poetry review

The Book Bag: Drench Me In Silver by Saraswati Nagpal

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What a week. Work has been non-stop. The days have been rolling into each other, and I wake up thinking it’s the wrong day! I did relax watching Newcastle progress in the League Cup this week too. Hopefully we can be back to back winners. Fingers crossed. Another good thing that happened was speaking to Matthew Smith live from my back garden.

The weather hasn’t been great. However, a break meant last Sunday started with a trip to the allotment to plant some garlic and herbs. Also, I dug out a fruit cage which was hard work plus the radishes we planted a couple of weeks ago are showing good signs of growth. I got over on Saturday too and covered some ground with woodchip. We also planned next steps and focus as we want to prepare for spring planting before the winter frosts.

On the poetry front, I’ve submitted two pieces, added a micro review to Pascale Petit’s Poetic Voice feature and shared the first date for The Book Bag: Open Mic Sessions, with spaces starting to be taken up. The first session will take place on Sunday 9th November at 7pm via zoom.  I was also in the audience of the Winged Moon’s online launch of Biophilia which was top class excellent readings. I must mention Jai Michelle’s passion for The Winged Moon, it really shone through when discussing the project.

On top of that, I’ve been reading;

Cover Art “Daughter of the Moon” by Swapna Maini

Drench Me In Silver

  • Poet: Saraswati Nagpal
  • Press: Black Bough Poetry

I first encountered Saraswati’s poetry on TopTweetTuesday and was captivated by her beautiful language and consistent considered pieces. Then, I heard Saraswati read at a Black Bough zoom open mic, and found her reading to be even more captivating, almost hypnotic. If you have the chance to hear Saraswati read, take it.

Drench Me in Silver is Saraswati’s debut collection and has been nominated for both the Forward Prize and the Tagore Prize by Black Bough Poetry. The book is separated into sections relating to rain. Staring with Memories of Rain going through to Petrichor.

One of Saraswati’s major strengths is her ability to weave passion and sensuousness into her pieces that the reader becomes invested quickly. Poems including ‘Drench Me In Silver’ and ‘Cape Winters’ feel sumptuous and luxurious. As does the poem ‘Night’s Lapis Dome’ . I mentioned that poem during my conversation with Matthew Smith, it stayed with me.

As someone who has read continuously read work by Saraswati almost weekly via the magnificent poetry jamboree, TopTweetTuesday, it is no surprise that emotion underpins a lot of the pieces in a clever, layered way. ‘Toward Joy’, ‘Intezaar’ and ‘Sawaan Serenade’ are perfect displays of this. One piece that stands out is ‘Of Whales and Love’. If you’ve read my Book Bag entry on Helen Laycock’s Elemental, you will know I have a soft spot for whale poetry.

Fans of mythology are well catered for. ‘Persephone’s Lament’, ‘Women In Myths Are Tumbling Out Of My Closet’, ‘Forge’ and are all superb poems. ‘Orison For The Lost’ is another marvel discussing mythology with terrific imagery and language choices. You will notice in the collection that Saraswati has a great understanding of different pantheons and figureheads.

The importance of place is a constant theme throughout. ‘Daughter of Sindh’ is an incredible piece that discusses the usurping of heritage and lands Mountbatten and his role as the Last Viceroy but also the intimate personal repercussions and consequences following the aftermath felt by Saraswati and her family. ‘Dusk by Ganga’ is a lyrical piece that is soft and filled with hope. I must mention the sound patterning from the recurring r’s at the opening of the piece. They add a wonderful cadence to the poem. ‘Beside a Rose-Merchant, Kashmir’ is a tender piece that immerses you in a Kashmir market with sensory delight.

Form and space are played with throughout the book. We have the powerful tercet ‘Descendant’. ‘Songs of Chaos’ plays with the space on the page focusing on the precise wording. We have ‘after poetry’ including the lush ‘Prayer for Monsoon’. Another thing to add is Saraswati’s approach to free verse. It is expert as is her precise, beautiful language.

This collection will appeal to readers who want poetry with deep connections, immaculate language and vivid imagery. Appreciators of mythology will love this book. This is poetry that embraces you and guides you through time and place, the kind you want to get lost in a while and linger. I’ll be buying another copy as a present for somebody for Christmas.

Favourite Poem:

I’ve already mentioned ‘Daughter of Sindh’ and ‘Of Whales and Love’. There are so many to choose from, but I will stick to another handful as I write this. ‘Hero’, ‘Denouement in Citrine’, ‘Last Daughter’, ‘Spear-child’ and ‘Night Wanderers’. Oh, I’ll also mention ‘Diwali’s Velvety Nights’ and ‘Night’s Lapis Dome’ .

To learn more about Saraswati, click here

To buy Drench Me in Silver, click here

And what would The Book Bag be without a playlist. So here is a mix to listen to while reading a beautiful collection.

Anuv Jain – Mishri
Dream Note – Waqt Ki Baatein
When Chai Met Toast – Ocean Tide
Mali – Horoscope
Maren Morris – The Bones
Billie Myers – Kiss The Rain
Eurythmics – Here Comes The Rain Again
Planetopia – Catch and Release
Anumita Nadesan – Khwaab
Bombay Jayashiri – Zara Zara
Anoushka Shankar – Beloved
Tyrone Wells – Days I Will Remember

Before I Go…

I said at the start, if you get the chance to hear Saraswati reading, take it… Well, Saraswati and Black Bough are holding an online launch for Drench Me In Silver on Sunday 5th October. Tickets & Details here.

One More Thing…

I mentioned sharing the details of The Book Bag: Open Mic Sessions. Join me for an evening of sharing polished gems and roughcut coals in a supportive environment. Details and tickets can be found here.

And Another…

It’s almost the end of September. On Wednesday, The Book Bag: Poetic Voice for October will be unveiled. Another exceptional talent and award-winner…

While you wait, why not check out Pascale’s September feature here which now has a playlist and micro-review of Beast.

And Finally…

It’s National Poetry Day this week. This year the theme is ‘play’. I’ll be sharing a poem on Thursday on social media in response. Are you planning on participating in National Poetry Day? Let me know in the comments.

