The Book Bag: Lode by Gillian Allnutt

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a week. For starters, I’ve hurt my back and it’s limiting what I can do. But this week I shared an article on recently appearing on the BBC, sent out a couple of submissions, done some prep for next month’s Write Here, Right Now, we had some close friends visit us from Lincoln. We also harvested and ate some of the turnips from the garden.

On top of that, I’ve been reading;

Lode

  • Poet: Gillian Allnutt
  • Press: Bloodaxe Books


I was tipped off to Lode by Bloodaxe Books (as its NE based) and had pencilled in to read in July. However, I got myself a copy early, moved some dates around due to postage and decided to rad it this week and share my thoughts with you all. Also there’s a playlist below (just my recommendations).  

Lode is divided into three sections. Postwar, Covid and Earth-hoard. We start in 2016 then time travel across generations throughout the book going back to late 40’s Britain all the way to modern day.

There are deeply personal pieces in this book. The poems dedicated and in memoriam of Gillian Allnutt’s father are full of emotional resonance. ‘Flame-thrower’ is an exceptionally crafted piece that gave me pause.

I’m familiar with most of the northern villages and towns mentioned throughout Lode. Therefore, when seeing names of places, I know in some of the poems, I could feel myself there enjoying sight, smell and sound memory concentrated even more so by Gillian Allnutt’s writing. ‘Dunstanburgh’, a conversation poem in the collection is home to a ruined castle and is a favourite walk of ours from Craster. In ‘My Father, Mislaid’, a moving piece, Gillian takes us to Chillingham, a place I’m very fond of.


There are threads of spirituality peppered throughout the collection. The poem ‘The Way She Remembered It’ is preceded by a quote from Song of Songs. In ‘Trist’ God is referred to again. In ‘At 71’ the poet reflects on Covid, mortality and loneliness. It’s a balanced poem of humour and sadness.

Nature plays a key role in the book both in terms of the landscape and fauna. ‘Dark Night of The Soul’ is an incredible piece that is both introspective and rich with natural imagery. As is the piece ‘Of The Trees In The Wood By The Old Pit Line’. I enjoyed ‘Golden Saxifrage’ as it combines wild nature, domestic lawnmowing and an online literature festival (saxifrage is one of my favourite plants especially the arctic variety for its resilience).

Wit is a constant through the collection. The poem ‘Azuma Meditation’ is a clever piece. Also ‘Audience’ will draw a smile where Gillian Allnutt is meeting Queen Elizabeth II when collecting her Queen’s Gold Medal for Poetry in 2016.

Form-wise, we are treated to various forms and devices. There are micropoems including ‘Footnote’, I’ve mentioned ‘Dunstanburgh’ which is a poem in conversation script form. Some pieces including ‘Audience’ have an internal rhyme structure. There are couplet arranged pieces including ‘Pink Jenkins’ and ‘On Having To Leave York University Without The Clock’. I must also mention the notes section of the book. This gives extra emphasis to the pieces and context.


Favourite Poem:
There’s a few that I must name. Crabapple Moon, The Walk (allowed) and The Song of Arachnid. I could add a few others including Beechwood, Do The Birds Worry? and Roughage.

To read more about Gillian Allnutt click here.

To buy a copy of Lode direct from Bloodaxe Books, click here.

This Week’s Playlist:

Kathryn Tickell – Back to the Rede
Mark Knopfler – Kingdom of Gold
Exile – In Between Tides
Lindisfarne – Kings Cross Blues
Sting and The Police – Brand New Day
Bearpark & Esh Colliery Band – Songs of the Tyne
The Unthanks – Magpie
Sam Fender featuring Easington Colliery Band – Remember my Name
The Jam – London Calling

This is a book with broad appeal. It has heartfelt, emotive poetry, wit, excellent imagery and various forms. The book navigates shifts in time deftly and like a lode, this book is a journey. Now, I need to get my hands on more of Gillian Allnutt’s work to read.

One More Thing…

You can read my piece on appearing on the BBC here. If you’re a poet or writer looking to get your work out there, it may be worth a read.

And Another…

Black Bough Poetry has another Crafting Your Year In Poetry workshop coming up on 13th July, a great way to help get serious about your writing. Details here.

And Another…

It’s not long until the Frazzled Lit Short Story Competition Closes. Details here.

And Another…

Broken Spine Arts has a range of events coming up including open mics and workshops. Details can be found here.

