poetryblog

The Book Bag: The Liminal Light Of The Night by Carmella de Keyser

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve had a great week. On Sunday just after sharing my thoughts on Merril D. Smith’s book, I saw two deer running just in front of my house, a doe and an infant. Then my wife and I did a spot of shopping and enjoyed a delicious pub lunch. On Monday we visited The Laing Art Gallery which currently has an exhibition on Miniature Landscapes including work from the original Alice’s Adventures in Wonderland. Excellent.

We also celebrated my Mother-In- Law’s birthday & retirement with a couple of meals and a delicious cake. Then everybody saw the wonderful full moon, Brody got extra walks just so I could gaze up.

The allotment is taking proper shape now. We have spread woodchip over most of the ground for pathways. This will enrich the ground which will enrich our produce. Also, we’ve planted our fruit bushes in the cage, including a black raspberry which I’m looking to try.

We took a lovely autumnal stroll on Friday, the trees providing a riot of colour.

On top of that, I’ve been reading;

The Liminal Light Of The Night

  • Poet: Carmella de Keyser
  • Press: Hedgehog Poetry Press

Carmella is an incredible poet and human being. Her work always has a deep emotional value that connects with readers.

This prize-winning pamphlet is a combination of stellar poetry and stunning art. Each perfectly placed in order. The poems play out in that space between light and dark, the space where where life is really lived. The artwork has been carefully curated enhancing the terrific writing.

Emotion is at the forefront of poetry in this book. We look at grief in the poem ‘I Count All Things As Loss’ which is a memoir that takes you on an authentic journey, both rough and smooth. No line or image feels like a cliche in this piece. ‘The Everlasting Exile’ is another piece teeming with power and physicality which ends perfectly.

Imagery and metaphor play an integral role in the pamphlet. The poem ‘An Odyssey Through You’ is an exquisite piece (one of my favourites) that is inventive yet feels classic. ‘Dark-Haired Girl’ is a vivid, immersive piece using multi-sensory elements to fully bring to life the words from page into reality.

The language in the book is sublime and each piece has a formidable lyrical quality. Carmella’s use of free verse benefits the words on the page as does the rhyming structure achieved in the piece ‘Bury Me Deep’ which creates a river’s motion.

This is a wonderful collection of poetry complemented by artwork from Vanya Milanova that showcases the human condition. The vivid imagery and journeys these pieces take you on will appeal to many poetics. A real gem of a book.

Favourite Poem:

I’ll choose a few to accompany ‘An Odyssey Through You’ so let me add ‘To The Strangers’, ‘The Closure Of The Dark’ and ‘I Count All Things As Loss’.

To read more about Carmella, click here.

To buy The Liminal Light Of The Night, click here.

You’re looking for a playlist to read along to? Well I’ve curated a small selection of songs that I think work well with the pamphlet;

Bon Iver – Holocene
Joni Mitchell – Hejira
Nick Drake – River Man
Goo Goo Dolls – Iris
Train – Drops of Jupiter
Tom Petty – Learning To Fly
Tracy Chapman – Fast Car
Mumford & Sons – The Cave

Before I Go…

Black Bough Poetry are hosting one of their tremendously supportive open mics on Wednesday 12th November. Audience tickets are still available here.

One More Thing…

If you haven’t already caught up Rebecca Goss’s feature as The Book Bag: Bag: Poetic Voice for November, read it here. This is another poem being added on Wednesday so make sure to bookmark the post, so you don’t miss out.

And Another…

There’s less than two weeks to submit ideas for the festive period to The Book Bag’s Christmas List. This is a way to support favourite poets, presses and fellow poetics in sharing with the wider poetry community. Details here.

And Finally…

The tremendously talented Stephen Paul Wren is hosting an online reading of work from his recently released title with Parlyaree Press, ‘Blood Women’ on Thursday 13th November. Details and tickets here.

Next Week’s Read

  • Title: Fourth & Walnut
  • Poet: Jeremy Over

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Held Inside The Folds Of Time by Merril D. Smith

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Well, this has been a week. On Sunday, I attended the Black Bough open mic and read a couple of pieces. I then had a half day leave from work on Monday where we took Brody to the vets for a checkup and boosters. He’s healthy but he really doesn’t like the vets.

Yesterday, the excellent Full House Literary launched their new issue, which contains one of my poems. I’m beyond happy to share pages with incredible writers. Read the issue here.

I’ve also been lucky to announce the new Poetic Voice for November as Rebecca Goss. The feature is here and another poem will be added soon.

I did manage to send off a few submissions this week too.

It’s been Halloween; we didn’t get many trick-or-treaters and a couple we did have were in my opinion too old to be trick or treating. There were some great costumes including 2 inflatable dinosaurs. Also, I saw some excellent fireworks going off in the surrounding area. Brody likes staring out the back window watching the colours explode.

And at the allotment the fruit cage has been wired, the cold frame is ready and our green manure is growing well. There will be a big change next week though…

On top of that, I’ve been reading;

Held Inside The Folds Of Time

  • Poet: Merril D. Smith
  • Press: Jane’s Studio Press

I’ve been a fan of Merril for a longtime, first reading her work on TopTweetTuesday some time ago. Not only is Merril a fantasy poet but is also very generous in her support to others, not just in poetry but in activism too. If you get the chance to hear her read, take it.