Next Week’s Read

  • Title: Why I Wear My Past To Work
  • Poet: Chris Campbell

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: This Wilderness & Other Concerns by Martin Kennedy Yates

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Does anybody else feel the weeks are getting busier? Work is at its peak currently and I’m loving overcoming the challenges it’s presenting. Unfortunately, because the of the weather I haven’t been able to get to the allotment, however I have been able to relax to some incredible jazz and soul and the playlist further down the page, I even dabbled with my sax a little. Newcastle were unlucky not to get a point from the Barcelona game but it was Barcelona. Poetry-wise I’ve drafted some pieces, done some editing, started a submission piece and decided to host an open mic. More details on the open mic coming soon.

On top of that, I’ve been reading;

This Wilderness & Other Concerns

  • Poet: Martin Kennedy Yates
  • Press: Broken Spine Arts


Martin Kennedy Yates blew my mind at an open mic the first time I heard his reading of a Scousenlish poem, I became a big fan immediately. That was a while ago and I’ve kept up with his writing ever since. When he was announced as the winner of Broken Spine Art’s collection contest I was on tenterhooks for his debut release. And here we are. This Wilderness & Other Concerns is a book that showcases Martin’s ability, knowledge and interests outstandingly. The sections are This Wilderness which is a response to The Wasteland a hundred years on, Other Concerns which take a view on place to politics and, Scousenlish.

Martin is deft at peeling back the mirage of city life revealing and exploring what lies beneath, both the dark and the funny of which there is plenty in in this book. This is portrayed in the opening poem ‘A Time For Dying’ where we are taken on a tour of the city and bump into Kevin King Carpet-fitter of Kidderminster and his passion for Caliban. This continues in ‘All The World’s A Stage’ and throughout the collection.


One of Martin’s strengths is his knowledge of and use of language to expand the poem from the page into immersive imagery that you can cling to. ‘/Pylon\ Shed’ is a terrific poem of sketching out a memory on to page for readers to share in the scene through multi-sensory detail. Another piece ‘Fabric’, compares contrasting scenes immensely.


Emotion is etched into the poems in this book on a wide spectrum. ‘Overheard On The Wind’ is a tour de force in emotive poetry where the reader is treated to a whole host of feelings across the pages. I was breathless after reading it and was an incredible closing poem to section one. ‘Martyr’ is a fantastic compact piece that teems with bite.

I’ve spoken about Martin’s use of language above, however, I must give a second shoutout for the full Scousenlish (described as Martin’s alter ego) section of the book which inspired by Sir Gawain and the Green Knight. Read it aloud with measured cadence and the understanding of the words will fall seamlessly in your mind.

So I’ve talked about language twice. Martin is also a master of shaping and use of space to focus the reader on the message and narrative of his poetry. ‘The Murmurations’ is (one of my favourite pieces) an excellent display of the use of space and shaping to focus the reader but also give movement to the poem.

This is a book with broad appeal. Incredible language, wonderful imagery and an emotional undercurrent flow like the river through the city. Readers who want a modern take on The Wasteland will love this book. This is a collection that will make you pause and reflect throughout. A tremendous debut, I look forward to seeing what Martin does next. Buy it now, it will make a great literary Christmas gift.

Favourite Poem:
I’ve already mentioned The Murmurations. Let’s add another five if I use the entire ‘Scousenlish’ section to count as one. Then there’s ‘Pathos’, ‘Hope’’, ‘Drowned Rats and Sinking Ships’ and ‘Devotee’.

Buy This Wilderness & Other Concerns here or reach out to Martin on on social media to buy a signed copy direct which comes with a bookmark containing a bonus poem which is what I did.

Want a playlist to read along to? Well here’s an eclectic selection to accompany the book;


The Who – My Generation
Black Sabbath – Paranoid
Beverley Knight – Greatest Day
UB40 – Can’t Help Falling In Love
Kelly & Ozzy Osbourne – Changes
Duran Duran – Hungry Like The Wolf
The Streets – Has It Come To This?
Vivaldi – L’Inverno
Dexys Midnight Runners – Come On Eileen
The Moody Blues – I’m Just A Singer
Boney M – Rivers of Babylon
Blur – This Is A Low

Before I Go…

Have you read Pascale Petit’s feature yet? Read it here and keep your eyes peeled for a mini review of Beast in this coming week.

One More Thing…

The Winged Moon are hosting an online launch for Biophilia on Friday 26 September 2025 at 6pm (UK time). The lineup looks incredible. Email thewingedmoonmagazine@gmail.com to grab a ticket.

And Another…

Broken Spine Arts have launched a new initiative being spearheaded by Karen Pierce Gonzalez ( Author of Down River With Li Po) called #NotJustPretty and kicks off with a 90 minute literary open mic and showcase aimed at amplifying women’s voices. Details of the initiative can be found here.

And Finally…

Marcelle Newbold shared details of a competition she is co-judging on Instagram this week with some excellent prizes on offer. Walking ‘In The Dark’ closes on Monday 20th October 2025. Details here.

Next Week’s Read

  • Title: Drench Me In Silver
  • Poet: Saraswati Nagpal

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Husband Material Vol II: Twenty-Seven Addresses by D. L. Husband

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve had an incredibly busy week. Work is constant now but that’s what I like. I feel satisfied every day when I’m finished because I know I’ve worked hard and contributed to the team and company.

I attended an excellent open mic last Sunday evening, you can read about it here, on Friday I read at the launch of Chris Campbell’s new book ‘Why I Wear My Past To Work’ which I feel truly grateful to have been invited to take part. Somehow, I wrote a couple of good pieces too (in my opinion anyway).

At the allotment, preparing for winter in full flow. We had a ton of compost delivered on Saturday. Getting it from the drop off bay, into wheelbarrows then to our plot was exhausting.