And Finally…

The Beautiful Little Fools Anthology, published by Broken Spine Arts will be out Early July. This is a book in response to the Jazz Age. It’s hotter than a Gatsby party. More details soon.

Next Week’s Read

  • Title: Down River with Li Po
  • Poet: Karen Pierce Gonzalez

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Concealed Pockets – Getting My Work Featured on The BBC

Recently, I took a leap out of my comfort zone.

Let’s start somewhere in the middle…

I took a breath and uploaded a poem to the BBC Upload portal after hearing Helen Laycock and Chris Campbell had appeared on their respective BBC Upload shows previously. It felt like a big step for me in getting my poetry out there to a new audience…

First though, I searched BBC Sounds for BBC Upload, found the North East programme and listened to a lot of episodes over one weekend. Then I had to find out how BBC Upload works. Well it’s a platform to upload poetry, comedy, stories and other content (not music) to the BBC Upload service region your work links to. In total I listened to about 10 episodes over a weekend on BBC Sounds . I loved the clowns/cabaret act interview.

Then I realised I had to make a video to upload. I used some footage from a recent trip to Alnwick Garden and recorded a voiceover of my poems ‘Taihaku Joypiloting at Alnwick Garden’. I did my best to make it presentable using my mobile phone which was just a case of trial and error. And back to taking the the breath and the uploading of the file from the beginning of this post. Confirming I want to proceed then waiting on tenterhooks to see if I could catch the attention of the producers.

A few days later, I got a very warm and friendly email from Emma Millen at BBC North East & Cumbria who curates the BBC Upload for Newcastle and Tees stations for BBC Sounds. Emma offered me an opportunity to go into the studio for a chat about my poetry, and to record some of my work.

On a sunny Friday, I put on one of my best shirts and pair of jeans, shook off some nervous excitement and made my way to BBC Newcastle Studios with the book bag in tow.

When I arrived I was a bit slapstick trying to open every entry door until I buzzed the receptionist who let me in and sorted my visitor badge out. I got to see a TARDIS in the foyer while I waited. Emma collected me and I was taken for my interview in one of the radio station studios. It felt a bit surreal at first, I won’t lie.

Emma and I had a chat where she made me feel really comfortable talking and sharing my work. Then in a flash I’d had been recorded and I was headed home to enjoy the rest of the sunshine.

The episode aired on Saturday 14th June on BBC Radio Newcastle and BBC Radio Tees. Here is a clip of me reading a couple of poems. I’m chuffed to bits with the edit, not to mention Sam Fender – People Watching was the song after my final piece on the radio. I was buzzing. I celebrated with a pink gin and tonic.

The whole process from start to finish was handled so well and I will (hopefully if they’ll have me back) share more work on the platform. It’s a great way to showcase your work and reach a broader audience.

I thoroughly enjoyed my experience and am truly grateful for the opportunity. Stepping out of the comfort zone every now and then is worthwhile and I would recommend more people try it.

For next time (if there is a next time) I’ll be a bit more organised and stick with the pieces I had originally planned to read because I changed my mind at the last minute.

Huge thanks to Emma for having me on and making me feel calm and relaxed as I could be. Her energy is infectious and that really helped.

To upload your work and get your work featured on BBC Upload visit:  https://www.bbc.co.uk/writers/opportunities/bbc-upload/ and select your area.

Take It Easy and Stay Poetic

Paul

The Book Bag: I Am Not Light by Louise Machen

Welcome back to The Book Bag. I hope you’ve had a poetic couple of weeks.

What a couple of weeks I’ve had. A trip to the Lakes including taking in Sizergh Castle, Levens Hall and Hill Top, home of Beatrix Potter. Also, my better half and I, celebrated our 15th Wedding Anniversary, I’ve hosted Top Tweet Tuesday, launched The Book Bag: Concealed Pockets, hosted Write Here, Right Now and submitted a couple of pieces and attended Regine Ebner’s online launch of Mountains That See In The Dark that was a delight and had some incredible guest readers. Oh, I was invited to read at a forthcoming launch as well which I’m very excited about and a little shocked.

On top of that, I’ve been reading;

I Am Not Light

  • Poet: Louise Machen
  • Press: Black Bough Poetry


I have been a fan of Louise Machen’s work for quite some time after seeing a few pieces online as part of Top Tweet Tuesday. I was especially drawn to the emotion she can weave throughout her poetry. When I found out Louise was slated for a full collection, I kept looking out for the release date. It arrived at the end of May and I ordered immediately. Again I’ve popped an eclectic playlist to listen to further down the page…

Evocative, emotive poetry is Louise’s poetic superpower. The book is filled with strong currents of defiance, conflict and resilience that energise the collection. The pieces ‘A Burnt Child Dreads the Fire’, ‘Becoming An Arborist’ ‘Familial Obligation’ and ‘Dirt’ are just some of the pieces full of impact that make you pause for breath.

