forwards’ highlights the financial struggle that miners experienced when relying on hardship payments from the NUM. 

The collection also shows the resilience of the women behind the men and how they took to the streets and organised too. One of my favourites in the collection, ‘Women Against Pit Closures’ is a testament to the women who rallied around and showed they were in the fight to. 

There is an angry undercurrent throughout the book., however, we are regularly treated to humour throughout the book. The piece ‘Flat Cap’ is a satirical look into the future and how the common clothing item may be considered. The piece ‘Our Lady Of The Pit Canteen’ gives a smile as the achievements are minimised against the return of plates. The leaning into the Yorkshire dialect adds the authenticity which emphasises the humour further. 

Form and style is played with throughout the book. It is an excellent display of ekphrastic poetry. The list poem ‘The Enemy’ is a cracking piece that brims with anger. In ‘Mounted Policeman Canters Towards Lesley Boulton’ the use of couplets gives the sense of urgency and danger. 

This is a book that will appeal to those who like poetry of testimony, readers who may have been impacted by industrial action and those with an interest in major social and political events.  It will appeal to poetics who appreciate various forms and styles. This book got under my skin – I’m sure it would resonate with many people my age who live close to a former pit, shipyard or steelworks. This is an important and powerful book that I highly recommend. 

Favourite Poem:
I’ve already mentioned ‘Stop’ and ‘Women Against Pit Closures’ and I could easily choose a lot more but the ones in mind today are ‘Standards’, ‘Pits and Perverts’, ‘People Who Support the Miners’ and ‘Kick-off’. 

You can read more about Sarah and buy her book from Stairwell Books here.

This week’s playlist has a more serious edge to it in keeping with the themes of the book;

Grimethorpe Colliery Band – Gresford (The Miner’s Hymn)
Frank Wilson – Do I Love You 
Bruce Springsteen – Dancing In The Dark
The Smiths – The Queen Is Dead
Manic Street Preachers – A Design for Life
Sam Fender & Easington Colliery Band – Remember My Name
Erasure – A Little Respect
Test Dept – Shockwork
Bronski Beat – Smalltown Boy
The Clash – This is England 
Linton Kwesi Johnson – Fite Dem Back 
Desford Colliery Band – Share My Yoke

Before I Go…
April’s Poetic Voice, Eleanor, is holding an online launch on Sunday 19th April. Hear Eleanor and a wonderful ensemble of poets celebrating #MOTH . Full details here. 

One More Thing…
Rachel Turney is launching her latest book Retired Wannabe Club Kid (published by Parlyaree Press) on Zoom on Friday 17th April at 6pm MST / 8pm EST. Details here.

And Another…
On Friday 1st May, I’ll be hosting the zoom launch for Unwhispered Legacy. Starting at 7pm UK time, some of the brightest voices in contemporary poetry will be reading their pieces live. Tickets are free and you can register here. 

And Finally…
The Winged Moon is opening for submissions this coming week for both poetry and art to feature in their Substack issues planned for later in the year. Follow them on social media if you’re not already. 

Next Week’s Read

  • Title: Joy Is My Middle Name
  • Poet: Sasha Debevec-McKenney

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: After Party by Dean Browne

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been fun and fast.

I started the week with taking the dog to a secure field and woodland so he could run free and explore. He slept well on Sunday evening.

I received a letter with some beautiful poetry, followed closely by ‘the taro as deer’ by Caroline Harris.

Work has been busy and I am learning more in my new role daily. It was our company conference and hearing from the guest speakers was inspiring on the topic and approach to education.

It was another wonderful Write Here, Right Now. I set a rather complex prompt which was different to my previous prompts. I think it worked well. I am very proud of the small community that makes up Write Here, Right Now. Everyone has a different perspective which helps tremendously when reflecting on your writing and taking editorial suggestions.

I got to catch the Last Saturday Poets which was a showcase of Hedgehog Press poets. The readings were perfect as was the artwork shared by Karen Pierce Gonzalez.

It was also great to see Paul Connolly announce his debut book, coming out with Broken Sleep in 2027.