On top of that, I’ve been reading;

Husband Material Vol II: Twenty-Seven Addresses

  • Poet: D. L. Husband
  • Press: Hidden Hand Press

Husband Material Vol II: Twenty-Seven Addresses is my first time reading D.L. ‘Dan’ Husband in a collection. He featured on the same episode of BBC Upload with me hosted by the fantastic Emma Millen. I’ve watched his Instagram of performances of spoken word at fringe events and elsewhere. I also checked out some of his published work online and I’m a fan. It’s always great to share work from Northeast poets. Let’s jump into the collection.

There is power in Dan’s poems, sometimes understated and restrained sometimes unflinching. The pieces ‘Demolition Man’ and ‘Reaper Man’ are two examples of how to add impact but in various ways. I must also mention the title poem from the collection ‘Twenty-Seven Addresses’ which is a hybrid of prose and sequence that feels like a worthwhile mandate. I relate to this piece in so many ways and is one of my favourite pieces.

Every piece in this collection teems with emotion. It deals with key themes that working-class men deal with daily: , identity, challenging stereotypes and perceptions, personal struggles with addiction and standing out from the crowd you belong to. ‘Buffet’ is a terrific example of this and uses visual spacing that mimics the movement he describes. ‘Give A What?’ is a direct address to the reader and pulls no punches. This is meaningful poetry.

I like pop culture references in poetry when they make sense which is something Dan uses, keeping the work relatable. In ‘Ghostbusters’ we are treated to a cameo from Gozer, Venkman and Spengler. In ‘3D Printed Dinosaur Bones’, Mothra and Godzilla make an appearance. One thing he doesn’t do is use a reference for the sake of it or overuse.

Imagery weaves its way through the collection. This is demonstrated in ‘The Moon Watches On’ where we are hurtled through space and time to understand what the moon has observed since it came into being.

Dan’s skill in spoken word composition is evident in the rhyming patterns and structured shifts in the pieces. Read them aloud. Another key detail is the intricate and clever wordplay he uses. The piece ‘Blameless Blaggard’ is a great demonstration of this.

This is a collection for poetry fans who want to be confronted with truth, sometimes brutal. Fans of spoken word, clever wordplay and rhyme will enjoy this book. Readers who want to explore recovery through words, this will appeal to you. A deep, dark intimate book. I’ll be grabbing a copy of volume I very soon.

Keep up with Dan here.

To buy Husband Material Vol II: Twenty-Seven Addresses, click here.

Favourite Poem:

This week I’ll go for five. I’ve already mentioned ‘Twenty-Seven Addresses’ but the following four have also stuck in my head. ‘Border War’, ‘The Old Beast’, ‘Fairy Trials’ and ‘Ananke’.


Oh, and here’s this week’s playlist, you didn’t think I’d forget:

Little Roy – Lithium
Massive Attack – Teardrop
Oasis – Cigarettes and Alcohol
Maximo Park – Risk to Exist
Eels – Novocaine For The Soul
Tom Petty – Free Fallin’
Underworld – Born Slippy
Fatboy Slim – Weapon Of Choice
Sam Fender – Play God
Robbie Williams – Better Man

Before I Go…

Did you catch the details of The Book Bag X Write Here, Right Now submission window and guidelines? A terrific chance to get published and potentially be nominated for awards including BOTN, Pushcart & Forward. Details here.

One More Thing…

Alan Parry will be on hosting duties for another Broken Spine Arts ‘Write The Night’ workshop on 28 September 2025. I have attended this in the past and found it extremely useful and highly recommend it. Details here.

And Another…

If you’ve been following The Book Bag for a while, you will know that I am a massive fan of Helen Laycock. She is this month’s poet on Black Bough’s Silver Branch feature. Read it here.

And Finally…

Have you had chance to catch up with this month’s Poetic Voice? Pascale Petit has shared a piece from Beast. Keep an eye on social media for a further addition to the feature…

Next Week’s Read

  • Title: This Wilderness & Other Concerns
  • Poet: Martin Kennedy Yates

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Welcome To The Museum of A Life by Sue Finch

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a busy one especially at work with the release of exam results. At home I’ve submitted a couple of pieces (got an acceptance which set me up for a great day on Thursday), worked on my own writing, enjoyed the sunshine and took a trip to an excellent charity bookshop. In the kitchen I made a chocolate and raspberry mousse which was delightfully light. Also, I brunched at Etto Gosforth (Sourdough French Toast with Maple and Bacon for me with a Latte) and welcomed back the Premier League Season and Fantasy Football.

On top of that, I’ve been reading;

Welcome To The Museum Of A Life

  • Poet: Sue Finch
  • Press: Black Eyes Publishing UK

First off, I’ll say I’m a fan of Sue Finch and we interact regularly on weekly prompts notably on TopTweetTuesday. Her shadow photos with dandelions as eyes are always good to see and uplifting.

Welcome To The Museum Of A Life is in sections as a gallery would be. Readers enter through the Foyer, exiting the collection via the Gift Shop as is proper in many museums. So without further ado, lets not get tangled in the entry gates and get on our way…

One of Sue’s main strengths in poetry is her ability to weave emotion and authenticity throughout her work. Poems including ‘Tuesday Night’ and ‘Silence’ display this incredibly well. I loved the poem ‘Peacock’ for its transition of emotion from amused observer to caring participant by the end. ‘When I am Gone’, one of the collection’s final pieces made me smile and tear up. ‘That Coin’ made me smile again and kept me smiling because of how purely and real falling in love is described.

Another skill that is showcased throughout is imagery. ‘My Hybrid Heart’, ‘When I Saw Jesus In A Tomato’ and ‘An Apple For My Mum’  are all prime examples of how to establish a scene that can feel so familiar and recognisable that you think this poem gets me and I get this poem.

Sue is deft at surrealist poetry too. The piece ‘I Hate You’ opens with an interaction between narrator and cow, a heron and an unknown bird. One of my favourite pieces ‘A Pelican Is Dancing On The Patio’ explores perception incredibly. ‘I’ve Nothing To Offer The White Horse In The Dream’ feels like a reckoning and I flinched on reading (I do have a slight fear of horses).