Grief is a recurring theme. Not just for the dead but for the living and self. Poems such as ‘A Disremembering’, ‘People Disappear’ and ‘And Then, We Never Spoke Again’ are heartfelt pieces that land with every reading.

Poems throughout the book are relatable, with scenes set so vividly that they feel tangible and immersive. While reading ‘The Queen of Sheba’ I was there, watching the events unfold from the narrator’s perspective, synapses and senses working in unison.  

Aside from the poems grounded in life, readers are treated to broader settings. ‘El Corazon’ transports to the cosmos and back again.

Imagery sets the scene perfectly throughout. Urban reality is displayed sharply and keenly in the pieces ‘1989’ and ‘The Playground’. Then we have pieces such as ‘Dawning’ and ‘A Defunct Radio Station on A Cliff Edge’ which contain stark, rugged coastal beauty.

Nature is in integral throughout but used in various ways and depictions. ‘Moss’, ‘Truth-Telling’ ‘Nightingale’ and ‘Amazonite’ are all great examples.

Form is played with throughout. Contemporary haiku makes an appearance in the piece ‘Shore-bound’. ‘In Pursuit Of Edges’ uses double column formatting to accentuate the delivery. ‘Words Never Spoken’ is a piece that uses space on the page to great effect. I should also mention ‘Splinters’ that discusses the role of narrator in Louise’s work. A tremendous piece.

This is a collection that is intimate drawing you into a swell of emotion and poetic mastery. It has broad appeal for lovers of evocative poetry who appreciate expert use of language and vivid imagery. It’s already been nominated by Black Bough for a Forward Prize. A cracking collection that overflows with quality. Buy it here.

Find out more about Louise Machen including other publications here.

Playlist

Oasis – Cigarettes and Alcohol
Ocean Colour Scene – The Riverboat Song
Massive Attack – Teardrop
Fleetwood Mac – Landslide
Cher – Just Like Jesse James
Salt + Pepa – Push It
Deacon Blue – Dignity
Madonna – Who’s That Girl
The Verve – Bitter Sweet Symphony
Garbage – Special
Blondie – Maria
Stevie Nicks – Edge of Seventeen
Queen – The Show Must Go On
Elton John – I’m Still Standing
Taylor Dayne – Tell It To My Heart
Sam Fender – People Watching


Favourite Poem:

Again a collection this packed, I have to choose more than one. ‘I Am Not Light’, followed by ‘The Tenth Muse’, ‘Rebel Glow’ and ‘Cherry Bakewell For The Fire Gods’.

One More Thing…

Louise Machen recently hosted Top Tweet Tuesday with a prompt to respond to the title poem from I Am Not Light. You can read my response here.

And Another…

A busy week for Louise. On Sunday she has an audiobook being released alongside Shakquile, Noor Iman & Culain Wood called ‘Which Way The Words Grow’. Available on all major platforms.

And Another…

Vikki C. is the current featured Silver Branch Writer on Black Bough Poetry. Read her captivating work here where you can also learn how she crafts her writing.

And Another…

A couple of weeks ago, I visited BBC Newcastle and recorded some poetry for BBC Upload. I’ll be sharing my experience next weekend. In the meantime you can listen here.

And Finally…

Have you been keeping up to date with The Book Bag: Poetic Voices? A new poem from Matthew MC Smith was added yesterday and is poignant and highly relevant. Read the poem here.

Next Week’s Read

  • Title: Lode
  • Poet: Gillian Allnutt

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Concealed Pockets – Sonnet Restaurant

I’m going to be opening the Concealed Pockets of The Book Bag every now and then. First up, my thoughts on Sonnet Restaurant.

A couple of weeks ago, my wife and I visited Sonnet Restaurant, a 14-seater restaurant that serves a 14-course tasting menu across a few hours in Alnwick, Northumberland  where all diners eat at the same time. Food x Poetry = a dream for me. This was a belated promotion / early anniversary celebration.

I could go on and on about the food however, I will simply state it was excellent, (Michelin and Conde Naste both agree) and we’ll be visiting again for a smaller lunch soon.

The experience was incredible, from the service which was friendly and attentive without being over the top and the wine flight paired perfectly with the courses.

