The Book Bag: Poetic Voices – October 2025

Can someone tell me how it is October already. Autumn colours arrived early this year and it seems like the nights are drawing in quicker each day. And with a new month, comes a new Poetic Voice to feature as part of The Book Bag: Poetic Voices.

This feature aims to platform and showcase exemplary work from writers I admire across the poetic landscape and runs concurrently with the regular weekly episodes of The Book Bag where I’ll still be sharing thoughts on pamphlets or collections I’ve read through the week.

This month, I am thrilled to announce that our Poetic Voice this month is the prize-winning, super-talented, Carson Wolfe.

Carson Wolfe is a Mancunian poet and Grand Prize Winner of The Disquiet Literary Program 2024. They will soon graduate with an MFA from The Manchester Writing School, and are currently finishing their first novel. Their poetry has appeared with Poetry MagazineThe Rumpus, The Common, and Rattle. Their new chapbook Coin Laundry at Midnight is forthcoming with Button Poetry in spring 2026. 

www.carsonwolfe.co.uk

@vincentvanbutch

I first read Carson’s work in The North and Northern Gravy and was blown away by their work, then I read more and more. Fast forward to now and I am so happy that Carson accepted my invitation.

I’ll be sharing a few pieces from Carson over the month. Kicking off with ‘While Wishing She Was Dancing To Kate Bush’ originally published in the Best New Poets Anthology 2024.


A little later than planned, here’s poem 2 from the exceptional Carson Wolfe. First appearing in POETRY Magazine July/August 2025, this is SILICON VALLEY, IN THE BACKSEAT OF A TESLA.


Here is the 3rd poem from Carson. Originally published in The Baltimore Review, this is ‘Strange Baby’.


To pre-order Carson’s forthcoming chapbook, you can do so here. I can’t wait for its release. An early birthday present to me from me!

Paul

The Book Bag: Concealed Pockets – Getting My Work Featured on The BBC

Recently, I took a leap out of my comfort zone.

Let’s start somewhere in the middle…

I took a breath and uploaded a poem to the BBC Upload portal after hearing Helen Laycock and Chris Campbell had appeared on their respective BBC Upload shows previously. It felt like a big step for me in getting my poetry out there to a new audience…

First though, I searched BBC Sounds for BBC Upload, found the North East programme and listened to a lot of episodes over one weekend. Then I had to find out how BBC Upload works. Well it’s a platform to upload poetry, comedy, stories and other content (not music) to the BBC Upload service region your work links to. In total I listened to about 10 episodes over a weekend on BBC Sounds . I loved the clowns/cabaret act interview.

Then I realised I had to make a video to upload. I used some footage from a recent trip to Alnwick Garden and recorded a voiceover of my poems ‘Taihaku Joypiloting at Alnwick Garden’. I did my best to make it presentable using my mobile phone which was just a case of trial and error. And back to taking the the breath and the uploading of the file from the beginning of this post. Confirming I want to proceed then waiting on tenterhooks to see if I could catch the attention of the producers.

A few days later, I got a very warm and friendly email from Emma Millen at BBC North East & Cumbria who curates the BBC Upload for Newcastle and Tees stations for BBC Sounds. Emma offered me an opportunity to go into the studio for a chat about my poetry, and to record some of my work.

On a sunny Friday, I put on one of my best shirts and pair of jeans, shook off some nervous excitement and made my way to BBC Newcastle Studios with the book bag in tow.

When I arrived I was a bit slapstick trying to open every entry door until I buzzed the receptionist who let me in and sorted my visitor badge out. I got to see a TARDIS in the foyer while I waited. Emma collected me and I was taken for my interview in one of the radio station studios. It felt a bit surreal at first, I won’t lie.

Emma and I had a chat where she made me feel really comfortable talking and sharing my work. Then in a flash I’d had been recorded and I was headed home to enjoy the rest of the sunshine.

The episode aired on Saturday 14th June on BBC Radio Newcastle and BBC Radio Tees. Here is a clip of me reading a couple of poems. I’m chuffed to bits with the edit, not to mention Sam Fender – People Watching was the song after my final piece on the radio. I was buzzing. I celebrated with a pink gin and tonic.

The whole process from start to finish was handled so well and I will (hopefully if they’ll have me back) share more work on the platform. It’s a great way to showcase your work and reach a broader audience.