One of Merril’s key strengths is the ability to place so much emotion into her poetry. The pieces ‘To America’, an intimate and heartfelt poem and ‘May Morning’, a colourful landscape of sound are exquisite examples of this. ‘Sparrows’ is a breathtaking and heart-wrenching piece.

Merril is deft at crafting vivid poetry that immerses the reader in scenes that feel familiar. The poems ‘Cross-Quarter Days’ and ‘Topography’ are tremendous examples of this. One of my favourite pieces in the book ‘In Memoriam: for the Unknown Soldiers at Red Bank Battlefield’, stands out for imagery that connects multiple threads.

When Merril goes cosmic on scale in the pieces ‘Long Nights, The Stars Too Far’, ‘His Shirt’ and ‘All and After’ we are treated to wonderful interplay between scientific, delicate and romantic language.

There is a real sense of connection in the collection. This is across time and in various settings. The poem ‘Echoes’ is multi-sensory and highlights how sharing food can link people across generations. ‘Roads and Flights’ parallel the natural world and humanity and demonstrate how everything is linked.

In terms of styles, Merril makes use of free verse as well as different forms including a golden shovel in ‘That Time’, short form in ‘Daylilies’ and some ekphrasis in ‘Clasped and Cradled’ (inspired by recent Book Bag poet, Karen Pierce Gonzalez). But it’s not just poetry we are given in this book, but incredible photography taken by Merril herself. There’s also some lovely art within the pages.

This book has wide appeal, notably for the visceral, emotive and vivid poetry that lingers a while. If you want to feel a sense of connection, buy this book, if you like the thought of cosmic scale poetry that is epic and intimate simultaneously buy this book. Also, fans of photography will appreciate this book. A fantastic collection with pieces that cling to the mind like a fine November drizzle. A perfect gift for the festive season.

Favourite Poem:

I’ve already mentioned In Memoriam: for the Unknown Soldiers at Red Bank Battlefield’ but I’ve also got a few more to mention. I’ll add ‘At The Corner of First and Always’, ‘In Paris and Beyond’, ‘The Power of Gravity and Light’, ‘This Is Not—and Is’, ‘Letter From My Mom’ and ‘Horses’.

To find out more about Merril, her regular and very interesting blog is here.

To learn more about the press, click here.

To buy Held Inside The Folds Of Time, click here.

Oh, are you looking for a playlist to read along to? Well you’re in luck because I’ve curated an eclectic mix for you:

Coldplay – The Scientist
Bruce Springsteen – Born To Run
The Clash – London Calling
Duke Ellington & His Orchestra – Paris Blues
Edith Piaf – La Vie En Rose
Guns ‘N’ Roses – Civil War
Gil Scott-Heron – The Revolution Will Not be Televised
The Honey Drippers – Impeach The President
Joni Mitchell – Big Yellow Taxi
Stevie Nicks – Landslide
David Bowie – Space Oddity
Carole King – You’ve Got A Friend

Before I Go…
Issue five of The Storms Journal launched this past week. Merril is one of the poets to have work in it. I’ve been following the artist reveals on Instagram and it’s a stellar collection. I’m just waiting for my copy to arrive. Details here.

One More Thing…
You can help support poets and presses as well as provide gift ideas for fellow poetics by submitting to the The Book Bag Christmas List. Details here.

And Another…
Matthew M.C. Smith, EIC of Black Bough Poetry is hosting another of their Crafting Your Year In Poetry workshops on November 16th. 2025. I attended one of the workshops and it has really helped me to develop my practise. I along with others highly recommend it. Details here.

And Finally…
Just a reminder for all the poets, that the submission window for The Book Bag X Write Here, Right Now: Unwhispered Legacy Anthology opens at the end of the month, details here.

Next Week’s Read

  • Title: The Liminal Light Of The Night
  • Poet: Carmella De Keyser

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – November 2025

November, here we are. The fiery palate outside makes me think this year is burning through time. Where did October go?

With a new month, comes a new Poetic Voice and I am beyond thrilled to be able to announce and welcome to The Book Bag, Rebecca Goss, a poet I have long regarded as exceptional, especially for her poetry of place. It was excellent to hear Rebecca receive much deserved mainstream recognition from Frank Skinner on his podcast a couple of months ago, listen here.

Image Credit: Natalie J Watts

Rebecca Goss is the author of four full-length collections. Her second collection, Her Birth, (Carcanet, 2013) was shortlisted for several prizes including the 2013 Forward Prize for Best Collection. She is the winner of the Sylvia Plath Prize 2022. Her latest collection Latch (Carcanet, 2023) was shortlisted for the Creative Suffolk Author Award, 2025. She works as a poetry mentor, and is a Writing for Life Fellow with the Royal Literary Fund, in NHS Recovery Colleges. She is current Poet in Residence for CW+, the official charity of Chelsea and Westminster Hospital NHS Foundation Trust.

Follow Rebecca on Instagram @gosspoems

This month I will be sharing a few pieces from Rebecca’s collection, ‘Latch’ available to buy from Carcanet here which previously is a A London Review Bookshop Book of the Year and has been longlisted for the Longlisted for the New Angle Prize for Literature 2025. Carcanet have kindly provided rights for me to share images and poetry.

The first poem I will be sharing from Latch is ‘The Farm’

As promised, and graciously shared by Rebecca, this is ‘Weir’ from the collection ‘Latch’.

I want to thank Rebecca for sharing this bonus piece from ‘Latch’. This is one of my personal favourites in the collection and it is a real privilege to be able to share ‘The Hounds’.