This is a perfect place to eat when visiting Northumberland and I highly recommend if you’re looking to celebrate a special occasion. The space is intimate and bright and ends itself perfectly to relaxed fine dining.

A great finishing touch was the song ‘Sonnet’ by The Verve playing at the end of the meal. Another great detail was the course guide that was rolled into a scroll.

As sonnets go, the restaurant is comparable to Shakespeare’s 18th Sonnet. A marvel.

Hope you enjoyed this 14-line ( as it appears on laptop) response.

Stay tuned for more bits and pieces as I open more of The Book Bag’s Concealed Pockets.

Black Swan

After Louise Machen’s ‘I Am Not Light’

Stale streams of striplights flicker—
febrile, buzzing like midges—
soundtrack the waiting room.

Swans crane their necks
toward a droughted hell
wings cupped in prayer
for what must be the first time
in years.

Cornflower bluebirds skitter
faster than waterfalls,
chirping names;
a few heads look up—ruffled-eyes
blinking away sorrow-grit,
they glide solemnly,
signets held pinion-close.

By the time I’m called,
I’m trapped in
viscose oilspill thought-pollution
too heavy to featherspread and fly,
too scared to inhale truths —
exhale finalities.

I am not light,
I am the weight of masculine expectation,
so I don my taxidermy mask.

Smile.

The Book Bag: When It Rained For A Million Years By Paul Farley

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been busy. Bank Holiday blustery winds almost sent my towels into next doors garden, I got an acceptance and a rejection,  saw some oystercatcher chicks fledge from the nest near work and attended the Broken Spine Arts open mic on Thursday evening. Also, I started anniversary celebrations with a visit to a very special restaurant. Details on that in couple of weeks maybe.

I also launched The Book Bag: Poetic Voices. If you’re yet to read, each month will feature a different Poet, showcasing an exemplary piece of poetry. I’m really excited for the names coming up and chuffed to bits that Matthew MC Smith agreed to be the inaugural Poetic Voice.

On top of that, I’ve been reading;

When It Rained For A Million Years

  • Poet: Paul Farley
  • Press: Picador

Sometimes a book cover or title will grab you. This is what happened when I saw ‘When It Rained For A Million Years’. Both grabbed my attention, and as I read the back cover, I thought, yes this will do. In all honesty, I hadn’t picked up a Paul Farley book prior to this purely because I hadn’t come across his work. Something I will be rectifying.

Again, I’ve popped a playlist that I listened to whilst reading this as it was well received from last week’s episode.

There are some real impactful and emotionally charged poems within the collection including ‘Source’. The piece ‘Difficult To Enter House’ felt heavy and I had to take a few minutes to breathe before continuing reading. Another excellent example is ‘Our Father Showed Us Sea Level’, that had a different sort of weight.

Farley peppers humour throughout the book whether tongue in cheek or satire. I chuckled a while after reading ‘Turkeys’ and ‘Attack of The Fifty-Foot Poem’. However, these pieces are multi levelled and on second reading you find more and so it continues.

The imagery on display in this book is vivid and potent. Pieces such as ‘Wagtail Roost’ and ‘Cheshire Oaks Outlet Village’ and ‘Corncrakes’ are perfect examples. The poem ‘Cross Bedding, Between Edge Hill and Liverpool’ is another that I was drawn to. A marvel.

The landscape plays an integral role in this collection. The settings aren’t pastoral. Farley uses industrial backdrops (his bio does mention he is from Liverpool) to great effect, and they seem familiar. Liverpool and Newcastle are similar in terms of industrial heritage. Poems such as ‘King Carbon’ and ‘The Workaround’ (which takes us back in time and to the North East) shine a spotlight on these often-overlooked places. On a side note, the people of Liverpool have my thoughts after the horrific scenes following the bus parade.

References to pop culture appear throughout the collection. The poem ‘Usher’ takes us into the cinema of the early 90s. Each stanza headed with a movie title. Zoom pops up in the piece ‘Gorilla’ and ‘Horde’ gives readers an 80s soundtrack.



Form and style take on various forms throughout the book. One of my favourite examples of this is ‘The Execution of Anne Boleyn, Airfix 1:12’. A meticulous piece that I almost lost my head at.

Here’s the small playlist I enjoyed when reading this book.


