life

The Book Bag: A Dress With Deep Pockets by Jen Feroze

Welcome back to The Book Bag. I hope your week has been poetically rich.

This week I managed to play my saxophone with less pain and made good progress learning Mr PC by John Coltrane. I also got to speak to one of my poetry heroes Matthew MC Smith, wrote a new piece and ramped up writing group plans. I also spent some time in Northumberland seeing family.

On top of that, I’ve been reading;

A Dress With Deep Pockets

  • Poet: Jen Feroze
  • Press: Smith|Doorstop Books

I’m a big fan of Jen Feroze. Having heard and read Jen’s poetry in several places both online and in print including Iamb, Dust, Ink Sweat and Tears and more, I’ve also had the pleasure of interacting via social media through Top Tweet Tuesday.

The collection is acknowledged ‘For my friends’ so it should not come as a surprise that friendship is a main theme of the book. At its heart, this pamphlet deals greatly with people and place.

‘Hare Girl’ is the opening poem and introduces readers to an old friend with a perfect blend of nostalgia, imagery and humour. For people who ever camped while under the influence of cheap spirits and artificial cider in their early teens, like me, this was very relatable.

I first heard the poem ‘Gorge’ in Wave 16 of Iamb poetry and is a piece that displays Jen’s skill in encompassing multiple emotions and moods into a piece. The shifts in tone throughout the poem give it an importance like the Gorge itself. The feeling of wanting to escape small towns for cities is reminiscent of many people I grew up with including me.

For readers who like to see different forms used in a collection will be happy that there are multiple styles used throughout. ‘Let’s Start A Commune’, a stream of consciousness poem (my favourite) and a golden shovel ‘It’s 2003 and Joni is Teaching Me About Love’ and ‘Anne in December’ are three distinct pieces.

The poem ‘Now I’m Older I Can Call Her Linda’ deals with the how we see adults in authority as children then as adults. The piece ‘I Invite my Grown-Up Daughter Round For Her Dinner’ is the opposite in premise. How adults see children in the future and wondering if the impression will be the reality.

The way in which relationships are portrayed throughout the collection are honest. Jen brings her friends and family from the page into the world with all their idiosyncrasies. The people all seem familiar as if they were part of your social circle or wider community. A great example of this, is the piece ‘The Four Of Us In August’.

I could go on an on about the poems in this collection. I would talk more about the friendships on show in this collection, but they are so special I will let you find out for yourself.

This pamphlet is a showcase on people and place, friendship and time.  It is relatable, heartfelt and soulful poetry.

To read more about Jen and buy this book, find more details at https://jackdaweditorial.com/

To listen to Gorge and other poems by Jen on Iamb click here.

Favourite Poem:
‘Let’s Start A Commune’ followed closely by ‘Gorge’ and ‘Will You Be My Friend, Grace Dent’.

One More Thing…

Broken Spine Arts are holding two workshops in April. Untamed: Writing Without Fear is on April 13th with Write the Night taking place on April 27th. I have attended both of these workshops in the past and found them engaging and useful. I managed to craft solid poems from each workshop. Also, all funds made go directly into Broken Spine’s Award Fundraising Campaign. Details of Broken Spine Events can be found here: https://thebrokenspine.co.uk/event-calendar/

And Another…

The landmark 60th Anniversary issue of Poetry Wales is now available celebrating 60 new Welsh poets. For more details click here.

Finally…

There are a couple of really good submissions open at the moment that I’ve saw online. Links are below, and if you’d like me to share more competition or submissions news let me know in the comments or on social media.
The Madrigal
The Interpreter’s House (opens on 1st April)

Next Week’s Read

  • Title: Debone and Fold
  • Poet: Si Griffiths

Just Before You Go

I was very sad to hear of the passing of Ivor Daniel, an incredibly kind and supportive poet and man whose work I admired for his distinctive style. Matthew MC Smith has created a beautiful tribute to Ivor which includes some of his work here.

Mark Anthony Owen has also paid tribute to Ivor on Iamb. You can hear Ivor recite his poetry here.