On top of that, I’ve been reading;

After Party

  • Poet: Dean Browne
  • Press: Picador Poetry

After Party is the debut collection from Dean Browne. And what a debut it is. This is a book that takes you with it as it explores multiple themes from different perspectives and angles. I now need to get a copy of his chapbook, Kitchens at Night.

Vivid, textured imagery jumps from the page in many of the poems in this book giving an immersive feeling. ‘Listening To Joni Mitchell’s Blue While Cooking Peposo’ is fantastic and one of my favourites in the collection. ‘Scuttle’ is another excellent example as is ‘Fascinators’.

Several of the pieces use surrealism with great effect. It’s an excellent skill to connect with readers at a subconscious level using weird and unexpected language and images. The poems ‘Quiche’ and ‘Notes Toward an Epithalamium’ are both excellent examples in my opinion.

Excerpt of Quiche

We are treated to deep emotion in multiple ways across the collection. The poem ‘Percy French’ is a swathe of emotion, mostly regret and unexpected grief. The piece ‘Pinball’ (one of my favourites) moved me considerably. A dark humour fills ‘Parachuting Into The Volcano’ and ‘Prayer For Buster Keaton’ compared to ‘Butternut Squash’.

Fans of poets exploring different form are in luck in this book. Micro ‘The Infinite’ is tightly packed and appears in your mind and stays almost immediately. The piece ‘Horse Chestnuts’ (one of my favourites) uses excellent repetition to convey the atmosphere. The use of couplets in ‘The Pineapple Massage’ adds to the quirky feel of the piece.

After Party is an absolute corker of a book. It will appeal to readers who appreciate vivid imagery, humour and surrealism. Fans of form will love the variation. As debut collections go, this is one of the best I’ve read and i highly recommend you add it to your poetry library.

Favourite Poem
I’ve already mentioned ‘Listening To Joni Mitchell’s Blue While Cooking Peposo’, ‘Horse Chestnuts’ and ‘Pinball’ so I’ll add another seven. ‘The Triangle’, ‘Days Of The Brindled Cow’, ‘Synastry Chart’, ‘The Cup’, ‘Aide-Mémoire’, ‘Spacer’ and ‘Oink’ are still sticking in my mind.

To read more on Dean Browne click here.

To buy After Party, click here.

An After Party and The Book Bag wouldn’t be complete without the playlist. This week I have a special mix of music across genres;

Groove Armada – At The River
David Bowie – Life on Mars
Tiësto – Adagio for Strings
Dua Lipa – Levitating
Queen – Flash
The Weeknd – Blinding Lights
Roger Sanchez – Another Chance
Stardust – Music Sounds Better With You
The Cranberries – Linger
Bee Gees – How Deep Is Your Love
Jay-Z Featuring Mr Hudson – Young Forever
Joni Mitchell – California

Before I Go…

Unwhispered Legacy is launching on Tuesday. Hopefully it can raise some money for Médecins Sans Frontières. Keep an eye on social media for when the anthology goes live. My handle is @PaulWritesPoems across Instagram, Facebook, Threads, X and BlueSky.

One More Thing…

Remember to check out Vikki C’s March Poetic Voice feature here. It includes the Forward prize nominated ‘Morningfall’.

And Another…

Evie Carlyn has created a new space for poetry on BlueSky using the hashtag PoemsAloud. All you need to do is upload audio or video files of your poems.

And Finally…

Congratulations to all who had success in the National Poetry Competition especially the overall winner, Partridge Boswell. The Gathering is a wonderful poem.

Next Week’s Read

  • Title: Strike
  • Poet: Sarah Wimbush

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – March 2026

It’s March already. Spring approaches with pace, clocks are changing this month and I fell like time is something we can’t grasp both figuratively or metaphorically.

As we slide gently into the (hopefully) warmer months, it’s my pleasure to bring you another Poetic Voice.

I first encountered this poet on social media and was startled at the beauty and elegance of language used in poems that always include multiple layers and deep emotional connection with readers. I feel very lucky to be able to share original work from this tremendously talented writer.