I’ve already discussed the book being divided into galleries. Another point to mention is that the galleries are varied in their themes and as in any good museum, a list of curated exhibits are introduced before you step in. Keep an eye out for the ‘Museum Of A Life: The Unexhibited’ which takes us behind the no entry signs to see what could be rotated in.

This curated collection will appeal to readers who enjoy their poetry underpinned by vivid imagery and honest emotion. Fans of surrealism and dreamscapes will enjoy this book. If you like visiting museums, you’ll love this book. I thoroughly enjoyed perusing the exhibits and my gift shop budget is too small to buy all the trinkets I’d like. Definitely one of the best museums I’ve visited.

To read more about Sue, click here or here which is Sue’s Silver Branch feature on Black Bough Poetry where you can read some of her work.

To buy Welcome To The  Museum Of A Life, click here.

Favourite Poem:

There are a few to choose from this week so I’ll go for seven! In no particular order, as I am writing I’ll go for; ‘A Pelican Is Dancing On The Patio’, ‘When I Am Gone’, ‘That Coin’, ‘Invitation’, ‘I Don’t Know’, ‘Digging That Hole’ and ‘Rescuing The Giraffe.

And finally, here’s an eclectic playlist nobody asked for, but everyone secretly wanted:

Museum of Light – Ralph Towner, Wolfgang Muthspiel & Slava Grigoryan
Sweet Dreams – Eurythmics
Museum – Donovan
National Gallery – Paul Weller
Andy Warhol – David Bowie
Mona Lisa’s & Mad Hatters – Elton John
Dreams – Fleetwood Mac
The Gallery – Joni Mitchell
Lucy In The Sky With Diamonds – The Beatles
Pictures of Lily – The Who

Before I Go…

A few weeks in The Book Bag I mentioned that I had been asked to read some work at a launch. Well on 12th September that Launch is happening online for Chris Camplbell’s new book from Parlyaree Press ‘Why I Wear My Past To Work’. For more information and booking details, click here.

One More Thing…

Keep an eye out for another list of Rishi Dastidar’s hobbies being added to his feature in The Book Bag: Poetic Voices. Catch up here.

And Another…

Broke Spine continue to do good things on Bluesky. A new project they are launching on Wednesdays is for works in progress. Check their Bluesky for more details and to get involved.

And Another…

Wee Sparrow Poetry Press are hosting a free online haiku workshop with the President of The British Haiku Society Ilyana Stoyanova on September 7th between 5 & 7pm UK Time via zoom. Email theweesparrowpoetrypress@gmail.com to book.

And Finally…

Just a reminder that your weekly dive into The Book Bag will return on 7th September. September’s Poetic voice will still arrive on the 1st.

The First Read Upon Returning From My Break Is…

  • Title: Maybe I’ll Call Gillian Anderson
  • Poet: Rhian Elizabeth

Take it easy and stay poetic.

Paul

The Book Bag: Vanishing Point by Colin Bancroft

Welcome back to The Book Bag. I hope you’ve had a poetic week.

What a week. I saw the Fantastic Four movie, followed by pizza with friends (I went for nduja and gorgonzola) where we saw England International and Manchester United midfielder Michael Carrick, an acceptance, a piece published as part of the Poetry of Witness project on Wednesday. Also, it was the launch of Beautiful Little Fools Anthology where I read my two pieces (was it too much wearing a velvet jacket and bow tie and sipping old-fashioned cocktails?) ‘Depraved New World’ and ‘The Flicker of Green’. Oh, I spent a bit of time on my writing too.

On top of that, I’ve been reading;

Vanishing Point

  • Poet: Colin Bancroft
  • Press: Broken Sleep Books

Vanishing Point opens strongly with vivid imagery and precise, rich language in the poem ‘Botanical Notes’. The strength of scene continues throughout the the book including in poems such as ‘Sitting On Rocks At Penveen Lighthouse’ and ‘Etal Castle’ (one of several locations in the collection I’ve been to).

Place plays an important part of the collection. Both its historical context tied to memory, heritage and culture but also how a place can act as a way marker to another place. This is how I interpreted the piece ‘Transverse Orientation’ with its listings of services. ‘Picking Raspberries at High Force’ (somewhere I’d recommend anyone visiting, because it is exquisite) is an excellent poem that shows the cycle of renewal of a place.

Many of the pieces hold an emotional weight. ‘Into The Distance’ and ‘Figuring It Out’ are two perfect examples of how to craft evocative poetry in contrasting ways. The poem ‘The Law’ is a layered piece that sparked a reaction both consciously and subconsciously and I made an audible ‘oooft’ when reading it.

There are powerful poems throughout. The final poem ‘Post Box On Corporation Street for Manchester’ is unflinching. ‘Thoughts On An Aftermath’ is a thought-provoking honest piece which had me considering my reaction. The piece ‘Tethered’ hit me hard.

Nature poetry is exceptionally crafted in Vanishing Point. Poems such as ‘Gauging The Flood’ , ‘Standing’ and ‘Life Study’ are all prime examples of writing the natural world without over-sentimentality or cliche. I also enjoyed the poem

Colin Bancroft uses form and style in various ways throughout. ‘John Clare’s Green Coat’ uses spacing expertly to convey the poem’s message, leaving room to breathe before continuing. Free verse is used but also forms including list and couplet such as ‘Frozen Pool in Hotburn Plantation’.

This book will appeal to lovers of eco-poetry, vivid imagery, emotional connection and a sense of place. The Northern landscape and cultural, industrial history referenced in Vanishing Point resonated deeply with me as I have stood in some of the same places and can immerse myself fully in the poetry and the landscape. It’s a book, I will keep going back to.

To buy Colin’s book, click here.

Favourite Poem:

I’m going to choose five here. In no order ‘The Law’, ‘HS2’, ‘Staithes’, ‘Capacity for Joy’ and ‘Night Horses’.