Take care and be poetic,

Paul

The Book Bag: Mountains That See In The Dark by Regine Ebner

Welcome back to The Book Bag. I hope you’ve all had a poetic week.

Well what a week it has been. After 70 years without a domestic cup, Newcastle United finally won the League Cup at Wembley. Since then, it’s been a bit of a whirlwind of emotions. I attended an awayday at work and heard a speaker discussing change which was really interesting. I also met a friend for a catchup over food and drinks.

On top of that, I’ve been reading;

Mountains That See in the Dark

  • Poet: Regine Ebner
  • Press: Black Bough Poetry

A few weeks ago, I shared my thoughts on Regine Ebner’s pamphlet ‘Oxidized Pennies’. I said that a new collection was coming from Regine in the near future, and readers, it has arrived.  You’ll also know that I’m a massive fan of Regine in her poetry and for her adventurous spirit.

The collection, recently announced as nominated for a Forward Prize by Black Bough Poetry, is divided into 6 sections (including bonus poems), each taking inspiration from the mountainous desert terrain that serves as a backdrop for much of Regine’s poems. A page ‘About Regine’ gives details as to how her life was shaped and how she arrived in the desert.

Her skill in economy of language has evolved since Oxidized Pennies. Two compact poems; ‘Citrine’ and ‘Drunk Confetti’ illustrate this, with word choices connecting to their underlying themes more vividly. I can also say the same for ‘Jellybean Hill’ and ‘A Myriad of Leaf’.

Regine plays with the spectrum of colour deftly in the collection. The pieces ‘Apparitions’, ‘Cracked Surfaces’ and ‘Hurricanes’ paint the wilderness of the mountainous desert region brilliantly, lifting them from the page to the mind’s eye.

The imagery throughout is exceptional. I could list countless poems in this collection where it felt as though I was immersed in landscaped scenes unfamiliar to me. I will pick out the following as examples; ‘Bonds of Salted Land’, ‘Missions and Slit Rail Fences’ and ‘Hushed Peaks and Glory Columbine’.  A great deal of the pieces are love letters to the environment that Regine calls home.

I read a quote at the Northern Poetry Library a while ago that said ‘…Poetry is painting that is felt rather than seen’, and this collection is definitely testament to that.

Poems including ‘Love and Beasts’ and ‘Desert Streets’ play with movement in differing ways. The shifts in pace really engage the reader further rather than rushing them through to a crescendo of a closing line.

Mountains That See in the Dark is a tremendous second ‘album’ that will appeal of lovers of imagery woven throughout emotional and natural reckonings. This is precise poetry that resonates.

To buy Mountains That see In The Dark, and find more about Regine, click here. It is available in both Paperback and for Kindle.

Favourite Poem:

Doorways.

One More Thing…

My efforts to start a new online poetry writing group have ramped up and will soon be sending out invites. The plan is to host every 6 weeks midweek, probably a Thursday evening (UK time).

Next Week’s Read

  • Title: A Dress With Deep Pockets
  • Poet: Jen Feroze

Take it easy and stay poetic, I’ll catch you next week. If you have any recommendations in the meantime, please leave a comment.

Paul

Resurgency

The terrace-surrounded oak is reclaiming its land.

Unseen subterranean tentacular incursions
move through mychorrhizal maps and attack .

Successful missions lift the grip of tarmac from pavement and road,
opening arteries and veins like a villain in a horror movie.

Saplings encamp along front lines;
fortifications of shoots climb slowly and
self-seeded wildflowers and mercenary-moss
shore up defences.

A hi-viz council kill squad
arrives at the battlefield too late. 
The war has already been won. 
A new country has emerged despite attempts to suffocate progress.

Their wasp-cry chainsaw lays claim to trunk. 
An undignified toppling of a head of state. 
In their minds, man must always win 
however hollow a victory.