Remember, you can here Frank Skinner discussing ‘Latch’ on his podcast here. You can buy ‘Latch’ here. It would make an excellent gift for poetry lovers.

Stay Poetic

Paul

The Book Bag: Wonderful by Harry Baker

Well the week started well and continued in the same vein. Sunday saw us head back to the allotment (and me saw down a rosemary tree that was starting to push onto the greenhouse) while the weather held off, then I attended the online launch of Merril D. Smith’s new collection, I signed a contract extension at work, saw some meteor action and I harvested our garden crop of Jack-be-little pumpkins.

I also found time to write what I think is one of my best pieces of the year, sent off a submission, and realised I’d lost edits my on a poem I really like. I’ve also started planning for 2026.

On top of that, I’ve been reading;

Wonderful

  • Poet: Harry Baker
  • Press: Burning Eye Books

Harry Baker feels like a poet who doesn’t need an introduction, a superstar poetry performer and previous champion of the World Poetry slam, with a huge following and profile who is a genuinely decent human being.

One of Harry’s superpowers is his ability to inject humour and heart into his poetry. The collection is filled with upbeat, warm and funny poems. I found myself smiling while reading pieces including ‘An Ode To Postcodes’ especially the line on NE1 (a Newcastle postcode) and ‘Things I Learned from Interrailing’.

The book balances the joy and happiness with reflections on serious matters. The poem, ‘Trying’ really hit me hard and in my opinion is such an important piece from a males perspective. Beneath the humour and metaphor, the book explores themes including masculinity in the piece ‘Wellies’ and coming to terms with mortality in the excellent ‘Sunflowers’.

Another of Harry’s strengths is his wordplay and punnery. One of my favourite poems of the collection, ‘Sticky Toffee Pudding’ does this incredibly well. As a performance poet, Harry can identify and incorporate language that will both work well with live audiences and on the page itself.

In terms of form, there are rhyme pieces, free verse, list poems and a few interesting styles, one that I had not encountered before which I may attempt. ‘As’ which is written with the Macao constraint, the poem ‘Ingrid’ (another of my favourites) is a univocalic using only the letter ‘I’. A very impressive piece.

The variety in this collection gives it a wide appeal to readers who are or aren’t already familiar with Harry Baker. If you like a poetry collection that makes you feel happy and warm inside, this is a book for you. If you like clever wordplay, this is a book for you. Wonderful is a charming, engaging book that brought me joy (I wrote that in the section of the book that allows you to record what brings you joy).

Favourite Poem:
I’ve mentioned ‘Sticky Toffee Pudding’ and ‘Ingrid’  as favourites already but I’ll also add in ‘Home’, ‘Trying’, ‘A Bed Shop Called Dreamland’ and ‘Wonderful’. To be fair the poems in this book are all exceptional.

If you want to learn more about Harry Baker click here. Also, I would recommend following his Instagram account.

You can buy Wonderful here.

Are you looking for the playlist? You are, aren’t you? Well, here it is, a happy eclectic mix to listen to alongside reading Wonderful.

Pharrell Williams – Happy
OutKast – Hey Ya
Len – Steal My Sunshine
The Cardigans – Lovefool
Björk – It’s Oh So Quiet
Eminem – Mockingbird
P!nk – Get The Party Started
Will Smith – Getting Jiggy With It
Taio Cruz – Dynamite
Michael Giacchino – Theme From Mission Impossible
Marcus Mumford & Tom Howe – Ted Lasso Theme

Before I Go…
There’s less than a week left to submit to After poetry. Details here. An excellent opportunity to be published on a highly respected platform.

One More Thing…
There’s still time to submit your gothic pieces to Broken Spine Art’s callout for an anthology being published in 2026. Details here.

And Another…
Remember to help boost your favourite poets and presses this festive season by sending over details for the Christmas Gifts Guide that will be published at the end of November. Details here.

And Another…
Ice Floe Press are now open for submissions until November 18th on the areas of Process / Marginalia / Otherworld. Full details here.

And Another…
A new Poetic Voice will be coming to The Book Bag from Saturday. Catch up with October’s Poetic Voice, the exceptional Carson Wolfe here.

And Finally…
I’m enjoying reading for Frazzled Lit, a reminder that the submission window is still open until Friday October 31st 2025. Details are here, send your best work.

Next Week’s Read

  • Title: Held Inside The Folds Of Time
  • Poet: Merril D. Smith

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Somewhere A Tree Waits For An Angel Or A Butterfly

Welcome back to The Book Bag. I hope you’ve had a poetic week.

It has been a busy week this week. I think all my hard work and schedule has caught up as my department starts to quieten down.

We planted the onion and shallot sets at the allotment and have been able to dig over the fruit cage thoroughly. All the raised beds are now ready for use. We’ve planted green manure too. Progress is steady.

My nephew turned 18 and we celebrated with food and drinks in Northumberland. I can’t believe where that time has gone.

In terms of poetry, I’ve had a great week. I found out that I was shortlisted in the Katrina Collins Poetry Prize and will appear in the anthology alongside incredible poets which is a huge honour. Congratulations to everyone else who was nominated and to the winners.

Also Write Here, Right Now happened on Thursday and was excellent as always. Did every attendee get played in on my saxophone? Yes! Several of the pieces I have worked on in group or had feedback on have been sent out for submissions and results are positive and I’m adding value to my writing.