And here’s an eclectic playlist that I feel goes with the book that I’ve curated for your enjoyment;

Oasis – Champagne Supernova
Richard Ashcroft – A Song For the Lovers
Solis – Sunday
James – Sit Down
Lindisfarne – Run For Home
The Unthanks – Shipbuilding
Kate Bush – Running Up That Hill
Jimmy Nail – Big River
Seth Lakeman – The Colliers
Chris Rea – Curse Of The Traveller
New Order – Ceremony
Mr Scruff – Honeydew
Blossoms – Charlemagne

Before I Go…

Another page of Rishi Dastidar’s hobbies will be live on his feature from noon today, with another page of hobbies landing on 19th August. His feature can be found here. Catch up now.

One More Thing…

The Broken Spine has a ‘Cut To The Bone’ zoom workshop running on 24th August hosted by Alan Parry, details here. His workshops are always interactive and informative in a supportive environment and may be useful to all writers currently in the submission process.

And Finally…

Next week’s weekly entry in The Book Bag will be the last until September as I take a small summer break. I’ve already got exciting plans for the weekly entries from September with some more exciting poetry to share. I constantly update my social media channels with news so you can keep up to date there. You may even see me read a poem or 2.

Next Week’s Read

  • Title: Welcome To The Museum of A Life
  • Poet: Sue Finch

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: The Oasis by Charles Lang

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been busy with editing, submissions, August’s Poetic Voice feature being launched, the remarkable Rishi Dastidar. I also had one of the loveliest rejection letters I’ve ever had (although I did make the shortlist for consideration which is an achievement in itself). At home we celebrated Brody’s 2nd Birthday – he enjoyed his salmon lunch! We also took a trip to Stanton Gardens and Nursery, Bide-A-Wee Garden near Morpeth and the tremendous Fieldhead Farm to pick wildflowers. We also had some time to relax and harvest the last of the new potatoes that we enjoyed with some tapas.

On top of that, I’ve been reading;

The Oasis

  • Poet: Charles Lang
  • Press: Skein Press

I picked up my copy of The Oasis at the Len Pennie event at Jesmond Library a couple of weeks ago – the Poetry Book Society was selling several titles and I went for this – ( I have a connection to the city it’s based in. My maternal Grandfather and his family were originally from Glasgow where this is set). So let’s dive in, also the playlist has returned…

One of Charles Lang’s great strengths is his humour. The opening piece ‘The Chase’ had me reliving my youth, laughing at myself through the poem. ‘Stickers’ had me laughing too, such an authentic poem – I once completed a panini album apart from a handful of stickers in a hospital bed when I was about 12. The use of Glaswegian dialect reinforces the humour especially when reading out loud and realising that your Scot’s accent needs more work.

Glasgow is a city much like Newcastle; built on the backs of working-class families. A key theme throughout is that of strength of character and resilience in the face of challenges. ‘Glasgow Sonnets’, a sequence of sonnets paints the city with respect and authenticity. The collection’s title poem ‘The Oasis’ spotlights the sense of community which is present in the majority of working-class cities. Then in ‘Disturbia’ we are treated to the grit of a city at night.

A theme that’s explored terrifically well is masculinity, a subject that is multi-faceted especially against the backdrop of a working-class culture. Pieces including ‘Boys’ and ‘Darts’ showcase this greatly. Again, the use of dialect adds texture and dimensions to the poetry.

Imagery throughout the collection is vivid. In the poems ‘Spring’ and ‘Helen’s Bay’ familiar scenery unfolds quickly. ‘The Sabbath’ is a snapshot of a poem and is similar to a relaxing Sunday routine at The Book Bag HQ. ‘In Death of A Field’, I felt a pang of nostalgia for the ‘Rec’ me and my friends used to explore daily.

In terms of form and space, they are used in a variety of ways throughout the collection. ‘Thistles’ is a prime example, which takes over a number of pages. Much like a thistle patch taking over land. Another piece ‘A Mess’ is the same poem presented in three different ways, each with a different emphasis in the voice of the narrator.

This book will appeal to people who appreciate themes of identity, masculinity, belonging, class, city life and vivid imagery. For people who appreciate form and style, this book will appeal. For those who love dialect poetry, this will appeal. It sits comfortably in my top 10 from the year so far.

Favourite Poem:

I’ll stick to five this week but it could very well be the whole collection. ‘Lily’, ‘Nightclub’, ‘Scaffolding’, ‘The Oasis’ and ‘Birds’.

To learn more about Charles Lang, click here.

To buy The Oasis, click here.

And here’s a playlist nobody asked for but everyone really wanted;

Gerry Cinnamon – Belter
Amy MacDonald – This Is The Life
Lewis Capaldi – Wish You The Best
Chvrches – Over
Simple Minds – Don’t You
Travis – Flowers In The Window
Deacon Blue – Dignity
Texas – Black Eyed Boy
Primal Scream – Rocks

One More Thing…

There’s still tickets available for the launch of Beautiful Little Fools on Tuesday 5th August 2025. Grab them here.

And Another…

Last week I mentioned the new substack ‘We Are The Choir; Poetry of Witness’. This week one of my pieces will be featuring. ‘Non-Hazardous Product’ is a poem on the destruction of a river and the commodification of water.

And Another…

Full House Literary are open for Submissions from 1 August to 20th August 2025. Details here.

And Finally…

The Black Cat Poetry Press have a competition with the theme ‘Turning Points’ open until 30th September 2025. The brief is broad, more details here.

Next Week’s Read

  • Title: Vanishing Point
  • Poet: Colin Bancroft

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Black Skies Die Starless by Jamie Woods

Welcome back to The Book Bag. I hope you’ve had a poetic week.

I’ve had a slower week this week. Shared a video of me reading one of my poems on social media, visited the Northern Poetry Library on Monday, sent some submissions off and spent some time on my my own writing. On Saturday evening I was able to see some incredible poetry at Louis Longson’s last Saturday of the month poetry readings. Also I went out for lunch with my team from work to a great Asian place.