Photo by Collab Media on Unsplash

The Book Bag: Sleepers Awake by Oli Hazzard

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week was the second week of training in my new role at work and has been very busy. The Executive team sent me a box of chocolates to congratulate me on the new role which was unexpected but greatly appreciated. I struggled at my Sax lesson due to my bust shoulder but it was fun all the same. Also, I really enjoyed the speakers I saw at Alnwick Story Fest. All very different topics but important too. Did I blow my budget on books? Yes. I also picked up this week’s collection though. 

Poetry-wise I’ve started drafting some pieces and submitted a couple of poems. I’ve also started work on creating an online writing group.

On top of that, I’ve been reading;

Sleepers Awake

  • Author: Oli Hazzard
  • Press: Carcanet Press

Sleepers Awake opens with a sprawling 56-page poem encompassing various forms and themes. Progress: Real and imagined pulls in multiple directions like a fever dream or string of consciousness. 

The poem is very clever in that it involves writing a poem in response to a painting by Nicole Eisenmann. However, before returning to finish, the poet must deal with the distractions of everyday life. As in real life, the distractions are constant, external and internal. 

The shifts in form bring changes in pace and thematic subjects, keeping you engaged as a reader. I didn’t lift my head for a while, giving the occasional ‘ooh’ and chortle. 

At times the piece becomes very meta, referring to language choices made to increase the poem’s status. The act of adding a pear to make the piece ‘more hummy’.

I have to credit Oli Hazzard for such a well-crafted and complex piece.

Oli Hazzard is adept at wordplay, the poem ‘Postpositivity in Spring’, is a string of economical couplets split into sections, with each couplet starting by ending the previous one. Smart work.

‘Sleepers Awake’ is a terrific display of imagery and lyrical language to discuss snowfall in Glasgow. There’s also romanticism at play here which I really enjoyed. This is my second favourite poem in the collection.

We are treated to plenty of contemporary references within the collection. Pieces including ‘Dingdingdinggedicht’, ‘Living, etc’ and ‘Earth IV’ are all strong examples of being restrained in use to deliver the best impact. (Side note: The Hufflepuff reference made me chuckle. My wife played  a Hufflepuff in the first Harry Potter movie.)

Music is mentioned throughout the book. The poems ‘Composed at Edberg’ and Theory of The Lyric are the obvious titles to note, but then there is another immense sequence titled Incunabulum. 16 poems made up of 4 stanzas with 4 lines per stanza. The lines are too long to fit on the page in ‘portrait mode’ so were printed in landscape. The arrangement has multiple musical qualities and is another show of skill and craftsmanship. I must say this shows a great relationship between Oli Hazzard and Carcanet as I’m sure this would have caused some challenges when printing. 

Buy this book if you’re into poetry that is thought-provoking in terms of theme and form, like some humour and a musical quality to your poetry. This is a collection that stretches traditional themes into the current poetic sphere.

To buy Sleepers Awake, visit the Carcanet Press here: https://www.carcanet.co.uk/cgi-bin/indexer?product=9781800172999

Favorite Poem: 

Progress: Real and Imagined for the sheer scale, effort and complexity.

Before You Go…

Black Bough Poetry has an open mic on Wednesday 12 March 2025 kicking off at 7:15 pm. It’s a great forum to test poems in a supportive environment with a wonderful host, Matthew Smith. Details here.

One More Thing…

Full House Literary have released the latest issue of their litmag and it is visually stunning with incredible poetry, prose, art and other fascinating creative work.  Read it here.

And Finally…

Broken Spine Arts is running a weekly poetry prompt on Blue Sky. #PoemsAbout is every Friday and they also now run a regular #PoemsAbout open mic to get involved in. Find out more about the open mic here.

Next Week’s Read

  • Title: Chris Campbell
  • Poet: All Island, No Sea

Take it easy and stay poetic,

Paul

The Book Bag: Fast Music by Hugo Williams

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week was the first week of training in my new role at work and has been busy but I’ve enjoyed every minute. My new teammates are great and have been very welcoming. At the weekend I got to Alnwick StoryFest to listen to some speakers and picked up next week’s Book Bag collection at Barter Books. I’ve also written and edited a few pieces in an attempt to curate a pamphlet.