I’ve also been able to read some pieces for Frazzled Lit Issue 4. There is lots of talent out there.

On top of that, I’ve been reading;

Somewhere a Tree Waits For An Angel Or A Butterfly

  • Poet: Eileen Carney Hulme
  • Press: Hedgehog Press

I’ve been lucky enough to speak with Eileen over social media for some time. Eileen has been very supportive of my own poetry and is a big advocate of The Book Bag. I’ve also shared pages in anthologies with Eileen and always look forward to reading her work. She is by all accounts lovely and sent me a handwritten note giving me the background behind the book.

Somewhere a Tree Waits For An Angel Or A Butterfly was published in 2024 by Hedgehog Press after winning the inaugural Crimson Spine competition. And, after reading the poems inside it’s hardly surprising.

Eileen’s strength is creating tremendous imagery that elevate the poems from the page into the mind. Pieces including ‘Choosing A Stone’ and ‘A Smudge of Love’ are great examples of this.

Place and memory play an integral role in the pamphlet. The poems ‘Reverberations’ and ‘Illusions’ (one of my favourites) both take readers to the beach evoking different emotions through lived experience. The piece ‘Afterlife’ is incredibly moving and full of love.

Eileen’s use of language is precise and sharp yet simultaneously soft and delicate. ‘Sweet Time’ demonstrates this impeccably with the form used adding an extra dimension to the piece. The piece ‘Damp Shaped Us’ is another exemplary poem.

This is a pamphlet that will appeal to readers who appreciate the journey that love can take you on. The imagery and language in this book is beautiful and poems last long in the heart, especially ‘Lovers’ and ‘Afterlife’. It would make a beautiful gift.

Favourite poem: I’ve already mentioned ‘Illusions’ and ‘Afterlife’. Here are another five; ‘Somewhere A Tree Waits For An Angel Or A Butterfly’, ‘Lovers’, ‘What’s Left Behind’, ‘If You Could Go Anywhere’ and ‘When You Wake’.

To find out more about Eileen click here.

To buy Somewhere A Tree Waits For An Angel Or A Butterfly, send Eileen a message here.

You didn’t think I’d forget the playlist did you? This is my eclectic selection to accompany the pamphlet:

Tina Turner – What’s Love Got To Do With It?
Sixpence None the Richer – Kiss Me
Semisonic – Secret Smile
Scarlet – Independent Lovesong
Queen – Somebody To Love
Chris Rea – The Beach
Oasis – Wonderwall
Sam Smith – Latch
James Blunt – Goodbye My Lover

Before I Go…

On Monday I’ll be sharing another piece from this month’s Poetic Voice, Carson Wolfe. If you haven’t read the feature yet, click here and bookmark.

One More Thing…

Louise Longson’s Last Saturday Poets is on 25th October 2025 and the line up is incredible. Tickets are free and the event starts at 7pm. Details here.

And Another…

With Christmas coming soon, I was thinking of doing a post about potential poetry book gifts people could buy for loved ones, friends and even for their work ‘Secret Santa’ however as something a little different, I’d love input from you all. I’ll be posting a link to the full details next weekend as to how you can be involved.

And Finally…

Atrium Poetry is open for a week long submission window from Monday 13th October 2025. Details will be available on their website from Monday. Send your work (read the submission guidelines first!).

Next Week’s Read

  • Title: A Wide River Divides Us
  • Poet: Gill Barr

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Why I Wear My Past To Work by Chris Campbell

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve probably asked this about 437 times this week, but how is it October?

I’ve had quite the rollercoaster this week. Sunday morning was spent at the allotment, making a bulb lasagne. Hopefully come spring, we’ll have some lovely pastels flowering. Fingers crossed! 

I also saw Newcastle get (undeservedly) beat by Arsenal. But then we bounced back with a Champions League win. It was also the 2nd anniversary of getting Brody. We celebrated by giving him toys and treats. Unfortunately, the weather put pay to our planned walk. 

Wednesday was the launch of this month’s Poetic Voice feature and I’m thrilled that Carson agreed to take part. If you’ve not read the first part already, catch up here. Thursday was National Poetry Day on the theme of ‘Play’. I shared a small piece on social media. I’ve also added it here with my TopTweetTuesday entry.

Also, this week I’ve sent off several submissions and had some good news. You may remember my poem ‘Laundry Day’ was accepted and published by Dust Poetry Magazine (link here), well I’m beside myself, because it has been nominated for a Best Of The Net award. I’d like to say thanks to Dust for trusting in my work and congratulations to all other nominees. 

On top of that, I’ve been reading;

Why I Wear My Past To Work

  • Poet: Chris Campbell
  • Press: Parlyaree  Press


This is Chris Campbell’s second appearance in The Book Bag. He is back with a bang in Why I Wear My Past To Work, a collection that spans recovery from illness, family, relationships and life. There is definite evolution in this collection from All Island, No Sea. I was lucky to be part of his online launch a couple of weeks ago. If you get a chance to hear him read, take it. His voice carries real weight and emotion. 

One of Chris’ main strengths is his sharp observation. He can immerse a reader in a scene or situation that feels relatable rather than forced. Poems such as ‘Five Schoolboys Pick Pyracantha’, ‘The Sea Steals Our Picnic Blanket’, ‘The Meadow, Dugdale Avenue, 1993’ and ‘Revellers Howl In The Fine Hours’ excel in this vein. The piece ‘Cold Crooks By This Fire Pit’ made me think of ‘Hippy Green’ behind Old Eldon Square in Newcastle.