David Bowie – Space Oddity
The Beatles – Hey Jude
Massive Attack – Unfinished Sympathy
Sting & The Police – Roxanne
Fleetwood Mac – Landslide
Soft Cell – Tainted Love
Elton John – I’m Still Standing
Bruce Springsteen – Dancing In The Dark
De La Soul – Me, Myself & I
Duran Duran – The Living Daylights
Queen – Don’t Stop Me Now
The Human League – Don’t You Want Me

This collection has broad appeal. I would recommend it to poetry readers who enjoy vivid imagery, humour and emotion woven through excellently crafted multi-layered pieces.

Favourite Poem

Again, I’m choosing a few this week. Bubblewrap, Trth and Where the Owl Sleeps and the Spiders Nest.

One More Thing…

Your regular episode of The Book Bag will be taking a break for next week as my wife and I are celebrating our anniversary. See below for the cracking book I’ll be reading for the next entry.

And Another…

I’d love some audiobook and podcast recommendations to listen to during travelling. Let me know on social media or in a comment below if you have one.

And Finally…

I’d like to say a huge congratulations to all poets who were on the longlist and the prize-winners for the Rialto Nature & Place competition that was recently announced. It was great to see Book Bag poets Matt Gilbert & Victoria Spires amongst the names.

The Next Read Coming on 15th June 2025

  • Title: I Am Not Light
  • Poet: Louise Machen

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Poetic Voices – June 2025

Welcome to the first instalment of a new feature as part of The Book Bag. Poetic Voices will feature a different poet every month. This feature aims to platform and showcase exemplary work from writers I admire across the poetic landscape and will run concurrently with the regular weekly episodes of The Book Bag where I’ll still be sharing thoughts on books I’ve read in the week.

So without further ado, our featured Poetic Voice for June 2025 is Matthew M.C. Smith. A man who does so much for poets across the world and an incredible poet in his own right. If you’ve read The Keeper Of Aeons Book Bag article, you’ll know I’m a big fan.

Matthew M. C. Smith is a writer from the east of Swansea, the industrial heartland of the city.  He has a PhD on Robert Graves and Celticism. He is widely published and his work can be read in Poetry Wales, Arachne Press, These Pages Sing, The Gower Society Journal, Atrium Poetry and Acropolis Journal. Matthew is writing his own novel of The Odyssey, hoping to complete a final draft in 2025. He is campaigning for the return of the “Welsh Elgin Marbles” – the Red Lady of Paviland – back to Swansea from Oxford. 

Matthew loves everything Star Wars, Welsh Rugby, collecting signed poetry books and 60s/ 70s vinyl. He can be found on long time-travelling walks in Gower and the Welsh hills and coastline. 

His last poetry collection was The Keeper of Aeons (Broken Spine, 2022). In 2024, he read with Owen Sheers and Matthew Hollis.

Matthew edits Black Bough, the Silver Branch project and TopTweetTuesday. He is on Twitter, Bluesky, Facebook, Insta/ Threads.

Not a Mirror

and its flat, flipped impression,
not the containing frame. 
Not the predictable form of self,
presented, out there,
thinned in depth.

She wants to hold her hologram,
through passages of gold
out into the uncaring city:
through mindless mountains,
the ocean's unthinking, frayed edge,
bearing its fierce blue flicker
like a bust of Nefertiti,
unflipped, uncontained,
filling heart-sized height and depth.

She wants to hold its crackle
like an offering to be placed
at the sanctuary 
of a future self.
Green Man 

Mist drifts through webs, 
rain-flecked. 

From the house, 
from the ivy way, 
all paths spiral, shadowed 
by green ruins, 
unravelled to the sky 
and beyond, 
the forest is ghost. 

Walk through the night, 
walk to your rest, kneel 
under the beat moon 
and the pitiless stars
and look upon
the Green Man, 
moss-cheeked, 
ivy-bearded, 
who stares, 
deathless, 
through you.

Today, I’m sharing the following poignant and important piece by Matthew. 

Colouring the Birds of Gaza

In a gallery in Swansea
children are colouring in paper birds,
each one a symbol
of a child killed in Gaza.

Crayons are clenched, 
tiny fists of protest,
pencils propped 
in the pressing triangle of 
fingers and thumb.

Ask them,
the children always know the truth.

It's about power.
Violence breeds hatred.
No-one can ever win.
Everyone should be free.
Stop the War.

This is not the poem. This is almost 
nothing. Look, instead at the paper birds,
the children fixing wings on the glass
that crinkle in the sunlight.

I am delighted to share another poem from Matthew MC Smith today (30/06/2025).

Your Sundown is Electric
 
Tonight, I will imagine one sky
and your hand reaching up,
your fingers touching the shimmer
with whatever’s left in you.
 