On top of that, I’ve been reading;

Fast Music

  • Author: Hugo Williams
  • Press: Faber & Faber

I picked up my copy of Fast Music on my recent visit to Richmond. It was tucked in the wrong place on the shelf, or the right place as it grabbed my attention and I bought it alongside Heritage Aesthetics. 

Fast Music is split into two parts; Part 1 focuses on daily life, and Part 2 is an arrangement of sonnets charting a love affair. 

‘Fast Music’ is a great display of injecting nostalgia and humour into a poem without overcooking it. The image of ‘black bakelite planets spinning to heaven’ made me smile and reach for my vinyl. Throughout the collection, lyrics and music are mentioned including the opening piece ‘Undiscovered Islands’ which sees Williams as a sailor looking to chart his way through life. ‘Pennies From Heaven’, also the title of a Bing Crosby song, is a poem of two halves depicting his father as both serious and fun-loving.

‘Pause For Thought’ is a contemplation about how you can see yourself in a moment however this will look completely different to an onlooker. The fact this is a poem about being unable to write a poem but looking like he is writing is very meta. 

‘Enter Mr White’ gives a glimpse into Williams’ attitude towards declining health and what may lie beyond. References to medical science are throughout this piece until it transfers to saintdom, notably the Mexican day of the dead.

Dark humour can be found in the poem ‘Fear School’, where schoolboy name-calling (adopted by the teacher also) culminates in the subject of the piece, seeking revenge. It feels immature when you read it, but it displays actions and consequences, although subverted. 

The sonnets in the collection are tremendously varied. ‘The Plunge Club’ spills excitement from the page, whereas ‘Sell-by Date’ is a wry conversation on condoms, both the use and the lack of opportunity to use. Not your typical sonnets. The sonnets take you every which way in terms of feeling. ‘Blue Angel’ has an authentic sense of true longing.

This is a great buy for poetry and music lovers.

Although I wasn’t familiar with Hugo Williams’s work before reading this (yes, this makes me look like an amateur based on the awards and recognition he’s received), I’ll be tracking down his previous work to relish the wit throughout this work. 

You can find Fast Music available to buy here along with a small biography.

Favorite Poem: 

The Story So Far.

Before You Go…

I, alongside 11 other poets have been nominated for The Broken Spine Reader’s Choice Award 2025 for my poem ‘The Thief’. Voting runs from 1st -7th of March 2025. Details can be found here. 

And Finally…

Black Bough Poetry has an open mic on Wednesday 12 March 2025 kicking off at 7:15pm. It’s a great forum to test poems in a supportive environment with a wonderful host, Matthew Smith. Details here.

Next Week’s Read

  • Title: Sleepers Awake
  • Poet: Oli Hazzard 

Take it easy and stay poetic,

Paul

The Book Bag – Rescue Lines by Lesley Curwen

Welcome back to The Book Bag. I hope you’ve had a poetic week.

This week, I’ve been to the cinema, done some stargazing, visited Morpeth, received some valuable feedback from my mentor, written some pieces, edited some pieces, researched some local mythology, read Orbital by Samantha Harvey and drank lots of lemsip. 

On top of that, I’ve been reading;

Rescue Lines

  • Author: Lesley Curwen
  • Press: Hedgehog Poetry Press

I had the pleasure of meeting Lesley in person at the famous Black Bough Poetry Party, where I first heard about this pamphlet. Lesley is widely published and recently guest-edited Black Bough’s Christmas / Winter Anthology (a great read). Lesley is also a broadcaster and sailor.

Rescue Lines is a highly personal pamphlet, dealing with forced adoption, coercive control, finding and losing a sister. Before I go further, let me state, that this is an important book. 

The collection opens with ‘To A Lifeboatman’. A poem about being saved at sea. Throughout the pamphlet, Lesley uses the sea in a variety of ways. ‘A View Of Plymouth Breakwater’ uses it as an outlet of rage. ‘The Seas Between Us Grow Every Day’ uses the sea as a measure of distance in terms of mourning and recovery. In the poem ‘Unmoored’, we see the healing nature of water. 

