The Book Bag: The Oasis by Charles Lang

Welcome back to The Book Bag. I hope you’ve had a poetic week.


This week has been busy with editing, submissions, August’s Poetic Voice feature being launched, the remarkable Rishi Dastidar. I also had one of the loveliest rejection letters I’ve ever had (although I did make the shortlist for consideration which is an achievement in itself). At home we celebrated Brody’s 2nd Birthday – he enjoyed his salmon lunch! We also took a trip to Stanton Gardens and Nursery, Bide-A-Wee Garden near Morpeth and the tremendous Fieldhead Farm to pick wildflowers. We also had some time to relax and harvest the last of the new potatoes that we enjoyed with some tapas.

On top of that, I’ve been reading;

The Oasis

  • Poet: Charles Lang
  • Press: Skein Press

I picked up my copy of The Oasis at the Len Pennie event at Jesmond Library a couple of weeks ago – the Poetry Book Society was selling several titles and I went for this – ( I have a connection to the city it’s based in. My maternal Grandfather and his family were originally from Glasgow where this is set). So let’s dive in, also the playlist has returned…

One of Charles Lang’s great strengths is his humour. The opening piece ‘The Chase’ had me reliving my youth, laughing at myself through the poem. ‘Stickers’ had me laughing too, such an authentic poem – I once completed a panini album apart from a handful of stickers in a hospital bed when I was about 12. The use of Glaswegian dialect reinforces the humour especially when reading out loud and realising that your Scot’s accent needs more work.

Glasgow is a city much like Newcastle; built on the backs of working-class families. A key theme throughout is that of strength of character and resilience in the face of challenges. ‘Glasgow Sonnets’, a sequence of sonnets paints the city with respect and authenticity. The collection’s title poem ‘The Oasis’ spotlights the sense of community which is present in the majority of working-class cities. Then in ‘Disturbia’ we are treated to the grit of a city at night.

A theme that’s explored terrifically well is masculinity, a subject that is multi-faceted especially against the backdrop of a working-class culture. Pieces including ‘Boys’ and ‘Darts’ showcase this greatly. Again, the use of dialect adds texture and dimensions to the poetry.

Imagery throughout the collection is vivid. In the poems ‘Spring’ and ‘Helen’s Bay’ familiar scenery unfolds quickly. ‘The Sabbath’ is a snapshot of a poem and is similar to a relaxing Sunday routine at The Book Bag HQ. ‘In Death of A Field’, I felt a pang of nostalgia for the ‘Rec’ me and my friends used to explore daily.

In terms of form and space, they are used in a variety of ways throughout the collection. ‘Thistles’ is a prime example, which takes over a number of pages. Much like a thistle patch taking over land. Another piece ‘A Mess’ is the same poem presented in three different ways, each with a different emphasis in the voice of the narrator.

This book will appeal to people who appreciate themes of identity, masculinity, belonging, class, city life and vivid imagery. For people who appreciate form and style, this book will appeal. For those who love dialect poetry, this will appeal. It sits comfortably in my top 10 from the year so far.

Favourite Poem:

I’ll stick to five this week but it could very well be the whole collection. ‘Lily’, ‘Nightclub’, ‘Scaffolding’, ‘The Oasis’ and ‘Birds’.

To learn more about Charles Lang, click here.

To buy The Oasis, click here.

And here’s a playlist nobody asked for but everyone really wanted;

Gerry Cinnamon – Belter
Amy MacDonald – This Is The Life
Lewis Capaldi – Wish You The Best
Chvrches – Over
Simple Minds – Don’t You
Travis – Flowers In The Window
Deacon Blue – Dignity
Texas – Black Eyed Boy
Primal Scream – Rocks


One More Thing…

There’s still tickets available for the launch of Beautiful Little Fools on Tuesday 5th August 2025. Grab them here.

And Another…

Last week I mentioned the new substack ‘We Are The Choir; Poetry of Witness’. This week one of my pieces will be featuring. ‘Non-Hazardous Product’ is a poem on the destruction of a river and the commodification of water.

And Another…

Full House Literary are open for Submissions from 1 August to 20th August 2025. Details here.

And Finally…

The Black Cat Poetry Press have a competition with the theme ‘Turning Points’ open until 30th September 2025. The brief is broad, more details here.


Next Week’s Read

  • Title: Vanishing Point
  • Poet: Colin Bancroft

Take it easy and stay poetic, I’ll catch you next week.

Paul

The Book Bag – Consolamentum by James McConachie

Welcome back to The Book Bag. Last week, I shared my thoughts on Street Sailing by Matt Gilbert


This week, between a lovely curry at Dabbawal in Newcastle, trying to figure out what the budget means and some windswept hair that had me looking like a combo of Beetlejuice and Cousin It, I’ve been reading…

Consolamentum

  • Author: James McConachie
  • Press: Black Bough Poetry

I’ve heard James perform at Black Bough open mic nights in the past, his pieces always elicit a strong sense of place and pack a punch. When his new book was released in October, I ordered it the same day and waited (im)patiently for it to arrive from Amazon. While I waited, I watched some promotional videos that indicated that the book would be something special.

James gives the rugged landscape of his home in Northern Spain voice and personality throughout the book. Poems such as Cusp Of The Last Cold Moon, Off Grid 414ppm, Granada and Mientras Podamos are full of vivid imagery. When reading, my mind drifted to these scenes as if I were there, such is the level of detail. 

Rich representations of the people and culture are delivered in pieces like Yula, Tres Mujeres and Montauban. This is such a clever book and it made me so nostalgic for Spain (I was lucky enough to have done work experience in the South of Spain including at a residence used by Ernest Hemingway when I was just out of school). I stayed with a lovely family from Spain and we communicated in broken English and Spanish. 

Some of the poems in this collection shine a light on today’s wrongs, none more so than Tensile Strength that grips you in a headlock as you read it, coming out the other end with a dizzy feeling of unease and sorrow.

Read this book if you want to go on an emotional journey through the wilds of Northern Spain with some postcards from the UK. Or if you’re a fan of exemplary poetry, chock-full of imagery. This is a great debut.

Favorite Poem:
Liebre or Pig – two very different poems. Both class.

One More Thing
The poem, Summer of ‘23, was recently featured in issue 2 of The Madrid Review.

Finally…

You can see the launch of Consolamentum live on Zoom on Sunday 2 November 2024, tickets are free and available via Black Bough Poetry on Eventbrite. See https://www.eventbrite.ie/e/black-bough-poetry-online-launch-of-james-mcconachies-consolamentum-tickets-1059127612199

Find more information on James McConachie and Consolamentum and read testimonies here; https://www.blackboughpoetry.com/consolamentum-james-mcconachie where you can find links to buy his book.


Next Week’s Read

Looking ahead, here’s what’s lined up for my book bag next week;

  • Title: Elemental
  • Author: Helen Laycock

That’s it for this week’s reading roundup! If you’ve read any of the books I’m sharing or have recommendations for what poetry I should be reading, drop a comment below. If you want to read some of my poems, have a look around the site.

Take it easy

Paul