So without further ado, let me introduce March’s featured poet….Vikki C.

Vikki C. is a London-born poet, essayist and musician whose poetry, fiction and non-fiction appears in over 90 publications worldwide. She has been nominated for The Pushcart Prize, Best of the Net, and the Orison Best Spiritual Literature Award and was shortlisted in The Bridport Prize and other international literary contests. Recent and forthcoming venues include Grain Magazine, The Ilanot Review, EcoTheo Review, The Inflectionist Review, The Blue Mountain Review, Up the Staircase Quarterly, Psaltery & Lyre, Heavy Feather Review, Action, Spectacle, TIMBER, Skylight 47, Pinhole Poetry, Jarnal (Mason Jar Press), Ballerini Book Press, Astrolabe, Same Faces Collective, Bacopa Literary Review, Sweet Literary, Harpy Hybrid, Ballast, Emerge Literary Journal, Stone Circle Review, ONE ART Poetry, Feral, Salò Press, The Amethyst Review, Ice Floe Press, Black Bough Poetry, Cable Street, and Sunday Mornings at the River, among others. 

She is the author of the hybrid collaboration In The Blueprint of Her Iris (Ice Floe Press, 2025), the full-length collection Where Sands Run Finest (DarkWinter Press, 2024), the chapbook The Art of Glass Houses (Alien Buddha Press, 2022), and the micro-chapbook Dusklight Through The Dogwood Bower (Origami Poems, 2023). A winner of the Black Bough Poetry Collection Contest 2024, she has a book forthcoming with the press, and was also a Black Bough Silver Branch featured poet in June 2025. A longtime interdisciplinary artist, her writing, voice and music have featured on audio collaborations and podcasts. She serves as a contributing editor at The Winged Moon Magazine and guest edited the Ice Floe Press hybrid series ‘Process-Marginalia-Otherworlds’. 

You can keep upto date with Vikki’s work using the following;

Linktree: linktr.ee/vikki_c._author

Social Media: 
X: VWC_Writes
Instagram: vikkic.author 
Bluesky: vikkicwrites.bsky.social
Soundcloud: Vikki C. Music

Buy Vikki’s books using the links below:  

In the Blueprint of Her Iris (Ice Floe Press, 2025)
Where Sands Run Finest (DarkWinter Press, 2024)
The Art of Glass Houses (Alien Buddha Press, 2022)
Dusklight Through The Dogwood Bower (Origami Poems, 2023)

I am extremely grateful to be sharing a few poems of Vikki’s over the next month. It’s always a privelige when poets trust me to share work. For Vikki’s first poem, I have selected the incredible piece, ‘Morningfall’.

If you missed the news on Social Media last week, you may be unaware that Vikki’s poem ‘Morningfall’ was nominated by me for the Forward Prize.

Today, I’m sharing Vikki’s 2nd poem, Again, Ithaca. This is a poem rich in language, physicality and metaphor.

I can’t believe how fast this month is flying by. Here we are on World Poetry Day. This is Vikki’s final piece for her Poetic Feature. I’d strongly recommend you read more of her work. Check out her links above. Anyway, for World Poetry Day, this is ‘There’s the idea of prayer and the idea of us’. Again, tremendous use of metphor.

I hope you’ve enjoyed Vikki C’s feature which includes her Forward-nominated ‘Morningfall’.

Until next time, enjoy poetry, celebrate poets. It’s what the world needs…

Paul

The Book Bag: Mædwe by Corinna Board

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a fairly busy one. I celebrated my birthday on Wednesday and despite the dreary weather had an amazing time. Did I buy a few books? Yes. Did I enjoy a delicious dinner at Lollo Rosso? Yes. Because of the rain, we postponed visiting Howick Hall Snowdrop walk until yesterday where for the first time in what seems like forever we had sunshine! A great Valentine’s Day gift!

I was also able to chill, listen to some  Coltrane and Davis, and play some sax. I also dabbled with my watercolours, finished some books and returned to the Wasteland in Fallout 4.

Also, it was the return of Write Here, Right Now on Thursday evening. Another insightful and informative session. Having time dedicated to writing and being able to gain insightful peer feedback is tremendously valuable. I’m really proud to be part of it.