You give the remains
of your palette’s freedom, 
watching it trail
through the sky,
like a comet’s
sinking tail.
 
Your heart is as long as the earth,
it could be forever, it cannot go –
a shock of joy before the low hum
of earth things 
and the stars’ iron wheel,
so distant from the wild streak of your wide eyes,
the intake of your breath.
 
Tonight, I will imagine one sky
and that you are that outstretched finger,
as you sit on that step, in a hallway
flooded by light,
looking upwards,
 
your sundown is electric.


Thanks for reading, keep up with my socials to find out when the next poem goes live. Username is @paulwritespoems on Bluesky, Instagram, Threads, Facebook and X. You can also sign up to receive updates direct to your inbox when a new post goes live. Currently there is a delay in July’s Poetic Voice going live.

Take it easy and stay poetic.

Paul

The Book Bag: East Of The Sun, West Of The Moon by Taz Rahman

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been a fun one. Projects coming together, submissions entered, lovely sunshine walks with my wife and Brody the dog, Julian Cason wrote some very nice things about me on Top Tweet Tuesday reviews week, I cooked up a storm in the kitchen, played some sax and gardened a little. I also saw my first swift and watched the pipistrelles swirling in the twilight.

On top of that, I’ve been reading;

East Of The Sun West, Of The Moon

  • Poet: Taz Rahman
  • Press: Seren Books


I was lucky enough to see Taz perform live at the incredible Black Bough Poetry fundraiser in aid of WellChild in Neath in 2024. If you get the chance to hear him read and perform, sit back and enjoy.

Jazz. Poetry. Two art forms that complement each other in terms of speaking an improvised language that is unusual but makes perfect sense at the same time. In their purest forms they are outlets for the disenchanted, disenfranchised, the dismissed. They also happen to be two of my passions. I’ll share a playlist that I listened to whilst reading this book further down the page.

Imagery is delivered with the grace and flourish of a blues scale. ‘Bread of Heaven’ is a perfect example of immersing a reader in a poem that by the end you feel a sense of connection to the poet. This is also the case for ‘Animal Wall’, a sectioned piece that incorporates folklore.

There’s genuine emotion on display throughout the book. The poem ‘Chocolate’ displays fear compared to ‘Sanctuary’ which I felt showed his feeling of safety and peace. I must almost mention the piece ‘Drama/Trauma’ which is really important and exquisitely crafted.

For the romantics, which I count myself as, ‘I Want To See Your Face in Every Kind of Light’ is excellent. I also consider ‘The Free State of Roath’ to be a love poem either to person or place.


Place is important in the book. There are references to Cardiff and Wales, scattered throughout. ‘The Nearness of You’ takes a walk-through Cathays Cemetery. I’ve already mentioned ‘Animal Wall’ and ‘Sanctuary’ above but you get a real sense of surroundings with Taz’s deft use of vivid language.

Equally important is Taz’s admiration and relationship with nature. This is apparent in his language. Poems such as ‘Muktijoddha’, ‘Snapdragons Need The Bulk of Bumblebees to Force Open The Flower’ and ‘Substrate Of A Rose’ show this off really well.

There are poems linked to Taz’s heritage that lift from the page through sensory experience. ‘Anda’ is mesmerising with scents of daal, hot sugar and rosewater. ‘Yashica 365’ is a poem that opens the book with a rich tapestry of language that is evocative, full of sounds, smells and colour.

Taz plays with different forms and styles throughout in the book. These shifts add interest and deliver his lyrical language sometimes interpreted messages with great skill. Pieces such as ‘Permission’, ‘Trap Arachnids For Rainy Days’, ‘Amygdala’ and ‘Chocolate’ are a selection that show the variation and strength of his skill. Also, I must mention the introductions and quotes that precede some of the pieces. It was great to see Johnny Cash mentioned, someone with a deep relationship with Jazz.

This collection is one of my personal favourites. The connection between jazz and poetic skill and language often mirrors itself throughout. Taz uses rich imagery and terrific language and turns of phrase and has crafted an exceptional book. A masterpiece. Buy it.

Also as promised, a playlist to listen to while reading. This was my personal choice anyway…

Trying To Figure It Out – Grace Kelly
Freddie Freeloader – Miles Davis
C Jam Blues – Charles Mingus
Take Five – The Dave Brubeck Quartet
Round Midnight – Thelonious Monk
In A Sentimental Mood – Duke Ellington & John Coltrane
East of The Sun (And West of The Moon) – Charlie Parker
Night In Tunisia- Dizzy Gillespie
Mood Indigo – Frank Morgan
Blue in Green – Cannonball Adderley

Favourite Poem:
I’m choosing three this week. Permission, Turning Saints into the Sea and East of the Sun, West of the Moon.