On top of that, I’ve been reading;

Black Skies Die Starless

  • Poet: Jamie Woods
  • Press: Punk Dust Poetry


Black Skies Die Starless is a pamphlet that I became aware of on a recent Black Bough open mic when Jamie read a couple of pieces. This week there’s no playlist from me, instead, the collection has suggested listening. Some class tracks in there too. Lets jump in…

One of Jamie Woods’s best strengths is the weaving of pop-culture references throughout his work that is more than just surface-level soundbite. Pieces including ‘The 90S’ and ‘are the perfect examples of this. In fact, the poem ‘The Perpetual Illusion of Progress’ stands out for its sharp, smart observations of 90s culture. Thankfully things do seem to have moved on. The piece ‘I’ve Found God In Seattle’ is a clever piece on irony and perception.

Another strength is emotional honesty and depth. The grief poem ‘Sleep’ is heart-wrenching with a sucker punch of a closing line. The poem ‘Wednesday Afternoons Bromley High Street’ is intimate as we peer into a therapy room. Blame culture is displayed perfectly here through interaction and steps to self-actualisation also shown. The pivots are placed perfectly. ‘The Opposite of Spring’ is a terrifically crafted poem rich with contrast.

Vivid imagery runs throughout the collection. From the underbelly of the parks doing substances in the piece ‘Swinging’ to racing the streets in ‘Beat-Up Micra’ and the longing to escape in ‘Swansea Sound’ these poems were resonant, and I could picture these in Northumberland mining towns I grew up in.

Throughout the book, readers are treated to a variety of different forms and styles. The prose poem ‘Through Neon Half-Lights’ was a very clever choice as it gives a rounded feel to the piece. Then in ‘You And No-One Else’ the use of separators is a great representation of the message being conveyed and interacts with the piece.

Another thing to mention is the interspersal of graphics throughout the book. The paparazzi piece was a stop and reflect moment but for a completely different reason because while that event was happening, another horrific event was happening closer to home.

Favourite Poem:

More than a few to choose from so let’s settle on five just from what I’ve been thinking of today: Through Neon Half-Lights, Manic Pixie Dream Boy, (Atrophia), On Mount Horeb, and Heaven 17.

Black Skies Die Starless will appeal to readers who want to revisit the nostalgia of the 90s through a different gaze, fans of poetic authenticity and admirers of sharp observational poetry. A masterful collection and so glad I encountered Jamie reading this at the recent Black Bough open mic.

Learn more about Jamie Woods and access the playlist that accompanies the book, here.

Buy Black Skies Die Starless here (I got a bookmark and a couple of pin badges in my delivery, excellent poetry merch). All proceeds go to Leukaemia Care UK. Jamie is their poet-in-residence.

One More Thing…

An important new platform has launched on Substack. We Are The Chorus: Poetry of Witness is a new collaborative project that aims to share poems of protest and witness, and to encourage discussion, inquiry, and action around these themes. There will be an initial gallery of 12 with 1-2 poems shared weekly followed by a pause to allow reflection and to encourage further conversation.

And Another…

There is still time to enter the Katrina Collins Poetry Prize which closes on 1st August 2025 for Best Single Poem. See full details of the prize dedicated to Katrina Collins, mum of the exceptionally kind and ultra talented Briony Collins who is EIC of Atomic Bohemian, here.

And Finally…

Less than a week to go until the Poetic Voice for August is released on The Book Bag. Alarms should be set for noon on Friday 1st August.

Next Week’s Read

  • Title: The Oasis
  • Poet: Charles Lang

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Cupid, Grown by Adam Panichi

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been very busy, a bit tiring but exhilarating. A late-night reading on Tuesday at the North Bay Poetics showcase of Alan Parrys work on the theme of masculinity, it was an honour to be asked. On Wednesday I attended an excellent event featuring Len Pennie reading from Poyums and forthcoming Poyums Annaw with an open mic section in Jesmond. I read three poems and felt I done okay. On Thursday it was another instalment of Write Here, Right Now which was very insightful and collaborative. I’ve also had chance to work on some of my own writing and editing.

On top of that, I’ve been reading;

Cupid, Grown

  • Poet: Adam Panichi
  • Press: Broken Sleep Books


I picked up a copy of Cupid, Grown at an event held at my work where local independent sellers were, well, selling. I was lucky to buy the last poetry book from the indie bookseller who said they’d sold more pamphlets and collections than expected which is always a good thing. So without further ado, let’s dive in, also another playlist at the end of this post.

Evocative imagery is a major highlight of this collection displayed throughout. Poems including ‘Bathhouse’ and ‘Concrete Quarterly’ are both vivid, physical and philosophical. ‘Following A Mild Electric Shock I Think Of England’ is a very clever piece also.

Throughout the collection, there are many visceral pieces. The poem ‘Cotton-Collared Mafiosi’ is stark, raw and unflinching. It made me reflect and revisit things I endured and reconcile myself. ‘Snow’ is an exquisite piece of writing on self and masculinity. ‘The Boys Are Killing Their Sims On The Family PC’ (after Andrew McMillan) is a tour de force in referencing and subverting pop-culture through poetry.

Talking of references, the poem ‘Lilac Bushes’ gets a special mention here. Once I read it, and read it again, I looked up the subject then reread it again. A really sharply crafted piece.

There are some truly delicate moments in this book. Pieces including ‘Carciofi’ and ‘Cloth Mother’ give a glimpse into maternal security and admiration. They are resonant, and, in ‘Carciofi’ the use of Italian and the rich depiction of the kitchen and produce is exceptional. I must also mention the intimacy of ‘Tender’, a beautiful poem.

For fans of styles and forms, there are a multitude used in the book. In the poem ‘Slow Erasure of the Author’ there is the blacking out of words mid-line followed by a tremendous and large scale use of white space. The found piece ‘The Interior Of A Heart’ uses text from The Scarlet Letter by Nigel Hawthorne and is printed in original form which adds to the style of the piece and quality of the book itself. The piece ‘White Soft Paraffin’ uses a / in line breaks elevating the emphasis of the language.

Favourite Poem:

A few to choose from this week so in no order; ‘Flight Feathers’, ‘Lilac Bushes’, ‘Carciofi’, and ‘Cupid, Grown’.

This book will appeal to readers who like raw, honest and unflinching poetry that explores identity and love and relationships. If you like sharp observations and excellent use of language, this will be for you also. A gem of a book.