The pieces relating to Chris’s recovery are at times harrowing and at times funny. ‘Today I Can’t Speak’ is compact yet compelling. ‘In The Queue At Bristol Royal Infirmary’ is a darkly funny piece that is so relatable to anyone who’s spent time in an A&E and one of my favourites. Poems including ‘After Leaving The Ward’ and ‘Holed Up After Hunting For A Gift’ also highlight Chris’ spirit, resilience and the journey he has been on. In these pieces we are seeing Chris at his most vulnerable.

The pieces in this collection which address his relationship with his family are delicate and authentic. Poems including ‘Day Trip, 2000’, ‘You Are Here, Grandad, In This Mute Playpark’ (which left me in a flood of tears) and ‘Bin Workers Wake You’ are all perfect examples of this across a scale of emotion. ‘My Son Grows as I Regress’ is a tremendously thoughtful and moving piece.

Aside from family relationships, Chris connects with everyone, he is after all a genuinely decent human being. I must the poem ‘I Drown During An Awards Do As The Queen Dies’ where Chris confronts a former soldier who is spouting bigoted diatribe. The piece ‘How This Cuban Shop Serves Pachanga’ is a lovely poem on community full of sensory imagery. We need more Chris Campbell’s in the world.


In terms of form, Chris uses a variety throughout including couplets in ‘A Helping of Sand After University’, compared to the flow of single-versed ‘Our Date Night Will Be Ponchos In January’. In ‘I am The Man I Wanted To Be’ we are shown some neat, intricate internal rhyme along with honest introspection. I really enjoyed some of the surprising line breaks throughout the book especially in ‘There Is A Mortuary On The Horizon’.

This collection will appeal to poetry lovers who appreciate heartfelt poems from a masculine perspective that don’t border on cliche. Lovers of vivid imagery and sharp observations will appreciate the pieces throughout this book. These are poems to return to time and again, it feels like having a conversation with a friend who relishes family, friends and the small (and big) things in life. Also if you’re looking for gift inspiration for the forthcoming festivities, Why I Wear My Past to Work would make a great Christmas present. 

Favourite Poem:

I have several favourites in this collection. I’ve already mentioned ‘In The Queue At Bristol Royal Infirmary’ so I’ll stick to another five as I’m writing. ‘Who Gave Our Kid Glitter Stickers’, ‘You Play The Violin On Your Mum’s Birthday’, ‘Shove Your 3-for-2 Flyer’, ‘Let Me Breathe Apricots’ and ‘Why I Wear My Past To Work’. I must also give a special mention to ‘Egg Lamp’s Verdict’. Oh and ‘Ode To The Pruning Woman Eaten by Vines’ is pretty special too.

To learn more about Chris, click here. 

To buy Why I Wear My Past To Work click here.

And of course, it wouldn’t be The Book Bag without a playlist to accompany Chris’s collection, so here’s an eclectic selection to pair with the book…

Joni Mitchell – Both Sides Now
Florence & The Machine – Dog Days Are Over
Oasis – Songbird
Massive Attack – Unfinished Sympathy
Miles Davis – Blue In Green
Yusuf Islam – Father & Son
Bob Marley & The Wailers – Three Little Birds
The Verve – Sonnet
Bill Withers – Lean On Me
Elton John – I’m Still Standing
Mumford & Sons – After The Storm
Portishead – Only You
Muddy Waters – Got My Mojo Working
Ralph Vaughan Williams – The Lark Ascending

Before I Go…

Frazzled Lit are open for free submissions throughout October. I am excited and honoured to be part of the reading panel which also includes Louise Machen and Val Roberts. Details and Guidelines here. Send your best work.

One More Thing…

Broken Spine Arts have another thematic callout for submissions, this time for gothic poetry to be included in ‘The Havisham Steps’ anthology. Details here.

And Another…

If you want to partake in a supportive and friendly open mic, The Book Bag Open Sessions: Session 1 is on Sunday 9th November between 7 & 9pm (UK Time), via zoom. Share polished gems or roughcut coals. Or sit back and enjoy as an audience member. Details here.

And Finally…

Mark Anthony Owen’s excellent ‘After…’ journal is open for submissions throughout October looking for ekphrastic / after pieces. Full details here.

Next Week’s Read

  • Title: Somewhere A Tree Waits For An Angel Or A Butterfly
  • Poet: Eileen Carney Hulme

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Drench Me In Silver by Saraswati Nagpal

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What a week. Work has been non-stop. The days have been rolling into each other, and I wake up thinking it’s the wrong day! I did relax watching Newcastle progress in the League Cup this week too. Hopefully we can be back to back winners. Fingers crossed. Another good thing that happened was speaking to Matthew Smith live from my back garden.

The weather hasn’t been great. However, a break meant last Sunday started with a trip to the allotment to plant some garlic and herbs. Also, I dug out a fruit cage which was hard work plus the radishes we planted a couple of weeks ago are showing good signs of growth. I got over on Saturday too and covered some ground with woodchip. We also planned next steps and focus as we want to prepare for spring planting before the winter frosts.

On the poetry front, I’ve submitted two pieces, added a micro review to Pascale Petit’s Poetic Voice feature and shared the first date for The Book Bag: Open Mic Sessions, with spaces starting to be taken up. The first session will take place on Sunday 9th November at 7pm via zoom.  I was also in the audience of the Winged Moon’s online launch of Biophilia which was top class excellent readings. I must mention Jai Michelle’s passion for The Winged Moon, it really shone through when discussing the project.