Taz has a website over at https://tazrahman.blogspot.com/ where he regularly shares updates and news.

To grab yourself a copy of this terrific collection, visit the Seren Books website here.

One More Thing…

Keep a close eye out for a new monthly feature from The Book Bag launching on June 1st. It’s an exciting development which I think you will all enjoy.

And Another…

For the Short Story authors, this is a polite reminder that the great people at Frazzled Lit are opening their competition on 1st June. Details here.

And Another…

Fans of open mic’s, whether to perform or be in the audience, the Broken Spine Arts #PoemsAbout event takes place Thursday 29th May. All the information can be found here.

And Finally…

Regine Ebner and Black Bough Poetry are having an online launch for her collection Mountains That See In The Dark on Saturday 7th June 2025. There’ll be readings from Regine and special guests. Grab yourself a free ticket here.

Next Week’s Read

  • Title: When It Rained for a Million Years
  • Poet: Paul Farley

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Soi-même by Victoria Spires

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week has been hot and sunny in Newcastle, and I’ve been able to absorb some Vitamin D in the garden (I also tripped over and landed in worm tea – not my finest hour). My wife and I also took the dog to the coast for a walk and ice-cream for breakfast!

On Monday evening, I did have to call the fire brigade during our dog walk. Someone thought it would be funny to set fire to trees in the nearby community orchard where lots of birds are currently nesting. The fire service was on the scene in quick time.

Poetry wise, I was lucky to do a reading and interview, details to be shared soon. Also, I’ve sent out some submissions, had an idea for participants of Write Here, Right Now and did something very exciting. Also, on Friday, the final episode of this season’s Thousand Shades of Green aired which featured work on the theme of water from myself and fellow contributing poets from the season. You can listen here . It was such a privilege to be part of and look forward to returning to feature again in the future.

On top of that, I’ve been reading;

  • Poet: Victoria Spires
  • Press: Salò Press

I first read Victoria Spires’ poetry on social media, I want to say in response to a prompt on Top Tweet Tuesday. Since then, I have read her work in multiple anthologies and lit mags where her poetry is always polished and beautifully crafted. She also introduced me to the ‘Sevenling’ form which I have practised a bit. Victoria is also a contributing editor to The Winged Moon, an excellent poetry magazine which has regular competitions and a weekly newsletter.

When Victoria announced on BlueSky that her debut pamphlet was incoming, I jumped straight on the pre-order page (a bargain from Salò Press).

Touch recurs through the book in various ways; ‘On Surrender’ begins tentatively and delicate between two people while the poem ‘Trouble’ looks at the want of haptic feedback from both the writer and inanimate objects like door handles. Poems in the collection are equated to desire (as stated on the back cover) and you definitely feel this upon reading. At points there is real intimacy.

There is an array of forms used in the pamphlet, sometimes from page to page. A prime example is the change of style from ‘A Hawk from A Handsaw’ to ‘Soi-disant’. Each form used gives extra focus to the poems and adds a little mystery before you begin reading.

The way in which emotion is portrayed within the pamphlet aligns with the nature of the poem. In ‘Soi-lui’ there is an edge, confrontational maybe. However, in ‘Orchard’, the emotion is mostly guided through the poem with touch and imagery.

The vocabulary in the collection is also worth mentioning for the sheer scale and precision of use. ‘Moon Almanack’ and ‘Mare Crisium’ taught me a handful of words unfamiliar to me which fit perfectly in place in the pamphlet.

Another benefit of incredible language use is the imagery within pieces such as ‘Brain As Radula’ and ‘Soi-lui’. This is also the case in ‘Sanguis’ which partners image, metaphor and form across the page.

This is a book that will appeal to many. At times it feels very intimate and is filled with poems exquisitely crafted that linger in the mind long afterwards making you return time and again. Highly recommended.

Favourite Poem:

White Gold.

If you want to keep up to date with Victoria, she has recently launched a Substack that can be found here.

To buy your copy of Soi-même (a bargain), click here.

One More Thing…

It was International Dylan Thomas Day on Thursday. Here is one of my favourites. Drop a comment with yours…

And Another…

Broken Spine Arts have an open mic on Thursday 29th May 2025. Details here of this always supportive event.