On top of that, I’ve been reading;

Mædwe

  • Poet: Corinna Board
  • Press: Salò Press


I’ve followed and enjoyed Corinna’s poetry for some time now and always find her work engaging, fascinating and full of beautiful language.

Mædwe is a pamphlet that drops the reader into the countryside, with nature and humanity intersecting in various ways. This begins with the titular poem ‘Mædwe’ that gives a vibrant introduction to the book.

Corinna is able to use imagery with ease. Poems engage the reader fully in scenery that is vivid and dynamic. The piece ‘You Find A Fox Skull’ (one of my favourites) reminded me of growing up in Northumberland and building forts in the willow, birch and hawthorn treeline close to the recreation field. The poem ‘Do You Speak Field?’ is another terrific example where the reader is given space to allow the poem to breathe.

The poems in this pamphlet are filled with heart and admiration for nature and its positive qualities in dealing with complex emotions. ‘Something Like Hope’ is a prosaic piece that takes the reader along on a searching walk with the narrator. ‘Meadow Semantics’ has a sense of survival, resilience and renewal.

Form is fluid throughout the book with multiple styles to excellent effectiveness. One of my favourites uses form terrifically. ‘A Short Guide to Noticing’ is a list poem that transfers to short stanzas full of wonderful language. Another piece (and another of my favourites) ‘Attempting to Translate The Curlew by Listening to Sound Samples on My Phone’ is extraordinary in its use of language, format, spacing and ambition. ‘Emergency For Bees’ is a tremendous use of erasure poetry and has real impact both in terms of message and visually.

This is a book that will appeal to lovers of poetry, lovers of nature poetry, lovers of poetry with heart. Fans of creative use of form will love this. It is an exquisite collection and a book everyone should be reading in 2026. I can’t praise this enough as it is another book that has expanded my perspectives on poetry like Leia Butler’s visual approach in Make Up My Mind.

Favourite Poem:

There are so many special poems in this book. I could name every single one and that wouldn’t be a stretch. So to go along with ‘A Short Guide to Noticing’, ‘Attempting to Translate The Curlew by Listening to Sound Samples on My Phone’ and ‘You Find A Fox Skull’, I’ll go with ‘Human Interviews Local Brook’, ‘A Dunnock’s Prayer’, ‘Meet Me In The Field’, ‘Tournesols’, ‘Field Notes’, ‘Owl In A Box’ and ‘& Then A Lark’.

To learn more about Corinna, click here to read an interview in The Wombwell Rainbow..

To buy Mædwe, click here

As always here’s a playlist that I think accompanies the book well. It’s a quirky mix of modern and vintage this week:

Oasis – Songbird
Fleetwood Mac – Landslide
Joni Mitchell – Little Green
Bill Withers – Ain’t No Sunshine
Passenger featuring Birdy – Beautiful Birds
Miles Davis – Stella by Starlight
George Ezra – Green Green Grass
The Corrs – Summer Sunshine
Sigrid – Home To You
Sting – Deep In The Meadow
Eurythmics – Here Comes The Rain Again
Gregory Porter – Skylark

Before I Go…
Have you been keeping up with The Book Bag: Poetic Voices feature for February? A new piece was added on Tuesday and shows a grittier side to Paul’s work. Read the full feature here.

One More Thing…
I highly recommend Black Bough Poetry’s Crafting Your Year in Poetry session. It’s a great, collaborative session to identify gals that you can realistically aim for and achieve over the year. There’s one happening on Sunday 1st March. Details here.

And Another…
Poetry Wales have a submission call for poetry on the theme of teaching. Find the details here.

And Finally…
The Alchemy Spoon are also looking for poetry. This time on the theme of ‘bugs’. More information here.

Next Week’s Read

  • Title: Along The Home Roads
  • Poet: Andy Perrin

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Through Salt-Heavy Seas by Andrew Williamson

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a fairly quiet one with the bleary, grey weather. I did manage to get across to our allotment and look at the current progress of garlic and shallots, parsley and onions. They seem to be doing well despite the constant rain. At home we sowed some sweetpeas to start them off for spring. Also we harvested the last of the sprouts and used them to make a delicious slaw.