On top of that, I’ve been reading;

Cover Art “Daughter of the Moon” by Swapna Maini

Drench Me In Silver

  • Poet: Saraswati Nagpal
  • Press: Black Bough Poetry

I first encountered Saraswati’s poetry on TopTweetTuesday and was captivated by her beautiful language and consistent considered pieces. Then, I heard Saraswati read at a Black Bough zoom open mic, and found her reading to be even more captivating, almost hypnotic. If you have the chance to hear Saraswati read, take it.

Drench Me in Silver is Saraswati’s debut collection and has been nominated for both the Forward Prize and the Tagore Prize by Black Bough Poetry. The book is separated into sections relating to rain. Staring with Memories of Rain going through to Petrichor.

One of Saraswati’s major strengths is her ability to weave passion and sensuousness into her pieces that the reader becomes invested quickly. Poems including ‘Drench Me In Silver’ and ‘Cape Winters’ feel sumptuous and luxurious. As does the poem ‘Night’s Lapis Dome’ . I mentioned that poem during my conversation with Matthew Smith, it stayed with me.

As someone who has read continuously read work by Saraswati almost weekly via the magnificent poetry jamboree, TopTweetTuesday, it is no surprise that emotion underpins a lot of the pieces in a clever, layered way. ‘Toward Joy’, ‘Intezaar’ and ‘Sawaan Serenade’ are perfect displays of this. One piece that stands out is ‘Of Whales and Love’. If you’ve read my Book Bag entry on Helen Laycock’s Elemental, you will know I have a soft spot for whale poetry.

Fans of mythology are well catered for. ‘Persephone’s Lament’, ‘Women In Myths Are Tumbling Out Of My Closet’, ‘Forge’ and are all superb poems. ‘Orison For The Lost’ is another marvel discussing mythology with terrific imagery and language choices. You will notice in the collection that Saraswati has a great understanding of different pantheons and figureheads.

The importance of place is a constant theme throughout. ‘Daughter of Sindh’ is an incredible piece that discusses the usurping of heritage and lands Mountbatten and his role as the Last Viceroy but also the intimate personal repercussions and consequences following the aftermath felt by Saraswati and her family. ‘Dusk by Ganga’ is a lyrical piece that is soft and filled with hope. I must mention the sound patterning from the recurring r’s at the opening of the piece. They add a wonderful cadence to the poem. ‘Beside a Rose-Merchant, Kashmir’ is a tender piece that immerses you in a Kashmir market with sensory delight.

Form and space are played with throughout the book. We have the powerful tercet ‘Descendant’. ‘Songs of Chaos’ plays with the space on the page focusing on the precise wording. We have ‘after poetry’ including the lush ‘Prayer for Monsoon’. Another thing to add is Saraswati’s approach to free verse. It is expert as is her precise, beautiful language.

This collection will appeal to readers who want poetry with deep connections, immaculate language and vivid imagery. Appreciators of mythology will love this book. This is poetry that embraces you and guides you through time and place, the kind you want to get lost in a while and linger. I’ll be buying another copy as a present for somebody for Christmas.

Favourite Poem:

I’ve already mentioned ‘Daughter of Sindh’ and ‘Of Whales and Love’. There are so many to choose from, but I will stick to another handful as I write this. ‘Hero’, ‘Denouement in Citrine’, ‘Last Daughter’, ‘Spear-child’ and ‘Night Wanderers’. Oh, I’ll also mention ‘Diwali’s Velvety Nights’ and ‘Night’s Lapis Dome’ .

To learn more about Saraswati, click here

To buy Drench Me in Silver, click here

And what would The Book Bag be without a playlist. So here is a mix to listen to while reading a beautiful collection.

Anuv Jain – Mishri
Dream Note – Waqt Ki Baatein
When Chai Met Toast – Ocean Tide
Mali – Horoscope
Maren Morris – The Bones
Billie Myers – Kiss The Rain
Eurythmics – Here Comes The Rain Again
Planetopia – Catch and Release
Anumita Nadesan – Khwaab
Bombay Jayashiri – Zara Zara
Anoushka Shankar – Beloved
Tyrone Wells – Days I Will Remember

Before I Go…

I said at the start, if you get the chance to hear Saraswati reading, take it… Well, Saraswati and Black Bough are holding an online launch for Drench Me In Silver on Sunday 5th October. Tickets & Details here.

One More Thing…

I mentioned sharing the details of The Book Bag: Open Mic Sessions. Join me for an evening of sharing polished gems and roughcut coals in a supportive environment. Details and tickets can be found here.

And Another…

It’s almost the end of September. On Wednesday, The Book Bag: Poetic Voice for October will be unveiled. Another exceptional talent and award-winner…

While you wait, why not check out Pascale’s September feature here which now has a playlist and micro-review of Beast.

And Finally…

It’s National Poetry Day this week. This year the theme is ‘play’. I’ll be sharing a poem on Thursday on social media in response. Are you planning on participating in National Poetry Day? Let me know in the comments.

Next Week’s Read

  • Title: Why I Wear My Past To Work
  • Poet: Chris Campbell

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Husband Material Vol II: Twenty-Seven Addresses by D. L. Husband

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve had an incredibly busy week. Work is constant now but that’s what I like. I feel satisfied every day when I’m finished because I know I’ve worked hard and contributed to the team and company.