‘Sister with Bees’ is a visceral piece using bees to display the nature of coercive control. The way Lesley describes the onset of a swarm, illustrates the danger and the speed at which people can succumb to a horrible situation. ‘Irresistible Pull’ is a raw and brutal poem.

‘Full Sister, Half Known’ is deeply saddening and tackles the separation of Lesley from her sister using a sewing machine as a vehicle for the narrative. This is an evocative and brave piece to write. ‘Without End’ is an incredibly moving poem that struck a chord. It made me reflect on my own experiences of grief. ‘Afterness’ brought me to tears. 

This collection is tragically sad at points however, the final poem ‘My Sister’s Eye is Opal’ is a wonderful tribute and shows how Lesley and her sister are still connected through a bestowed ring. 

Get this collection. It is uncompromising, challenging and brave. The truest form of poetry.

To find out more about Lesley, check out her website at: lesleycurwenpoet.com

If you’d like a signed copy of Rescue Lines, you can contact Lesley on X @ElCurwen, 

Unsigned copies are available here: https://www.hedgehogpress.co.uk/product/rescue-lines-lesley-curwen-print-edition/

Favorite Poem:
My Sister’s Eye is Opal.

One More Thing… 

Lesley had a chapbook of Eco Poetry published by Dreich Poetry Press in 2024 available here;
https://hybriddreich.co.uk/product/sticky-with-miles-lesley-curwen/

And Finally
Two upcoming courses that may pique poetic readers’ interest, both on the Sunday 16th February and no overlap so if you wanted you could do both…

Untamed: Writing Without Fear by Alan Parry of Broken Spine Arts – I’ve attended several of Alan’s workshops and they are always informative and engaging. Tickets and Details here;
https://www.eventbrite.co.uk/e/untamed-writing-without-fear-with-alan-parry-tickets-1126372493449?aff=ebdssbdestsearch

Crafting Your Year in Poetry – A Strategic Workshop for Poets by Matthew MC Smith of Black Bough Poetry – I’ve attended this and it’s given me a great drive and focus. It is a real boost to your practice and helps identify how to get where you’re going. Tickets and Details here; https://www.eventbrite.co.uk/e/crafting-your-year-in-poetry-a-strategic-workshop-for-poets-tickets-1134533804149?aff=ebdsoporgprofile&keep_tld=1

Next Week’s Read

Looking ahead, here’s what’s next in The Book Bag

  • Title: Blossomise
  • Author: Simon Armitage

Take it easy and stay poetic,

Paul

All Of Us Horses

Wild stallions overrunning cobblestone streets 
gallops fierce as northern thunder, 
manes a frenzy of electric-shock wind; 
all thoughts of consequences 
trampled in the wake of lightning-hooves. 

Shoots of meadows sprung up 
in tarmacked alleys and avenues. Band of brothers separated,  
searching for pastures of their own to graze. 

Love bridles all. Reins accepted willingly. 

Untethered and unburdened by expectation, 
when we horses herd together; 
                                                         we canter.

Photo by Vladimir Vujeva on Unsplash

The Book Bag – Back From Away by Damien B Donnelly

Welcome back to The Book Bag. Last week, I read Panic Response by John McCullough and gave my thoughts on the collection.

This week, between finding out I have been nominated for the Pushcart by Broken Spine (details here), hearing I have a Christmas poem forthcoming in the Hedgehog Press Christmas Annual (details here), attending the 2nd launch of Consolamentum by James McConachie hosted by Matthew MC Smith of Black Bough Poetry where I read The Armchair, and submitting to a couple of presses, I’ve been reading:

Back From Away

  • Author: Damien B. Donnelly
  • Press: Turas Press

I’ll begin by acknowledging how much I value what Damien does for the poetry community and how much I appreciate what he has done for me from when I was taking tentative steps into my poetry journey. Being included in the Eat the Storms podcast gave me confidence and pushed me forward. 