I thoroughly enjoyed my experience and am truly grateful for the opportunity. Stepping out of the comfort zone every now and then is worthwhile and I would recommend more people try it.

For next time (if there is a next time) I’ll be a bit more organised and stick with the pieces I had originally planned to read because I changed my mind at the last minute.

Huge thanks to Emma for having me on and making me feel calm and relaxed as I could be. Her energy is infectious and that really helped.

To upload your work and get your work featured on BBC Upload visit:  https://www.bbc.co.uk/writers/opportunities/bbc-upload/ and select your area.


Take It Easy and Stay Poetic

Paul

Black Swan

After Louise Machen’s ‘I Am Not Light’

The Book Bag: East Of The Sun, West Of The Moon by Taz Rahman

Welcome back to The Book Bag. I hope you’ve had a poetic week.


This week has been a fun one. Projects coming together, submissions entered, lovely sunshine walks with my wife and Brody the dog, Julian Cason wrote some very nice things about me on Top Tweet Tuesday reviews week, I cooked up a storm in the kitchen, played some sax and gardened a little. I also saw my first swift and watched the pipistrelles swirling in the twilight.

On top of that, I’ve been reading;

East Of The Sun West, Of The Moon

  • Poet: Taz Rahman
  • Press: Seren Books


I was lucky enough to see Taz perform live at the incredible Black Bough Poetry fundraiser in aid of WellChild in Neath in 2024. If you get the chance to hear him read and perform, sit back and enjoy.

Jazz. Poetry. Two art forms that complement each other in terms of speaking an improvised language that is unusual but makes perfect sense at the same time. In their purest forms they are outlets for the disenchanted, disenfranchised, the dismissed. They also happen to be two of my passions. I’ll share a playlist that I listened to whilst reading this book further down the page.

Imagery is delivered with the grace and flourish of a blues scale. ‘Bread of Heaven’ is a perfect example of immersing a reader in a poem that by the end you feel a sense of connection to the poet. This is also the case for ‘Animal Wall’, a sectioned piece that incorporates folklore.

There’s genuine emotion on display throughout the book. The poem ‘Chocolate’ displays fear compared to ‘Sanctuary’ which I felt showed his feeling of safety and peace. I must almost mention the piece ‘Drama/Trauma’ which is really important and exquisitely crafted.

For the romantics, which I count myself as, ‘I Want To See Your Face in Every Kind of Light’ is excellent. I also consider ‘The Free State of Roath’ to be a love poem either to person or place.


Place is important in the book. There are references to Cardiff and Wales, scattered throughout. ‘The Nearness of You’ takes a walk-through Cathays Cemetery. I’ve already mentioned ‘Animal Wall’ and ‘Sanctuary’ above but you get a real sense of surroundings with Taz’s deft use of vivid language.

Equally important is Taz’s admiration and relationship with nature. This is apparent in his language. Poems such as ‘Muktijoddha’, ‘Snapdragons Need The Bulk of Bumblebees to Force Open The Flower’ and ‘Substrate Of A Rose’ show this off really well.

There are poems linked to Taz’s heritage that lift from the page through sensory experience. ‘Anda’ is mesmerising with scents of daal, hot sugar and rosewater. ‘Yashica 365’ is a poem that opens the book with a rich tapestry of language that is evocative, full of sounds, smells and colour.

Taz plays with different forms and styles throughout in the book. These shifts add interest and deliver his lyrical language sometimes interpreted messages with great skill. Pieces such as ‘Permission’, ‘Trap Arachnids For Rainy Days’, ‘Amygdala’ and ‘Chocolate’ are a selection that show the variation and strength of his skill. Also, I must mention the introductions and quotes that precede some of the pieces. It was great to see Johnny Cash mentioned, someone with a deep relationship with Jazz.

This collection is one of my personal favourites. The connection between jazz and poetic skill and language often mirrors itself throughout. Taz uses rich imagery and terrific language and turns of phrase and has crafted an exceptional book. A masterpiece. Buy it.