I attended an excellent open mic last Sunday evening, you can read about it here, on Friday I read at the launch of Chris Campbell’s new book ‘Why I Wear My Past To Work’ which I feel truly grateful to have been invited to take part. Somehow, I wrote a couple of good pieces too (in my opinion anyway).

At the allotment, preparing for winter in full flow. We had a ton of compost delivered on Saturday. Getting it from the drop off bay, into wheelbarrows then to our plot was exhausting.

On top of that, I’ve been reading;

Husband Material Vol II: Twenty-Seven Addresses

  • Poet: D. L. Husband
  • Press: Hidden Hand Press

Husband Material Vol II: Twenty-Seven Addresses is my first time reading D.L. ‘Dan’ Husband in a collection. He featured on the same episode of BBC Upload with me hosted by the fantastic Emma Millen. I’ve watched his Instagram of performances of spoken word at fringe events and elsewhere. I also checked out some of his published work online and I’m a fan. It’s always great to share work from Northeast poets. Let’s jump into the collection.

There is power in Dan’s poems, sometimes understated and restrained sometimes unflinching. The pieces ‘Demolition Man’ and ‘Reaper Man’ are two examples of how to add impact but in various ways. I must also mention the title poem from the collection ‘Twenty-Seven Addresses’ which is a hybrid of prose and sequence that feels like a worthwhile mandate. I relate to this piece in so many ways and is one of my favourite pieces.

Every piece in this collection teems with emotion. It deals with key themes that working-class men deal with daily: , identity, challenging stereotypes and perceptions, personal struggles with addiction and standing out from the crowd you belong to. ‘Buffet’ is a terrific example of this and uses visual spacing that mimics the movement he describes. ‘Give A What?’ is a direct address to the reader and pulls no punches. This is meaningful poetry.

I like pop culture references in poetry when they make sense which is something Dan uses, keeping the work relatable. In ‘Ghostbusters’ we are treated to a cameo from Gozer, Venkman and Spengler. In ‘3D Printed Dinosaur Bones’, Mothra and Godzilla make an appearance. One thing he doesn’t do is use a reference for the sake of it or overuse.

Imagery weaves its way through the collection. This is demonstrated in ‘The Moon Watches On’ where we are hurtled through space and time to understand what the moon has observed since it came into being.

Dan’s skill in spoken word composition is evident in the rhyming patterns and structured shifts in the pieces. Read them aloud. Another key detail is the intricate and clever wordplay he uses. The piece ‘Blameless Blaggard’ is a great demonstration of this.

This is a collection for poetry fans who want to be confronted with truth, sometimes brutal. Fans of spoken word, clever wordplay and rhyme will enjoy this book. Readers who want to explore recovery through words, this will appeal to you. A deep, dark intimate book. I’ll be grabbing a copy of volume I very soon.

Keep up with Dan here.

To buy Husband Material Vol II: Twenty-Seven Addresses, click here.

Favourite Poem:

This week I’ll go for five. I’ve already mentioned ‘Twenty-Seven Addresses’ but the following four have also stuck in my head. ‘Border War’, ‘The Old Beast’, ‘Fairy Trials’ and ‘Ananke’.


Oh, and here’s this week’s playlist, you didn’t think I’d forget:

Little Roy – Lithium
Massive Attack – Teardrop
Oasis – Cigarettes and Alcohol
Maximo Park – Risk to Exist
Eels – Novocaine For The Soul
Tom Petty – Free Fallin’
Underworld – Born Slippy
Fatboy Slim – Weapon Of Choice
Sam Fender – Play God
Robbie Williams – Better Man

Before I Go…

Did you catch the details of The Book Bag X Write Here, Right Now submission window and guidelines? A terrific chance to get published and potentially be nominated for awards including BOTN, Pushcart & Forward. Details here.

One More Thing…

Alan Parry will be on hosting duties for another Broken Spine Arts ‘Write The Night’ workshop on 28 September 2025. I have attended this in the past and found it extremely useful and highly recommend it. Details here.

And Another…

If you’ve been following The Book Bag for a while, you will know that I am a massive fan of Helen Laycock. She is this month’s poet on Black Bough’s Silver Branch feature. Read it here.

And Finally…

Have you had chance to catch up with this month’s Poetic Voice? Pascale Petit has shared a piece from Beast. Keep an eye on social media for a further addition to the feature…

Next Week’s Read

  • Title: This Wilderness & Other Concerns
  • Poet: Martin Kennedy Yates

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Concealed Pockets – Reflections on The Weekend’s Open Mic

So on Sunday (7th September) I attended an open mic via zoom held by Black Bough Poetry. They are always excellent events and Biok Bag alumni Matthew MC Smith is always excellent on hosting duties. This time he was joined by the fabulous Polly Oliver as co-host and this was possibly one of the best Black Bough zoom open mic’s I’ve attended.

There were over 20 international poets all with various styles, subjects and voices giving the night a special feeling of anticipation as to what would come next. I read Who We Are in the encore section, my most confident reading of this piece so far. But enough about me…

Every poet brought something different and I was hypnotised by some, brought to tears by one poet, some debuts which were excellent also.

Here’s a recap of some of my favourite performances and why…

First off, I’ll mention Evie Carlyn, reading an important piece recently featured in the prestigious Madrid Review. It entranced the room and was delivered perfectly- both in pitch and pace.