I’ve been able to write, do some editing, I launched this month’s Poetic Voice, the excellent Paul Connolly. Read part one here and bookmark for further work being added.

On top of that, I’ve been reading;

Through Salt-Heavy Seas

  • Poet: Andrew Williamson

I first encountered Andrew Williamson’s poetry as part of the weekly PoemsAbout prompts on BlueSky ran by Alan Parry & Broken Spine. His work caught my eye for several reasons – the minimalist word count, the power he packs in and the relatability of his poems. Andrew is also a member of Write Here, Right Now and always provides clever and creative insight.

Through Salt-Heavy Seas is a collection that focuses on place and how it impacts our very core. The piece ‘Tūrangawaewae’ (one of my favourites) and ‘When You Are Ready To Get On The Plane’ both lean into Andrew’s antipodean heritage. ‘The Kitchen’ draws readers into the intimacy and legacy of domestic spaces.

Imagery is vibrant and vivid throughout the collection. A prime example (and one of my favourites) is ‘Coire Uisg’ which uses a broad palette to paint the horizon. ‘Lambing Snow’ will feel ultra-familiar to anyone who has lived in rural areas or worked in agriculture. The piece ‘Forest’ is a clever poem that inverts the natural imagery of a forest poem.

Across the book, poems will cocoon you in various emotional states. ‘Hiraeth’ sparks pride, ‘Lullaby’ is a heart-wrenching piece that drew pause. The piece ‘Catching The Train From Dundee on New Year’s Eve Without You’ is an authentic and relatable love poem especially for those who’ve ever had to leave the comfort of family for a place that now feels unfamiliar despite its familiarity.

There is varied use of form and style in the collection with ‘Seven Questions To A Mountain’, a question poem, ‘Spring’ gives us a haiku which is always a treat. I enjoyed the looseness of punctuation that allows readers to dictate pace and let the poem continue in the mind to shape an outcome especially in ‘Coming Out Of Hibernation’ and ‘I Am Waiting For A Summer That Never Comes’. Andrew has also added a small glossary of translations to the book which was welcome as I was able to add to my vocabulary. In fact, Andrews use of traditional languages is an excellent inclusion in the book. Keeping these words in the public’s mind is tremendously important.

This collection will appeal to readers who love poems that speak of place and how we carry it. Poetics who want emotive pieces that speak on relationships and longing with honesty and authenticity will appreciate the poetry contained within. A gem of a book packed with relatable, accessible poetry that can be returned to time and again.

Favourite Poem:

I’ve already mentioned ‘Coire Uisg’ and ‘Tūrangawaewae’. Here’s another handful that spring to mind as I write this. ‘Unrequited’, ‘An Dùblachd’, ‘Variants’, ‘Kintsugi’ and ‘Letting In The Wolf’. I’ll also say ‘Compass Point’.

To learn more about Andrew, click here.

To buy Through Salt-Heavy Seas click here.

And if you’re looking for this week’s playlist, here it is. Something a bit eclectic again but what else would it be?!

Deacon Blue – Dignity
Nick Cave & The Bad Seeds – Into My Arms
Runrig – Skye
Mànran – Lahinch
Ellie Beaton – The Island
INXS – Never Tear Us Apart
The Dave Brubeck Quartet – Take Five
Manic Street Preachers – A Design For Life
Crowded House – Weather With You
Art Pepper – Patricia
Norma Winstone – Distance
Natalie Imbruglia – Torn
Ralph Vaughan Williams – The Lark Ascending

Before I Go…
The Book Bag Open Mic Session 3 is shaping up nicely with exactly a month to go. Reader and Audience tickets are available here. Always a supportive and inclusive space for poets to share polished gems or roughcut coals.

One More Thing…
The Broken Spine have a submission call for Punk poetry. An opportunity to let loose and potentially be published in print. Full details can be found here.