Back From Away is a collection covering Damien’s return to Ireland following a well-travelled life. It is divided into two sections: Away and Back. It deals with aspects of lived experience, belonging, identity, and relationships. The pieces in this collection are honest, passionate, and very frank. 

Vivid imagery is found throughout the collection in poems such as ‘Shanghai Streets, ‘‘Far From Home,’ ‘Kamsahamnida,’ ‘Not Everything Is A Competition,’ and ‘Walking the Line.’ The language captures not just what’s on the page but what lies beneath. I especially appreciated the depiction of navigating Shanghai.

In Between the Floorboards and An Antique Letterpress in Amsterdam, the use of floorboards as a measurement of space both literally and figuratively is so well executed. Sometimes in poetry, you see something and think, I wish I thought of that. 

Relationships are scattered throughout the pages of the collection. Damien handles these poems in a multitude of ways including using particle physics in ‘The Scent of Something that Never Existed’, eating horse in ‘Better than Nothing’, and recalling songs in ‘Memory Is Often All We Can Hope For.’ The relationships explored in the Back section of the book hit me hard. Poems such as ‘The Blunt Butcher’, ‘That Snarl Amongst the Goddesses’ and ‘Mechanics’ are great representations of how poetry can be used in a way to describe situations that can’t be simply explained. ‘Mechanic’ had me welling up. 

Along with a variety of topics, Damien uses a range of forms from more formal structures to pieces like ‘The Wave’, ‘Tides’ and ‘The Sum Of’. Here he guides the reader through in delicately controlled way.

If you don’t have this book, then you should. The honesty and emotion is both palpable and visceral, a tour de force from a huge talent.

Find out more about Damien and his projects here: https://deuxiemepeaupoetry.com/ 

For information about the Storms Podcast & Journal visit: https://eatthestorms.com/ 

To order Back From Away, visit Turas Press here: https://turaspress.ie/shop/back-from-away-by-damien-b-donnelly/ 

Favorite Poem:
Late Light is number 1 followed by This Act & Between The Floorboards.

One More Thing… 

There are translations of non-English words in the glossary section and some interesting footnotes including a Johnny Cash appearance. 

And Another…

Back From Away featured heavily in poetry recommendations on the Top Tweet Tuesday reviews week, so you don’t just need to take my word for how good it is. Also, I must get back in touch with Damien as I hope to dive back into a Storm…

And Finally… 

I have been kindly asked to read at an event being hosted by the super-talented poet Louise Longson on Thursday 12th December 2024 on Zoom. Called Human / Nature, the readings explore a sense of place and space. The lineup is stellar and tickets can be snapped up on the following link for free: https://www.eventbrite.co.uk/e/human-nature-poetry-readings-exploring-a-sense-of-place-and-space-tickets-1094310144099 

Next Week’s Read

Looking ahead, here’s what’s lined up for my book bag next week;

  • Title: The Keeper of Aeons 
  • Author: Matthew M C Smith

That’s it for this week’s reading roundup! If you’ve read any of the books I’m sharing or have recommendations for what poetry I should be reading, drop a comment below. 

Take it easy

Paul

Before The Apple Bobbing

The effigy burns 		   slowly 
until he’s blessed with 		       lighter fluid 
and turps.         Inferno, 	like hell, 
swallows the straw-man 			     whole. 

Innocent faces stare wide-eyed - 
claret cheeks gorging 		      liquorice Catherine-wheels 
while their spin-fizz namesakes 
frizzle		   out 	     defiant 		    sparks 
in the face of 	   Roman candles. 

Lies are told about the name's origin  
by the man in charge.   
‘Oh, Catherine Wheels were named for a king’s wife.’  
Nobody questions Akela.  
Instead, Baloo seethes redder  
                than the flame-licked luridness 
                                                         emblazoning the yard.

                                                         Explosions ensue.




Featured image: Photo by Alexis Hunter on Unsplash