Paul Connolly, who I’ve connected with over on BlueSky, has a theatrical performance style that really lent itself to the poems he read. His diction and intonation led me to make a request he read the entire Lord of The Rings trilogy on audiobook for me.

Rob McKain who I’ve had the pleasure of meeting and hearing live in Neath 2024. His voice carried every bit of emotion in the poem he recited, the sorrowful quality was deepened by his immense accent. If he and Paul Connolly were to record a radio play it would be a phenomenal success.

Photo Credit: Matthew MC Smith

I was very impressed by Elizabeth Fevyer making her open mic debut. Her pitch and pace and choice of work was tremendous and there were no signs of nerves. I’m looking forward to hearing her read more.

Lauren Parker is a terrific performance poet. She has a real understanding of rhythm and flow, when to change tone and pace. It helps that her poems are always class and suit her conversational style.

Victoria Spires’ open mic and performance confidence continues to improve and impress. Vic is in the next wave of Iamb and when you get the chance, hear her read. Her poetry is prize-winning and of excellent quality. Also buy Soi-Meme.

It was a treat to hear Martin Kennedy Yates reading from his new book, (I’m looking forward to it arriving). His voice carries so much emotion making his reading mesmerising. Martins new book, This Wilderness and Other Concerns, will be making an appearance in The Book Bag soon…

At one point, I had to turn my camera off because Louise Longson read such a beautiful piece written for her friend Nick that I cried. I felt every single word and emotion. It reminded me of my Uncle.

Sarah Raybould’s poetry is top notch. As is her reading style, very composed and deliberate in her reading. I really enjoyed hearing her read and look forward to hearing more of her reading.

Daniel Hinds has a wonderful accent. He is from the North East after all. He read some of his poetry from New Famous Phrases and he always sounds so good. A pro.

Wren Wood is an impeccable performer. I really appreciated the movement and tone shifts which can be hard to portray on a zoom open mic. Exceptional poems too.

Barnaby Harsent read extremely well. But he always does. Poised and precise in his delivery that draws you in. Catch him on Iamb too.

I could go on and on because I enjoyed every single reading for different reasons. But these are the thoughts I’m having today.

A lot of readers are on the Iamb platform spearheaded by the excellent Mark Anthony Owen whose performances too were top class. His poems carry an economy of language that when combined with his tone gives real gravitas.

If you liked this quick piece let me know and I may do another at the next open mic I attend. Maybe in the future I might host one too?

Let me know your thoughts.

If you want to hear me read with a stellar line up to launch Chris Campbell’s new collection on Friday visit Parlyaree Press here for zoom tickets

Stay Poetic,

Paul.

The Book Bag X Write Here, Right Now: Unwhispered Legacy Anthology

Welcome to The Unwhispered Legacy Anthology page.

If you’re visiting this page, I hope you’re considering submitting to the inaugural poetry anthology from The Book Bag X Write Here Right Now.

All the details can be found below including submission guidelines and the why behind the project.

The Concept

Unwhispered Legacy is an idea born out of the Write Here, Right Now writing group which I set up to bring poets together and and my regular blog The Book Bag, that provides a platform for emerging and established poets.

I thought wouldn’t it be great to create an anthology that showcased some of the best poetry out there and give an opportunity to poets to submit for free and potentially be nominated for awards. So here we are. Unwhispered Legacy will be a theme-free anthology published in PDF format released on the 2nd March 2026.

This will be a free anthology available via The Book Bag, with all contributors being provided a copy. I will also be setting up a charitable donation link when the anthology goes live should people wish to donate to charity.

So lets get into the important bits and pieces.

Submission Guidelines

There is no theme or style preference but it may be worthwhile to be familiar with The Book Bag and The Book Bag: Poetic Voices, my blog that features emerging and established poets including Pascale Petit, Rishi Dastidar, Rhian Elizabeth, Carson Wolfe, Rebecca Goss and more.

Please see submission guidelines below:

The submission window is for 48 hours, opening on Sunday November 30th at 00:00 (GMT) closing at 00:00 (GMT) on 2nd December 2025.

****A Special Window has opened from 8am Sunday 14th December 2025 until Wednesday 17th December 2025, 9pm (GMT)***

You may submit up to 2 unpublished poems of your own work (poems shared on social media are acceptable). These should be sent as an attachment via email in doc. or docx format with a separate document per poem with the following naming convention: Your Name – Poem Title (e.g. Ann Example – A Poem).

Please also send a short bio of 50 words or less.

In the subject field of the email use Unwhispered Legacy Submission + No. Of Poems.

The submission email address is: thebookbagsubmissions@gmail.com.

All poems should be in Garamond font size 11, with left alignment unless specifically shaped for the purpose of the piece. Poems should not exceed 30 lines or 200 words.

On occasion, editorial suggestions may be made.

Please do not submit work that contains extreme graphic depictions of violence of any kind.

The Book Bag is an inclusive platform therefore any pieces containing bigotry, hate or discrimination of any kind will not be accepted.

No plagiarism / ai poetry please.

You will be notified of acceptance no later than 31st January 2026.

This is not a paid opportunity, however poems will be considered for nominations to the Pushcart, Best Of The Net & Forward prizes.

All decisions are final. 


Copyright remains with you.

If your work is printed elsewhere following publication, a mention would be greatly appreciated.

If you have any questions please drop me a message on social media.

I can’t wait to read your pieces. Send me your best.

Stay Poetic,
Paul