They have also released spotlights on the contributors to The Whiskey Tree Wave 2. Give them a read, all interesting insights to poetic thinking and inspiration. More info here.

And Another…

Black Bough Poetry are hosting a launch for Regine Ebner’s ‘Mountains That See In The Dark’ on Saturday 7 June 2025 at 630pm UK Time. Details here.

And Finally…

It was great to see recently featured Poyums by Len Pennie win the Discover Award at the 2025 British Book Awards this week. A triumph for poetry and Scots language.

Next Week’s Read

  • Title: East of the Sun, West of the Moon
  • Poet: Taz Rahman

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag: Scattered Snows, To The North by Carl Phillips

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week I’ve enjoyed some tremendous walks in the countryside, wrote a couple of pieces, one for a submission and one definitely for the pamphlet, entered into phase 2 of a secret project and a couple of opportunities came my way. More details on those in the coming weeks.

I also observed the anniversary of VE Day and wrote a poem for it based on personal stories of those who experienced it (you can read that here).

On top of that, I’ve been reading;

Scattered Snows, To The North

  • Poet: Carl Phillips
  • Press: Carcanet Poetry

Scattered Snows, To The North is Pulitzer Prize winner Carl Phillips 17th collection (this is my first time reading a collection of his) and reads like a memoir where past choices and experiences and are examined with a focus on how memories often create a version of believed facts. A great example of this is in ‘Stop Shaking’.

The use of water recurs through the book. ‘Troubadours’, ‘Sunlight in Fog’ and  ‘Regime’ play with water in different ways but all to maximum effect. Phillips is deft at creating vivid, visceral images throughout the book. Poems such as ‘When We Get There’, ‘Fall Colors’ and ‘Record of Where a Wind Was’.


Relationships are intricately and intimately observed in a variety of different ways. These include ‘Mechanics’, ‘Why So This Quiet’ ‘Western Edge’ and ‘Artillery’. A standout poem in this regard had to be ‘Surfers’ which deals with longing, infatuation and how a person acts.

When I was reading this, I was intrigued by the way that Phillips ends lines in unusual places, giving extra emphasis to the message he is delivering. The poem ‘Fist and Palm’ is exceptional in giving pause but making you want to get to the next line soon rather than later, heightening anticipation.

There are some fun quirks in the book such as the fact that the title poems from each section are in other parts of the book. In terms of form, there are various styles used in the book including pieces that are more prose such as ‘Searchlights’ compared to a poem like ‘Like So’ that plays with space on the page.


Use of language in Scattered Snows to The North is never laboured or overcooked which is something that poets can wrestle with when crafting work. Poems have a lyrical quality to them , demonstrated throughout. I’ve picked out the pieces ‘Back Soon; Driving-‘, ‘Career‘ and ‘If Grief Is Mostly Private And Always Various’ as examples but I could list so many more.

I could go on about how much I appreciate this book. I’ve read Scattered Snows To The North thrice in the week. I’m going to be re-reading more, hopefully absorbing some methods to improve my line breaks especially.

This is an introspective collection that will appeal to readers who like exceptional use of language and crafted poems that explore relationships and the role memory plays in our lives.


Favourite Poem:

I’m picking three this week. ‘This Is The Light’, ‘Somewhere It’s Still Summer’ and ‘Scattered Snows, To The North’.

To learn more about Carl Phillips, his website is here.

To buy Scattered Snows, To The North directly from Carcanet click here.

One More Thing…

I’m sharing more things on Instagram and Threads these days. I’d love for you to join me over there. As on every other site, my handle is @paulwritespoems. (I cringed slightly when I wrote handle!)

And Another…

If you’re a fan of the Emerald Isle and haven’t been listened to the Eat The Storms May Day Special featuring 32 poets from the 32 counties of Ireland then you need to. Available where you get your podcasts from normally. Also the Storms Journal is now open for submissions with the delightful Rhona Greene being sub-editor for this issue.More details on everything Storms related here.

And Finally…

A reminder that a couple of Book Bag alumni are appearing at Cheltenham Poetry Festival this coming week. Lesley Curwen who wrote ‘Rescue Lines’ will be appearing on Wednesday 14th May 2025, Chris Campbell, author of All Island No Sea will be appearing on Saturday 17th May 2025. Details on all events here.

Next Week’s Read

  • Title: Soi-Même
  • Poet: Victoria Spires

Take it easy and stay poetic, I’ll catch you next week.

Paul