And Another…
Black Bough Poetry has a new project called Fragment Friday. Details are on social media. Give them a follow and get involved (Meta: @blackboughpoetry / X: @blackboughpoems / Bluesky: @blackboughpoetry.bsky.social).

And Finally…
The North currently have an open submission call for their ‘Libraries’ issue. Libraries mean so many things to so many people. Full details available here. 

Next Week’s Read

  • Title: Mædwe
  • Poet: Corinna Board

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – February 2026

Welcome to the first poetic voice of 2026. February is a special month as I celebrate my birthday AND i get to share work from an incredible poet and man.

I first encountered this Poetic Voice sharing his work on the weekly PoemsAbout prompts supplied Broken Spine on Bluesky, finding his poetry smart and accessible and full of wonderful phrasing and incredible language. Then I heard him read at an Open Mic and I was blown away with his performance, he performs with an vigour and gravitas and if you get the chance to hear him read his work, do take it – he often shares his recordings on social media. I’ve been fortunate enough to strike up a real connection with him.

So with further ado, allow me to introduce the excellent Paul Connolly. Find him on Bluesky at @thepaulconnolly.bsky.social.

Paul Connolly has written verse all his life but turned more serious attention to it about fifteen years ago, having set aside his Orwell Prize-longlisted satirical blog. Since then he has had well over 100 poems published in poetry magazines and online periodicals across the globe. He was third in the Magna Carta Poetry Competition, highly commended in the Sentinel Prize, and has a Charles Causley Prize shortlisting and two for the Bridport Prize (as well as a Bridport longlisting in the novel category). Last year, he was among the finalists for the Walking at Night writing prize and received a Best of the Net nomination. He is now seeking a publisher for his first poetry collection and his two novels.

Across the month I will be showcasing a bumper four poems from Paul, starting with two today that showcase Paul’s range.

This is ‘Late Summer Walk’.

Poem 2 is titled ‘Graduation’.

I am always grateful to showcase writers with range. Here we see a piece steeped in urban reality.

Paul’s final poem is called ‘Now’ and is a terrific example of combining the poetic with the real. An excellent piece to bookend the work shared this month.

I’d like to say a big thank you to Paul for sharing these excellent pieces over February and feel honoured to showcase some unpublished pieces.

Stay Poetic,
Paul

The Book Bag: Circulaire by Bex Hainsworth

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What a week. Bristol for a conference and back again. A lot of train travel (where I got to talk to some great people and listen to their stories). It did mean I got to meet up with the man, the myth, Matthew MC Smith for a catchup. Did I get lost walking to the restaurant I had picked? Yes! Was it a good choice though? Yes!

Aside from my whistle stop 23 hours in Bristol, I spent a little time editing some of my own work and emailing all the wonderful poets who submitted to the Unwhispered Legacy Anthology. The decisions were immensely tough to make.

At the end of the week, I had a nice chilled out time reading, writing, puzzling, painting and listening to Coltrane.

On top of that, I’ve been reading;

Circulaire

  • Poet: Bex Hainsworth
  • Press: Written Off Publishing

Circulaire is Bex Hainsworth’s second book, following on from her success with Walrussey. I’ve been reading Bex’s work for a while and have heard her read several times at online open mics. If you get the chance to hear her, take it. Her poetry is authentic, relatable and accessible.

One of the primary themes throughout the book is womanhood. ‘Calf’ is an excellent poem that starts with a frozen water bottle which made me very emotional. ‘Daphne’ is another piece that looks at the power dynamics between women and men.

Grief is a thread throughout the collection and is dealt with in several ways. The poems ‘Lemon Tree in The Algarve’ and ‘Pourrir’ are captivating works that make you pause. ‘Learning Curve’ is poetry that bears a soul on the page and it made me well up on the train.

Another piece in this collection that carries weight is ‘The House of Peace’, a poem centred around a visit to the National Holocaust Museum. You can feel every word.

Bex paints vivid scenery and immerses readers in her poetry. A striking sensory palette in the piece ‘Santarcangelo di Romagna’ is transportative and had me eyeing up flights. In ‘Pebbles’ readers are treated to a warm and loving beach walk that you can visualise spectacularly. The title poem ‘Circulaire’ (one of my favourites) is another cinematic vision that combines place, time and relationships.