To find out more about Adam Panichi  and to buy Cupid, Grown click here.

As promised, here’s a small playlist to go with this weeks pamphlet;

Amy Winehouse – Cupid
David Guetta & Kelly Rowland – When Love Takes Over
Pet Shop Boys – Love Comes Quickly
Bruce Springsteen – Dancing In The Dark
Mario Lanza & Constantine Callinicos – Softly, As In A Morning Sunrise
Fatboy Slim – Weapon Of Choice
Years & Years – Shine
Verna Felton – Bibbidi-Bobbidi-Boo
Ludovica Einaudi  – Eros

One More Thing…

Not long to go until August’s Poetic Voice is announced and I am tremendously happy to be featuring this poet. The feature will drop at Noon on August 1st. Unfortunately issues outside of my control meant July’s feature did not land.

And Another…

On 5th August 2025, come along to the launch of Beautiful Little Fools on Zoom with Open Mic. Will I be drinking cocktails? Maybe. Will I be wearing a velvet jacket? Maybe. Will there be glitzy poetry to hear? Definitely. Details here.

And Finally…

I’ll be taking a plunge this week and posting a reading on Instagram. Find me using @paulwritespoems. Give me a watch, even if its to laugh at my amateurishness!

Next Week’s Read

  • Title: Dark Skies Die Starless
  • Poet: Jamie Miller

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag – Modern Poetry by Diane Seuss

Welcome back to The Book Bag. I hope you’ve had a poetic week.

Well, this week started well with Sunday Evening’s Black Bough Open Mic and it’s carried through a sense of contentment and ease throughout. I’ve enjoyed some sunny weather, attended Louise Machen’s online launch which was excellent. I celebrated a year since Neath Poetry Party, which also means a year since escaping my previous job and employer. I also had some time to work on writing. Also, started a very special top secret collaboration project.

On top of that, I’ve been reading;

Modern Poetry

  • Poet: Diane Seuss
  • Press: Graywolf Press in USA, Fitzcarraldo Editions in UK


I had not read a Diane Seuss collection previously to reading Modern Poetry, so I had no preconceptions (or real knowledge of her status) and picked this up in the bookshop on the aesthetic of the cover. The caveat to this is, I had read some of her pieces in anthologies.

In the book, Music plays a key role. Not just in the lyrical quality of the writing but also in terms of points of reference. Many of the poems have a musical connection as a title. From ‘Ballad’ to ‘Pop Music’ to ‘Rhapsody’ and more, are all lyrical in their language.


One thing Seuss does not lack is humour. Poems including ‘Untitled’ and ‘Ballad From The Soundhole of An Unstrung Guitar’, I found to be very unflinchingly sharp. ‘Little Fugue with Jean Seberg and Tupperware’ had me chuckling away so fully that it drew a few funny looks from passers-by.

Introspection is a consistent theme in the collection. None of which is handled in a cliched style but with honesty and humour. Pieces including ‘Penetralium’, ‘Little Refrain’ and ‘Threnody’ are just some of the terrific examples of this. Aside from introspection, Seuss is not afraid of sharp extrospection; for poems showcasing this skill, read the poems ‘Simile’ and ‘Ballad That Ends with Bitch’.

Another integral part of Diane Seuss’s writing is her compassion. ‘An Aria’ shows this expertly as does the tremendous ‘Monody’.

Diane Seuss won the Pulitzer for Poetry marking her as a lauded and revered poet despite coming from a working-class background and beginning her poetry journey through self-education and learning. This takes centre stage in the poem ‘My Education’ and the title poem of the book ‘Modern Poetry’ (one of my favourites). Another of my favourite pieces, ‘Poetry’ examines what the nature of poetry is to the reader and writer. Hopefully my poetry is poetry. I think it is and that’s what counts. Right?


This collection really spoke to me on several levels. I know people have compared Diane Seuss to Bukowski (whose work I enjoy for its gritty, grimy starkness) yet with more humanity, however I think this does both a disservice as both are exceptional without comparison and distinctive. In the collection there is raw honesty and understanding. The discussions on building and establishing yourself as a poet coming from a humble background with minimal knowledge or access, questioning what actually poetry is and why we write is real and relatable. The collection also gave me some good references of people to read (and some to avoid). I now need to track down more of Diane Seuss’s work – if anyone is selling any of her previous collections or wants to send me one let me know! Or if you want to recommend another Seuss collection, I’d be grateful.


Buy this book if you like unflinching honesty, humour, enjoy lyrical poetry and sharp observations on poetry and poets as well as humanity. Tremendous.


Favourite Poem:
I could list about 15-20 in this collection however I’ll stick to five. ‘Poetry’, ‘Modern Poetry’ ‘Allegory’, ‘Weeds’ and ‘Bluish’ are the ones in my mind right now.

To buy Modern Poetry click here.

To read more on Dianne Seuss, click here.

Here’s an accompanying eclectic playlist which but nobody asked for but probably secretly hoped for:

The Who – My Generation
The Eagles – Hotel California
Kate Bush – Wuthering Heights
Elton John – I’m Still Standing
Eminem – Lose Yourself
Nick Cave & The Bad Seeds – Where The Wild Roses Grow
PJ Harvey – Angelene
Alanis Morrisette – Ironic
Fleetwood Mac – Go Your Own Way
Dave Brubeck – Take 5
Simon & Garfunkel – The Sound Of Silence
Skunk Anansie – Weak
Queen – Bohemian Rhapsody
Janis Joplin – Me and Bobby McGee

One More Thing…

Beautiful Little Fools is available to purchase. I received my copy this week and the quality of the writing and the produced book is top class. Also, at one point in the week it was up to number 6 in the Anthology bestseller chart on Amazon. Buy it here. If you’d like to come along to the online launch and open mic, details are here.

And Another…

If you haven’t listened to A Thousand Shades of Green special for The Whiskey Tree: Untamed Love, Wave 2 you are missing out.  Find it here.

And Another…

Karen Pierce Gonzalez is hosting Alan Parry reading poems from Oh Man!, work on masculinity, on 15th July 2025 at 3-4pm PST (11pm UK time). I’ll be reading too. If you’d like to be in the audience, contact northbaypoetics.net or DM Karen on BlueSky for the zoom link.