Also as promised, a playlist to listen to while reading. This was my personal choice anyway…

Trying To Figure It Out – Grace Kelly
Freddie Freeloader – Miles Davis
C Jam Blues – Charles Mingus
Take Five – The Dave Brubeck Quartet
Round Midnight – Thelonious Monk
In A Sentimental Mood – Duke Ellington & John Coltrane
East of The Sun (And West of The Moon) – Charlie Parker
Night In Tunisia- Dizzy Gillespie
Mood Indigo – Frank Morgan
Blue in Green – Cannonball Adderley

Favourite Poem:
I’m choosing three this week. Permission, Turning Saints into the Sea and East of the Sun, West of the Moon.

Taz has a website over at https://tazrahman.blogspot.com/ where he regularly shares updates and news.

To grab yourself a copy of this terrific collection, visit the Seren Books website here.


One More Thing…

Keep a close eye out for a new monthly feature from The Book Bag launching on June 1st. It’s an exciting development which I think you will all enjoy.

And Another…

For the Short Story authors, this is a polite reminder that the great people at Frazzled Lit are opening their competition on 1st June. Details here.

And Another…

Fans of open mic’s, whether to perform or be in the audience, the Broken Spine Arts #PoemsAbout event takes place Thursday 29th May. All the information can be found here.

And Finally…

Regine Ebner and Black Bough Poetry are having an online launch for her collection Mountains That See In The Dark on Saturday 7th June 2025. There’ll be readings from Regine and special guests. Grab yourself a free ticket here.


Next Week’s Read

  • Title: When It Rained for a Million Years
  • Poet: Paul Farley

Take it easy and stay poetic, I’ll catch you next week.

Paul

Ascent

This time
the climb felt easier
the incline didn’t seem to stretch for a year
my legs keeping feeling without force.

This time
my dewy eyes were due to a biting wind
     rather than the noose of grief
that swallowed the air from my body
           and the right words from my lips
like the last time.

And this time our hands held gentler
and it wasn’t to do with the new gloves
we are stronger now.

Advent Calendar Poem #24: A Mild Christmas Eve

The low dawn casts its shadow
gently as pastel persimmon
across the rooftops
as blinds twitch
in hope of snowfall

robins like paladins
stand proudly atop fenceposts
keeping watch over the people they love
singing quiet whispers of strength

along the emerald and dull silver hedgerow
the squabbles of nature seem calmer
as if peace has befallen predator and prey
and no man’s land is safe for a while

believing isn’t seeing
believing is believing

Thanks for joining me for the last day of the advent calendar of poems. I hope you’ve enjoyed my scribbling over the past month and year. All your support is highly appreciated.

Here’s a quote from my favourite Christmas film, Scrooged: “ It’s Christmas Eve! It’s, it’s the one night of the year when we all act a little nicer, we, we, we smile a little easier, we, w-w-we, we, we cheer a little more. For a couple of hours out of the whole year, we are the people that we always hoped we would be! It’s a miracle, it’s really, a sort of a miracle because it happens every Christmas Eve.”

Merry Christmas and A Happy New Year

Paul

Advent Calendar Poem #22: Sparkly Presents

The wreath shines
in winter light
scarlet holly glowing
slices of scented citrus
glistening like stained glass
even long-dried pinecones
have a revived golden aura
emerald fir and spruce branches
hold everything together
this natural bracelet
a truly precious
and priceless gift.

Thanks for taking the time to read this poem. I hope you’re doing amazing this week and have some merriment planned over the festive period. Only 2 poems left of the calendar. Thanks for the ongoing support, it’s very appreciated.

Take It Easy

Paul

Advent Calendar Poem #20: A Take on Christmas Films

I slip into the comfort 
of old Christmas movies
like John & Hans tearing up Nakatomi
Buddy finding his family and a new job
George finding help from Clarence
Frank Cross reuniting with Claire
and a boy in blue dancing with snowmen
the nostalgia is like hot chocolate
and warm hugs
it’s hard sometimes to step away.

Thanks for stopping by today to read number 20 in the advent calendar. I hope your week is going well and that your all sorted for the festivities.

Take It Easy

Paul

Advent Calendar Poem #18: A Smile On Your Face

Snowmen standing in front gardens
waving at passers-by
who cling on to fenceposts
tentative steps on glass concrete
some have dogs that pull on the lead
and drag like huskies
along the glittery cycle path.

If you see something that you find amusing don’t be afraid to smile. I hope your weekend has been well spent, less than a week to Christmas!

Take it easy

Paul