Relationships are explored throughout the book. The poem ‘Breaking Up’ looks at the reality of losing a friend through a breakup. ‘Cysterhood’ is a gentle poem of sisterly understanding. In the piece ‘Camping’ (one of my favourites) readers are treated to a glimpse into the burgeoning of love. It’s an poem that is brimming with relatability and authenticity.

Styles and form vary. The piece ‘Shortbread’ (one of my favourites) uses couplets to move the poem along while allowing reflection. In ‘Ode to Plantar Fasciitis’ Bex uses couplets again but breaks lines unexpectedly so you build anticipation to read the next line because you want need to know what’s coming.

This collection will appeal to readers who love authenticity in their poetry. The pieces feel familiar and relatable. If you want emotion that makes you feel it in your heart, this is a book for you. Fans of poetry on womanhood will love this collection. This book is an excellent addition to anyone who likes contemporary writing and in my opinion is a masterclass on poetry about life.

Favourite Poem:

I’ve already mentioned ‘Camping’, ‘Circulaire’ and ‘Shortbread’ so I’ll add another handful based on my thoughts as I write this (I could add so many more). ‘Séance’, ‘We Leave Each Other Moons’, ‘Life, Death and the Struggle For Stellar Survival’, ‘Yorkshire Puddings’ and ‘Marriage Preparation Class When Loving For A Second Time’. And I have to include ‘Learning Curve’ for the physical, emotional response it triggered.

To learn more about Bex, click here.

To buy Circulare, click here.

Looking for a playlist to listen to in the background when reading Circulaire? Look no further…

Johnny Cash – I Walk The Line
Alexander Courage & Gene Roddenberry – Star Trek Theme
P!nk – Just Give Me A Reason
Ash – Shining Light
Kaiser Chiefs – Ruby
Delirium featuring Sarah McLachlan – Silence (Tiesto’s In Search of Sunrise Remix)
Kate Bush – Running Up That Hill
Pulp – Common People
David Bowie – Space Oddity
Kasabian – Fire
Amy Macdonald – The Hope
Coldplay – The Scientist
David Gray – Babylon

Before I Go…

If you’re looking for an evening of poetry on Saturday 31st January, Louise Longson is hosting a special online birthday celebration of Iamb, the incredibly curated platform run by Mark Anthony Owen. The line up is fantastic. Full details here.

Or if you’re in or close to Merseyside on Saturday, Alan Parry and the Broken Spine are hosting Poetry & Pints at The Grasshopper in Southport between 7 & 9pm featuring Martin Kennedy Yates and Jay Rafferty with open mic slots available. Check out details here.

One More Thing…

A quick reminder that submissions for the Black Bough Christmas / Winter anthology open on Wednesday. I’m excited to read excellent work. Read the guidelines carefully here.

And Another…

Reader and Audience tickets are still available for The Book Bag Open Mic Sessions: Session 3. Details here.

And Another…

Chris Campbell, writer of All Island, No Sea and Why I Wear My Past To Work is currently offering mentoring. This is a great opportunity to develop your craft with an incredible poet. Details here.

And Finally…

Next Sunday is a double whammy as the read will be released at 8am and the first Poetic Voice of the year will be released at noon.

Next Week’s Read

  • Title: The How In The World
  • Poet: Louise Longson

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Songs from Last Imaginations by Dorian Nightingale

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Well it’s good to be back after a good Christmas break where I’ve slowed down a little. Over the past couple of weeks I’ve hosted Write Here, Right Now, hosted another instalment of The Book Bag Open Mic Sessions, attended a Black Bough poetry bootcamp for planning how I’ll make the most of the year to come.

I’ve also been lucky enough to be welcomed by Matthew MC Smith to be a guest sub-editor for Black Bough’s Christmas / Winter Anthology . Last weekend I attended a workshop facilitated by the excellent Vanessa Napolitano, then on Sunday (pre open mic) I read at a Winged Moon launch event.