And Finally…

Victoria Spires, writer of Soi-Meme, is part of a Salo Press showcase taking place on Zoom on 25th July from 7pm. Hosted by the great Vanessa Napolitano, other readers include Karan Chambers and Wendy Allen. Seek out Victoria on social media to get a link to the event.

Next Week’s Read

  • Title: Cupid Grown
  • Poet: Adam Panichi

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Midden Witch by Fiona Benson

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been busy. An open mic on Thursday, was a highlight although I could only stay for the first half. I submitted a couple of pieces to some really good magazines, had a tussle with Submittable and had a lovely rejection. I finished an audiobook that felt like it was unfolding in real time in places. Work is busy, and enjoyable and I’ve been able to work on a new project. I did find some time to get a long overdue haircut. On Sunday evening (tonight, 6th July), I’ll be reading at the Black Bough open mic.

On top of that, I’ve been reading;

Midden Witch

  • Poet: Fiona Benson
  • Press: Cape Poetry

Let me address something. This is the first time I’d read a collection by Fiona Benson in full, so I came into this review with only my appreciation for her work that I’d read in anthologies and online.

Midden Witch is divided into sections each titled with links to witchery, for example, ‘Discovery of Witchcraft’ and ‘Familiars’. There are micropoems on each division page, which feel like bonus material.

Language is a major strength of Fiona Benson. As this is a collection steeped in witchcraft and magic and the perception of it, this is no major surprise but poems such as ‘Robin Goodfellow’ and ‘North Berwick Witch Trials’ are incredibly rich. In fact, some of the pieces felt like spells, especially ‘Song of The Riparian Zone’ (part ii of ‘Beaver Trial’).  

A key theme throughout the book is how those in power have mistreated people, especially women in medieval times. Famous witches (yes I did my research and was shocked, SHOCKED by the accounts!) are referred to throughout such as ‘Jenny Greenteeth’. Poems including ‘Defamatio‘ showcase persecution. The reference to the church and the antaganost in the piece ‘Matthew Hopkins (Persecutor)’ is forthright and unapologetic.

There are some moments where I felt my heart crush and I had to pause reading, the impact was so intense. This was the case with ‘Charm For An Ailing Child’ . When you have such a strong emotional response when reading, you know a collection will stay with you.

Nature plays a major role in this collection. Fiona Benson creates exceptional imagery in pieces such as  The symbiotic relationship between humans and nature is explored also. The poems ‘Lark Ascending’ and ‘Lilac Chaste-Tree’ are great examples of this and show completely opposite approaches. However, ‘Moss’ for me is the standout in this theme, partly as I am partial to it but mostly because it is exquisite.


There is plenty of wit and humour in the collection in different shades. ‘The Bill Against Conjurations And Wichecrafts And Sorcery And Enchantments, Henry VIII, 1541-2 Cut Up, Rearranged’ feels like a dark satire reimagining a law against Witchcraft signed by Henry VIII, a King known for his treatment of women.

Fiona Benson plays with form throughout. We have chaptered poems in ‘Babushka’. ‘Amy Duny’ reads like biographical prose with a great shift in the closing line. Tercets appear throughout, including in ‘Wisp’. Alignment and spacing is played with in the poem ‘Exorcism: Wild Horses’ adding further emphasis to the writing.

Favourite Poem:

There’s a few in Midden Witch that I returned to time and again this week. I’m picking five six seven today, but it could be a lot more.  ‘Midden Witch’, ‘Patrick Swayze’, ‘Invention Of Opium’, ‘Leddy Lister’, ‘Accusatio’, ‘Charm For An Ailing Child’ and ‘Transformation: Galinthis’.

This collection will appeal to many. Witchcraft enthusiasts for one. Oh and people who agree that rules aren’t applied evenly to all genders, sexes and classes. It will appeal to poetry readers who love rich language, nature, various forms, myth, metaphor and realism. A bewitching collection.

To read Fiona Benson’s bio, click here.

Buy Midden Witch here.

What’s your favourite Fiona Benson poem or collection? Let me know in the comments.

I’m sharing another playlist today to accompany the reading;

Kate Bush – Babooshka
Evanescence – Bring Me To Life
Nina Simone – I Put A Spell on You
Frank Sinatra – Witchcraft
Donovan – Season of The Witch
Stevie Nicks – Rhiannon
Wardruna – Helvegen
Siouxsie & The Banshees – Spellbound
Aurora – Running With The Wolves
Bill Medley & Jennifer Warnes – The Time of My Life

One More Thing…
It was great to see an exciting opportunity for poets who had attended or plan on attending one of the Black Bough Poetry ‘Crafting Your Year in Poetry’ workshops. I found this opportunity through subscribing to their newsletter. A terrific source of information including details of Louise Machen’s forthcoming online launch of I Am Not Light, a link to the new Silver Branch feature for July which celebrates a tremendously talented poet and artist, Oormila Vijayakrishnan Prahlad and details of their next ‘Crafting Your Year in Poetry’ workshop. Sign up to their newsletter here.

And Another…
There is a new resource available to writers to get their work in front of new audiences through the Promote Indie Lit platform. If you know any writers who are looking to get their name out there for free, definitely direct them to https://promoteindielit.com. There are multiple opportunities and mediums for writers to have work shared including reviews (some will appear on The Book Bag), interviews, features and more.

And Another…
The Broken Spine are launching a new workshop. Cut To The Bone is all about editing your poetry to its sharpest. Details here.

And Finally…
Beautiful Little Fools is released on Monday July 7th 2025 exploring and responding to The Gilded Age. I’m very happy to have two pieces in the collection, sharing pages with some incredible poets. On Monday, go to Amazon and search Beautiful Little Fools. I’m sure Broken Spine will be sharing a link on Monday via their BlueSky social media.

Next Week’s Read

  • Title: Modern Poetry
  • Poet: Dianne Seuss

Take it easy and stay poetic, I’ll catch you next week.

Paul