Due to the weather, the allotment progress has been a little slow, but the ground is thawing and the plot is just about ready for spring planting. We did get the start of a climbing bean arch in last week.

On top of that, I’ve been reading;

Songs From Last Imaginations

  • Poet: Dorian Nightingale
  • Press: Flight of the Dragonfly Press

I’ve been following Dorian’s work for a while now and was over the moon when he announced his book was coming out with Flight of the Dragonfly. Songs from Last Imaginations is a pamphlet of poetry and terrifically curated photography.

Dorian’s major strength is his sound patterning built on a base of incredibly lyrical and melodic language. Poems including ‘One’, ‘Narcissus’ and ‘Sparks’ (one of my favourites) are all prime examples of this using sibilance, alliteration, variations on rhyme. Also, I’ll drop a special mention for ‘Clair de Lune’ as being a gem of a poem (this is the first piece of music I learnt on the saxophone).

There is a vibrancy in the imagery of this collection. ‘A Day At The Beach’ is energetic with quick rhyme in the opening, pulling to a slower pace by the closing line. ‘Deep Blue Day’ is a slower paced piece from the start but maintains attention due to rich, vivid language.

The pamphlet does not shy away from complex emotions. ‘Round and Around’ is an accomplished piece using the spin of a vinyl record as metaphor for waiting and longing incredibly well. ‘In Bloom’ is a great poem on resilience and creates a distinct engaging tone.

Form and style are played with throughout. White space is used to its maximum in the poem ‘Nobody Home’ and in ‘Airlock’ the slash method of line breaks is used to break up the text. The language contained within the pamphlet is incredibly considered and rich. ‘Reverie’ and ‘Reckoner’ are both exemplary in demonstrating this.

The photography included in the book has been carefully considered, adding visual beauty through simple, unfussy images. I’ll also mention the musical scales included in the pamphlet that tie into the theme and ambition of this book.

This book will be a hit with readers of lyrical poetry who appreciate immersive scenery and emotive pieces. These are poems to read aloud and have fun with, test your cadence and style reading speed and style for each one several times and see how they can alter. A wonderful pamphlet to kick off 2026.

Favourite Poem:

There’s a few pieces in this pamphlet. I’ve mentioned ‘Sparks’ already so I’ll add ‘Swan Song’, ‘You’, ‘Spellbound’, ‘The Final Cut’ and ‘Little Wing’.

You can find more on Dorian, here.

Dorian’s pamphlet can be bought here.

And for the first playlist of the year, here’s an eclectic mix to go with Dorian’s exceptional book based on my interpretation and some of Dorian’s musical inspiration (listed in the acknowledgements).

Bob Dylan – Visions of Johanna
Bruce Springsteen – The River
Röyksopp – Eple
David Bowie – Wild is the Wind
Portishead – Roads
U2 – The Sweetest Thing
Phoebe Bridgers – I Know the End
Elton John – Goodbye Yellow Brick Road
Duke Ellington – Sophisticated Lady
Led Zeppelin – Good Times Bad Times
Claude Debussy – Clair de Lune

Before I Go…

It seems The Book Bag Open Mic Sessions are proving popular. Tickets for session 3, taking place on Sunday 8th March 2026 at 7pm, are now on sale and can be bought here. Spaces are limited. Don’t want to read? You can enjoy as an audience member for free.

One More Thing…

You may remember I signed on to assist the team at Frazzled Lit for the fourth issue. Well it’s out in the world and can be read here. It was an honour to be asked and read some excellent writing.

And Another…

The submission window for Black Bough’s Christmas / Winter Anthology 7 opens on 28th January and runs until 1st February. Full details can be found here. Read the guidelines and send your very best work to appear in an always excellent anthology.

And Finally…

I’d love to know what poetry books you got for Christmas. Did you get any from The Christmas Gift List? Is there a title I should be featuring on The Book Bag? Drop me a message in the comments.

Next Week’s Read

  • Title: Circulaire
  • Poet: Bex Hainsworth

Take it easy and stay poetic, I’ll catch you next week.

Paul